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Hollywood orientalism
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Based on the theme of this movie, the travesty of Japanese history in ’47 Ronin’ can be seen as a failure. Whereas the ignorance in cultural differences of clothing and hairstyle between Japan and China is one of the most obvious examples. In the Edo period, the Japanese traditional hairstyle worn by samurai is called Chonmage (topknot haircut). Only men of high rank and status such as nobles and samurai were allowed to have this haircut. Besides, it was considered a disgrace to have the topknot cut off. (Yasuka, 2015). Yet, a hair style for men in the movie all have long hair and did not tie it up which similar to the hairstyle during Hun period in Chinese history. This might imply that the chonmage hairstyle is not well-accepted by European …show more content…
In term of ideology, Orientalism has been defined as the framing of prejudices that bolster a sense of European superiority over the East and thus implicitly or explicitly legitimate imperialism and colonialism, the exploitation of subjugated people deemed culturally or racially inferior to the dominant culture. To emphasize this ideology, the movie made the main character a Westerner and ended with the same old plot, a white man saves the day. Keanu Reeves starred as Kai, a half-breed who was adopted by the benevolent Lord Asano Naganori and in love with Asano’s daughter, Mika, while others samurai sneered and looked down at him. There are two contradict reasons that can be explain why the main cast turned out to be a European which completely vanished the sense of Japanese. First, no one can deny that Keanu Reeves is one of the most famous actors in the United States and of course, his reputation would attract more audiences to pay for the movie. It is noticeable that the movie tries to stress the fact that during the feudal period foreigners are not welcomed or accepted by Japanese people as well as Kai who cannot be a samurai because of his mixed ancestry. The samurai insulted and disdained Kai, but after the unjust death of their lord, surprisingly, they need to ask for Kai’s help so that they can defeat the enemies. In this case, it seems that the purpose of this movie is to broaden Japanese people’s perspective that it is unjustified for the foreigner to be considered as an unlucky charm or misfortune object. On the other hand, it does not sound right for a half-white character teaching the Japanese how to use a sword, defeat the Japanese demons, and lead to the true nature of bushido. While the group of ronin strictly believed in spiritual and tradition, Kai set himself along the line of logical and rational. Besides, it is Kai who is able to defeat a powerful witch
The samurai of Tokugawa Japan, the yangban of Choson Korea, and the gentry of Ming China were three very powerful and elite groups of East Asia. These groups consisted of high ranking government officials with judicial power and influence. Although the groups were located in the same region they had their similarities and differences in how they obtained power and how they used their power. Japanese samurai were military nobility who had almost as much power as the emperor, but were not the highest ranking officials whereas the yangban officials of Korea were the highest ranking rulers. The gentry of the Ming period of China were once high ranking rulers; however, the gentry were defined as retired Chinese bureaucrats. Socially, all of these groups, at one point or another, were high ranking officials with power in office. The elite groups ruled in different areas of Asia, but they had similarities as well as differences in sources of power, functions as officials, and the problems they faced as elite groups in Asia.
Akira Kurosaw’s Seven Samurai is a film that encompasses various ideologies in order to allow the audience to understand the lives of Japanese people during the 1600’s. The film delves deep in social issues of the roles of the people within the society, the expectations as well as the obligations within the respected castes and elements within groups of ; suffering, working together, protecting family and working for the better good of the community.
Kokoro opens with the depiction of a White man by the narrator. The narrator discusses the Westerner as a non-threatening individual who was swimming with his Sensei. He described the Westerner as wearing Japanese clothing, acting in taking cues and acting as Sensei does, swimming among other Japanese people. The narrator does not describe himself as being frightened or threatened, yet he feels overcome with a feeling of thinking this particular Westerner was “quite extraordinary.” (Soseki 1957, p. 4). This is in stark contrast of many of the early depictions of Westerners. For example as Duus describes Japanese individuals as referring to Westerners as “red-haired barbarians.” This also was described in class discussions as we viewed paintings by Japanese individuals who demonized Westerners and made them lo...
The Yakuza (Pollack, 1975) was an interesting movie using the blend of American and Japanese culture to help build the storyline. This neo-noir film is about a man that returns to Japan, after World War II, to retrieve the daughter of his friends. Though he completes his mission he is pulled into something deeper that could claim his life. His movie is mostly about relationships between characters and how they change with better understanding of each other. Not only that, but the relationship between East and West. Using the Japanese culture the audience is enlightened about “many salient social and anthropological facts about Japan and its culture.”(Meyer, 1998) Like for instance that “Yakuza” is formed from numbers that when combined equal 20, which in Japanese gambling is an unlucky number. I take this in direct correlation with what happens to the characters in the movie, they seem to lose a lot before thy make it through to the other side of the storm.
