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Comment on the role of women characters in Othello
Revenge tragedy othello
Importance of women in othello
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Act two of the play introduces the setting of Cyprus, the area where the remainder of the play will take place and shows the stricken Desdemona, worried out of her mid for her lover who is behind schedule in his arrival. Iago soon makes his entrance and when questioned, expresses his views as to why women are deceitful and cunning in the way they act towards others as well as how they attract men. What started out as frivolous questioning soon turned into a full out debate between Iago, his wife Emilia, and Desdemona. Their quarrel soon ended upon the arrival of the vessel carrying Othello, as well as great news of the destruction of the Turkish fleet. Iago immediately begins planning his next move upon hearing Othello’s joyous cries of victory …show more content…
During act five, Othello eventually ends up alone with Desdemona and confronts her intending to end her life. Desdemona forgives Othello even as he is smothering her. Having fulfilled his “revenge,” Othello had to only wait for Iago and hopefully hear the good news about Cassio. Iago’s plan didn’t go so well though, he and Roderigo had set up an ambush for Cassio who had been on a walk that night. Unknowing that Cassio had been prepared in case a situation such as this arises, Iago and Roderigo attacked Cassio. Cassio survived the situation with an injured leg, while Roderigo was not so lucky and lost his life from Iago’s sword. Upon returning to Othello, Iago was confronted by Emilia to find out his true intentions and to discover what he had said to Othello and why he was telling lies. Iago was reluctant to answer these questions and denies everything despite threats from both Othello as well as people present at the scene. Othello, angered by Iago’s refusal to speak the truth, receives the answers he desires from Emilia who tells the audience of Iago’s true nature. Iago gets captured shortly after killing his wife and becomes the focus of Othello’s anger. Othello unable to satisfy his desire for revenge, is faced with two decisions: be captured along with Iago for the crimes he’s committed, or kill himself andjoin hi beloved wife in the afterlife. Othello chooses suicide although it appears that he may attack when he draws his sword, and ends the
The beginning of the play starts when Iago and Roderigo were discussing about their plan of Iago wants to be second-in-command and Roderigo wants to make love with Desdemona. Next, they went into a dispute with Desdemona’s father about Othello marrying Desdemona. When, Othello marry Desdemona, Iago first plan was to get Cassio lose his job by getting drunk and into a fight. Afterwards, Desdemona tries to convince to Othello about giving Cassio’s job back. Then, Iago gets Desdemona, Othello, Cassio, and Bianca stuck in a situation about who are cheating on what, the handkerchief and Cassio’s job. Later on, Iago got in trouble of the evidence that reveal everything that actually happen in the play. Lastly, Othello killed himself, Iago receives imprisonment with torture, Emilia dies later and Cassio became the governor of Cyprus.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
In Act 4, Scene 2 of Shakespeare's Othello, imagery and other stylistic devices are used in lines 48-74 to develop the lack of communication between Othello and Desdemona. This passage foreshadows tragedy, as it illustrates that Othello no longer trusts his wife. It is apparent that Iago's plan will be a success.
We get introduced to Iago and Roderigo, who are scheming about getting back at Othello or so called the Moore, for promoting Cassio to lieutenant instead of Iago. We find out that Iago’s plan is to be friendly to everybody in order to gain their trust and betray them. They go to the house of a person called Brabantio, to tell them that Othello has stolen his daughter. He is in shock because this is Venice a place of logic and peace. This makes Barbantio pissed and he gathers up a mob to find Othello. Iago snags off to buddy up with Othello to make himself look like a good guy. Iago tells Othello that he is his “friend”. Cassio comes in to tell Othello that duke request him. Barbantio then comes in to accuse Othello of using dark magic to seduce his daughter and tries to arrest him. Othello says that they were both summoned by the duke. The duke and the senator are discussing the war in Cyprus. That the Turkish fleet is coming. We find out that Othello is a general and they need him for the war. However Barbanto explains what that “Othello stole his daughter” and the duke agrees with Barbantio that whosever took his daughter should be punished. Othello explains that he and Desdemona fell in love when she heard him tell stories Barbantio about his life and experiences. Brabantio doesn’t believe Desdemona isn’t like that, but then Desdemona comes in for herself and says she did fall in love with Othello. Barbantio accepts
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
