Orientalist Musings and their Applicability to Three Kings

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Orientalist Musings and their Applicability to Three Kings

The concept of Orientalism is one in which Edward Said, a renowned intellectual with a solid background in the field of Arab study, is particularly knowledgeable. If the concepts surrounding Orientalism are broken down into specific elemental degrees, then Said portrays the American conception of Arabic entities and their inhabitants with a plethora of stereotypes that generate a false depiction of the Arabic culture. This, of course, is only an extremely small portion of the grandiose Orientalist dilemma that is currently quite prevalent in modern day society. Yet, for this paper’s ultimate purpose, this sector will be the sole focus. As Said intimates, the lens that the Americans utilize in order to acquire information about Arabs is one that reflects perceptions falsely. This lens is skewed in order to protect and support certain interests, whether they be American or western based. Movies, particularly when generated through the Hollywood action- based genre, have an false generalization of the way in which an Arabic people are. In some respects, the Hollywood produced movie, Three Kings, is a pertinent acknowledgment of the former. In many portions of the film, the enumerated antics may cause for a feeling of disdain toward the Arab nation. Yet, compared to the majority of the typical Hollywood action-based films, Three Kings manages to break away from these abhorrent stereotypes and provide a more than average acknowledgment of the sheer complexity of the Arab people as individual, separate from Saddam Hussein. Therefore, Said’s primary proposed conception of Orientalism is challenged and the Arab is depicted as a person trying to fight Hussein.

In correlation with Said’s Orientalist argument, American film portrays the Arab as the enemy, but in Three Kings this concept is challenged. Typically, by the end of an American film, there are a significantly greater number of Arab bodies than that of the superpower, in this case the United States of America. To a greater extent, Three Kings plays around with this typical film-like mentality. In the film, when the men are stranded and are looking for some way to escape from the village and rescue their man Troy, George Clooney states, “we are not supposed to be involved with this, we killed Iraqi soldiers, violated the peace accord, and a plane will not come for us.

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