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The character of iago
The character of iago
Character analysis of Iago
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He called her whore. A man of noble intent, the man she loves so desperately and so irrevocably. She has never done a thing to offend him, and yet he looked her in the eyes, he saw her devotion to him and only him. And he dared call her whore. What sins might she have committed in the shadows, where not even I have seen her, that would lead the noble Moor to turn such a phrase? Lay my soul at the stake, I know she is innocent. I love her too, and as it seems, in a way so much truer and fairer than the once noble Othello. And perhaps that demerits his supposed love. Perhaps he does not love her as he says. And perhaps Desdemona is almost foolish to behave so purely, when it seems no man will ever believe a woman can be faithful and true. I know …show more content…
But I have a price. Though I love my Iago, I might make choices unaligned with what he would decide for me, if the rewards were right. Or if I was Desdemona, I would take advantage of Othello’s mistrust. If he cannot believe she is faithful, than she may as well be as disloyal as he assumes. The Moor calls her a strumpet and a devil, having no proof of his accusations. My word can be his proof. I will confront him, for I know she is not a sinner. But if Othello does not believe me, then she may as well be. She’d do better to enjoy herself and claim her body as her own than to give in to him now. It’s a husband’s fault if their wives do fall. Oh, to strike her in front of all those powerful men! I would hope Iago would never do the same to me. No, he would never. Iago treats me as a woman should be treated, and he respects my loyalty. I’d still do anything for him, for I’m nothing but to please his fantasy. I am bound to him, by duty and by love… and the handkerchief… I was obliged to take it. His means for it are surely more important than Desdemona’s sentimental needs. He’s an important man! He must have important purposes. I mustn’t dwell on his intentions, for they are his and his alone. She so loves the token, but he of course needs it
Othello’s feelings toward Desdemona are vacillating. He loathes her for her infidelity and, at the same time, he is devoted to the faithful Desdemona he once knew. These conflicting emotions are developed using a mixture of metaphor and contrast.
Iago's honest betrayal has left Othello pondering over Desdemona's faithfulness. Believing the words of his most honest ancient, Othello gullibly succumbs to his insinuations of his wife, Desdemona, as being unfaithful. Through Othello's soliloquy, he is not the self-confident General formerly portrayed as. Instead, his indecision over his wife's infidelity has caused him to explore his flaws as a human being, showing signs of appearance versus reality.
She is madly on love with Othello and would do anything to please him. Overall our understanging of Desdemona is increased and we picture her in a different light from Act 1, where she was just a young innocent lady.
Sometimes people never know how another person’s actions affect them until it is too late. Shakespeare’s Othello rings true to this belief. Ever faithful to the “bro-code”, Othello strongly listens to Brabantio’s sullen advice, and warps Othello’s perception of his marriage to Desdemona. Othello believes every man in this play, but he does not believe in the woman who pledges her life to Othello even though Desdemona allows herself to marry in an unorthodox fashion. If it were not for Brabantio’s negative outburst, Othello’s small mind acquires no seeds of doubt towards his beloved wife Desdemona, and Shakespeare’s Othello premise ceases to exist.
The more Othello realizes how much would value his future with Desdemona, the more betrayed he feels. Othello begins to think that his entire investment in Desdemona is for naught, transforming Othello’s passion into spite. Iago exploits the underside of deep devotion - jealously. The emotions Othello feels - attachment, jealously, and hate - drives him mad, obscuring the logic of the situation - that Iago is only spreading fantasized rumors about Cassio and Desdemona. Instead of confronting Cassio, Othello accepts Desdemona’s treason as truth. Iago may have mastered Othello’s emotions, but Othello allows his emotions to consume him. People need to confront their feelings and not lose track of logic. Otherwise, even something as sincere as Othello’s fondness for Desdemona can turn one into a
In relationships, there cannot be two headstrong characters; someone has to take the backseat every once in a while. Desdemona’s objective throughout this play was to be the strong woman that we know her as, but to preserve her unconditional love for Othello.
Also in this scene, we see how much Othello had trusted, loved, and believed in Desdemona. He says, "I do not think but Desdemona's honest" and "If she be false, O then heaven mocks itself! I'll not believe't"(3.3.223, 275-6). But he does suspect her, and it seems these statements are only there to convince himself that she really is true.
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
...race, beauty and status put her on a pedestal like a goddess allowing him to idolize her and therefore never truly deserve her. Beneath his noble persona on display for all to see, the idealistic view of his wife, leads him to believe that she will never be able to fully reciprocate the love he has for her. Iago’s exploitative tactics used for revenge trigger Othello’s fatal insecurities to surface for the ultimately climactic ending in which he smothers Desdemona with a pillow before discovering “honest” Iago had been deceiving him, as well as the majority of the other characters, the entire time. Outraged, Othello attempts to stab Iago as revenge for being manipulated into killing his beloved wife, however when his hasty murder attempt fails, the heartbroken and worn-out man stabs himself next to the already dead Desdemona, whom he never believed he was worthy of.
...or Desdemona and attest to her innocence” (Gruber 100). It is, “Desdemona’s disobedient insistence on her innocence [that] maddened the priestly Othello and hastened her death” (Calderwood 363). Ironically, Othello finds out the truth only after he has smothered the life out of Desdemona and silenced her permanently and many others have suffered unjust deaths as well. Once Othello learns the truth, he can no longer live with the guilt of having killed his innocent wife. He is definitely not the man that he wanted to be. He feels as if the only way to escape the coming judgment is to take his own life.
Fluffy’s View “I don’t want to die tomorrow knowing I could’ve had a piece of cake tonight.” This is a quote from the comedian Gabriel Iglesias, and I feel that it encapsulates the energetic and positive personality that everybody knows him for. Gabriel is of Mexican heritage and is also a very big guy, which he pokes fun at by calling himself “Fluffy” as his stage name. He often likes to use his race or appearance in the jokes he tells to add more of a personal touch to them. I will be using the stand-up comedy special, “I’m Sorry
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
Othello being a soldier had only ever had formal relationships based mostly around work until he met Desdemona who he formed his first relationship controlled only by emotion and love that they held for each other. The fact this was his first personal relationship with a woman made him naive in this new experience. Othello's lack of experience made him vulnerable to Iago's falsehoods "In Venice they do let God see the pranks they dare not show their husbands; their best conscience, Is not to leave't undone, but keep't unknown." Iago says to Othello planting a false idea of Venetian woman in Othello's mind. Othello having little knowledge of Venetian woman is easily persuaded to believe Desdemona is unfaithful to him. If Othello had of been a little wiser in lo...
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...
...first time she disobeys her husband’s orders” (Cassal 4). Even though she was killed in the end, her act of honesty opens Othello’s eyes that was previously blinded by jealously cause by Iago.