Anti-Asian bigotries, with their origins in the 19th century, added to the way Americans rapidly radicalized World War II within Asia. Racist beliefs concerning the Japanese reached its highest in the aftershock of the destructive surprise attack at Pearl Harbor (Maddox, 138). Americans started to classify World War II as two very different wars, the Pacific war and the European war. In Europe, Hitler and the Nazis were identified as enemies and were distinguished from the German people as a whole. On the other hand, in the Pacific, American antagonism was usually targeted the entire Japanese race or the “Japs” as they were called. Throughout the war, the Ja...
Racial demeanor towards the Japanese has existed long before the Japanese Empire attacked Pearl Harbor on December 7, 1941. Even back in 1905 some Americans despised the idea of growing immigration from Japan. These white workers claimed that the typical Japanese man was “bumptious, disagreeable, and unreliable”, and that the country would be blessed to receive less “oriental labor” (Japanese
Asian Americans only make up a small percent of the American population. Even more significant is that this percentage live mostly on the west and east coasts of mainland United States and Hawaii; leaving the rest of the American population to most likely get their exposures to Asians through television and movies. However the exposure they have receive throughout the history of cinematography has been hardly flattering. Throughout the course of history Asians in film have been portrayed as evil or the "yellow peril" as described by others. If Asians are not being classified as evil in this picture then they are most likely the comic relief, with their lack of coordination or grasp of the English language. With these common stereotypes in place, it gives a white American viewer a sense or need to destroy this Asian villain or superiority over the comedic character portrayed in the film.
Japanese immigration created the same apprehension and intolerance in the mind of the Americans as was in the case of Chinese migration to the U.S at the turn of the 19th century. They developed a fear of being overwhelmed by a people having distinct ethnicity, skin color and language that made them “inassimilable.” Hence they wanted the government to restrict Asian migration. Japan’s military victories over Russia and China reinforced this feeling that the Western world was facing what came to be known as “yellow peril”. This was reflected in the media, movies and in literature and journalism.4 Anti-Oriental public opinion gave way to several declarations and laws to restrict Japanese prosperity on American land. Despite the prejudice and ineligibility to obtain citizenship the ...
Originally from Japan, Soyen Shaku was the first Zen master to arrive in America. His followers urged him not to come to a nation that was so ill-mannered and uncultivated and that the Japanese were facing extreme discrimination. Shaku’s countrymen Hirai Ryuge Kinzo “offered pointed examples: the barring of a Japanese student from a university on the basis of his race; the exclusion of Japanese children from the San Francisco public schools; the processions of American citizens bearing placards saying ‘Japs Must Go!’” (Eck 185). After several decades, there was a Zen boom of the 1950s and that was how Buddhism affected western culture, especially in regards to entertainment. “‘Zen’ is “the Japanese pronunciation of the Chinese character "chan," which is in turn the Chinese translation from the Indian Sanskrit term "dhyana," which means meditation’” (Lin).
The need for Americans to physically draw out the two ethnic groups is ironic and racist. It is racist because all the descriptions provided on the Chinese and Japanese were based on the Americans’ perspectives towards the people, they were all stereotypes of Asians in general. On the other hand, it is ironic because the Americans claimed that the Chinese were their ally, yet they couldn’t tell the differences in appearance between a friend and an enemy. In conclusion, not only did the Japanese’ attack surprised and frightened the nation but it also revealed the ignorance of
“Ever since African civilisations bloomed, hairstyles have been used to indicated a person’s marital status age, religion, ethnic identity, wealth and rank within the community” (2002:3)
Western people influenced Japanese people to follow the American culture. The western culture had a huge impact in the Japanese people because American’s were in Japan’s territory so they decided to follow the western culture. ‘’After Japan surrendered in 1945, ending World War II, Allied forces led by the United States occupied the nation, bringing drastic changes. Japan was disarmed, its empire dissolved, its form of government changed to a democracy, and its
Many religions are popular within the Japanese culture. Two of the most influential religions, Shinto and Buddhism that help shaped a lot of Japanese values are Shinto and Buddhism, played a large role in shaping Japanese values. Numerous similarities and differences run between these two religions; nonetheless, the Japanese often believe in more than one religion at the same time. This is possible due to the polytheistic nature of most popular religions in Japan. It is not hard to say that religion is a big part of Japanese culture because a lot of religious beliefs can still be seen in their everyday lives.
Japan is a large island off to the east of China it is a great country that has a rich culture. The Japanese religion is based off of two main beliefs, the belief in Shinto and Buddhism many Japanese people believe consider themselves both. The Japanese people were known to be around as early as 4,500 B.C. They have constructed their government style to a constitutional monarchy where they do in fact have an emperor, but he has limited power within the country. The main power of the country is held by the Prime Minister of Japan. Japan is made up of many islands that extend along the Pacific coast of Asia. The land area is made up of a lot of forest and mountainous area that cannot be used for agricultural, industrial or residential use. Japan also has one of the largest and growing economies in the world. They are growing every day and it is all because the people of Japan work very hard in order for their economy to flourish as it has.
Orientalism is a tradition of Western representations of the Orient, created in the context of Western political dominance over the Orient, which understand and master the inferior.