Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Explanation of othello 2019
Explanation of othello 2019
The character of iago of othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Explanation of othello 2019
The dialogue between Cassio and Iago discussing Desdemona is short and seemingly meaningless. But the way each of them describes Desdemona and the way the two men’s statements mesh together reflect significantly both on their respective characters and on the insidious nature of Iago’s vengeance.
On the one hand, Cassio describes Desdemona with highly polished and refined imagery. A well-to-do Florentine lieutenant, Cassio is a member of the upper class, and his highbrow language demonstrates that very well. When Desdemona arrives at Cyprus, Cassio claims that “the riches of the ship is come on shore.” (II, i, 92) Here, he states variously that Desdemona is “a most exquisite lady,” “a most fresh and delicate creature,” and that “she is indeed perfection.” His lush language emphasizes Desdemona’s purity and innocence and thereby makes him seem both noble and gentlemanly. Earlier, Iago stated his suspicions that Cassio has romantic feelings for Desdemona; that may or may not be true, since Iago’s perspective is not objective. Regardless of any existent or nonexistent feelings, however,...
Iago repeats what he heard Cassio say. “Sweet Desdemona,/Let us be wary, let us hide our loves!/…O sweet creature!” (3.3.434-437) then Cassio rolled over and kissed Iago believing him to be Desdemona. Iago says this may have just been a dream, but that is a reason for suspicion. The words Cassio use imply that he and Desdemona have shared a bed and are secretly lovers. He calls Desdemona “sweet” and wants to “hide (their) loves.” This gave Othello the proof he needed to believe that his wife, and by connection his masculinity, have been taken from
Othello’s feelings toward Desdemona are vacillating. He loathes her for her infidelity and, at the same time, he is devoted to the faithful Desdemona he once knew. These conflicting emotions are developed using a mixture of metaphor and contrast.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
I’ll make thee an example” Only because Desdemona has been awaken he will do harm. Desdemona is shown in many different ways in this scene; Iago’s many faces has different opinions of Desdemona; one of sexual desire, one of hate, one of friendlyness. Othello is deeply in love with her and sees nothing but joy and innocence. Cassio only sees goodness and compliments her in every possible way. Desdemona herself is a young woman but brave, strong and witty; her presence in Cyprus and leaving her father and marrying in secret all show her brave and less innocent side.
Another key element that was used was courtly love, where Shakespeare mocks by how he wrote the interactions between Othello and Desdemona. After further researching the term courtly love and the concept of the courtier, it confirmed my original understanding of the interactions between Cassio and Desdemona; which can likened to that of a lady and her knight of that of who hold no actual desire for physical romance between them. As well as added more depth in how the relationship between Othello and Desdemona and how it may have formed. The story of “Othello” can be truly said to be a tragedy, but many lessons can be learnt from
Further dramatic tension is created in Lodovico’s polite address towards Desdemona being contrasted with Othello’s domineering commands (pg153). lines 1-10). Dramatic tension is also conveyed through characterisation in Othello’s embodiment of the attitude of a. typically patriarchal man, and Desdemona’s obedient tolerance. Evidently, Othello takes pleasure in publicly victimising Desdemona. who has in turn come to fear Othello.
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
These lines are the first hint given that Desdemona may not have always been completely captivated by her husband. These words, not denied by Othello, sit in contrast to his own. Upon hearing her words, Othello seems a changed man, depressed and submissive, his new attitude brought on by “Desdemona’s own honest account of her original feelings for Othello and the role Cassio played in Othello’s winning of her” (Macaulay 269). With just a little concern for Othello’s own pride, Desdemona have chosen to withhold some words or soften their blow. Instead, her own pride continues to lead her headlong onto a destructive
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
The three characters of Iago, Desdemona and Othello are gradually revealed to the audience as Act One unfolds. All three are linked to one another and talk to and about each other. Their characters unfold through their interaction with others and how they behave in isolation. The first impression formed of Iago comes from what Roderigo says. Being gullible, Roderigo has given Iago his purse. A character who accepts an offer like this is likely to be of doubtful reputation. The first words spoken by Iago are a strong oath. Already it is obvious that he has little respect for religion. Iago also sees little point in fighting purely in theory. He despises Cassio, partly because he has never fought physically. It becomes apparent that Iago is the dominant one in his "friendship" with Roderigo. He talks the most and has many opinions. Iago looks down upon those who serve others and explains that he is only serving Othello for his own gain:
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love Cassio.