This forces the second insecurity that of his power being made a mock by his friend and newly appointed lieutenant. In order for all to die as Lago wants, he conveniences, Roderigo, to go after what he loves, the wife of Othello, Desdemona, by killing Cassio. Roderigo try’s but fails to kill Cassio, yet Roderigo is wounded; Lago runs out to finish off, what he thinks is Cassio when he sees it is Roderigo wounded. Lago acts like Cassio’s friend, as he does all, and stabs Roderigo, allowing him to die. Lago then competes convincing Othello of this betrayal, who then takes his wives life without believing her innocence pleas. Emilia, Lago wife, and Desdemona’s servant comes into her dying lady and is maddened by the death. She then gets into an argument with Othello which is overheard by Lago, Montano the governor of Cyprus, Gratiano and Lodovico both Venetian nobles and kinsmen to Desdemona’s father Brabantio, and others come in. It is then Emilia, knowing what her husband has done by planting the evidence of the fake betrayal, proceeds to tell on her husband for all he has done and Cassio backs her up; thus allowing Othello to know he was wrong. In the end, Othello, in turn, takes his own life, for taking the life of his wife and not her at her word. Prior to doing so, he speaks of not being wise in love, yet loving well and kisses his dead wife stating his dying
Conflict is a major issue in Othello, the source for all the problems in the story all lead back to love and jealousy. Love can be an extremely powerful thing in life. It can easily draw two people closer together or simply destroy something that could have been great. Ironically similar, jealousy can tear something apart just as fast as love can. This timeless tragedy starts out in Venice, with a plot to attain revenge on Othello. Iago and Roderigo are simply jealous with the fact that Othello has promoted Cassio to his lieutenant instead of Iago, along with the bitterness they both shared towards Othello to begin with (Shakespeare for Students, Othello). Together, Iago and Roderigo have come up with a plan to ultimately push Othello over the edge. For starters, Cassio unwillingly has told Iago that he is capable to be easily intoxicated and well obviously Iago uses this information against Cassio. Long story short, Cassio has stirred up a brawl to which in the long run costs him his new status as lieutenant. After all of this goes down Iago, trying to seem like the concerning friend, convinces Cassio to speak with Desdemona, Othello’s new bride, about the situation. Luckily, so Cassio thinks, Desdemona does such and tries to talk with Othello to have his dear friend reinstated. It is possible for people to make mistake. Once again Iago uses Cassio’s ignorance against him. All through the story almost every little detail and event all leads back to the scheme of Iago. Iago is thinking this could not work out better for me, so his next thought of process is that this conversation between Othello and his dear wife Desdemona will make Othello’s mind play tricks on him. Soon there after Othello is advised to keep closer watch of hi...
"I follow him to serve my turn upon him," said Iago (9:45). From the beginning of the story Iago has a cruel intent bent on destroying Othello merely because the job that he sought after was given to young Cassio. Exactly why his hatred burns so bright is unclear because it was not uncommon to lose a position to another soldier. With or without reasonable justification for revenge, Iago immediately starts to tear Othello apart by informing Brabantio (Desdemon's father, Othello;s wife) that she is out with a black ram and committing unjust acts. As time progresses Iago becomes more wrapped up in his lies that he even begins to believe that Othello has slept with his own wife, Emelia, and now he has even more reason to hate "the Moor", "I hate the Moor and it is thought abroad that `twixt my sheets `has done my office"( 55:429-431). Iago is so obsessed with his revenge on Othello that he does not care what happens to anyone else so long as he is happy. In the process of hurting Othello he manages to have Roderigo killed, Cassio severely injured, his own wife Emelia is slain by his own hands, Desdemona dies at the hands of her husband Othello, and after everything Othello kills himself. Sadly Iago accomplishes his revenge but with so many casualties and then he himself is tortured and killed for his part in the great conspiracy, but before he is punished he has to see that Cassio will be the one to take Othello's place (a strange irony since it was Cassio that Iago was jealous of).
Iago’s initial jealousy of Cassio led him to seek revenge, thus moving the entire plot. He also fuels his hatred of Othello by convincing himself that Othello slept with his wife. His jealousy initiated many of the other characters’ jealousy, which resulted in multiple negative consequences. This included the death of Brabantio, Roderigo, Desdemona, his wife Emilia, and finally Othello. He was also punished for his jealousy. He is arrested and it is implied in the passage that he not be killed, but instead, tortured until he talks.