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Odysseus death
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In the Oresteia there seems to be a continuing cycle of revenge. Someone is murdered and then a relative must kill the murderer, therefore becoming a murderer himself. A new chosen one is then selected to take revenge on that person who killed before him and the cycle goes on and on. The furies also play a part in this cycle of revenge. They seek out those who kill their blood relatives and haunt them and torture them for eternity. So basically they also take revenge for the ones that have been murdered. Revenge is a continuing theme throughout the play until Athena has a hand in making it come to an end.
Apollo sends Orestes to visit the goddess Athena for judgment in the case of him murdering his mother because the furies continue to pursue him even though Apollo has washed his hands clean of the murder. He tells Orestes, “we will find the means to free you from this toil you’ve been caught in, once and for all. For I persuaded you to kill your mother” (97-9). Apollo is taking responsibility for this murder that Orestes committed. The furies, however, are not concerned with the fact that Apollo ordered Orestes to take revenge for his father. They only seem to focus in on the fact the he did murder his mother. The furies have no care as to why he did it, so Athena will be the one to listen to their cases and decide who is in the right or wrong.
When finally he reaches Athena’s court, he tells her of the previous events. He says, “So I returned, after my years of exile, an...
The character of Orestes is somewhat down-played in The Eumenides and in fact his role is far less significant than that of Apollo. Our first sight of Orestes sees him in a contradictory stance at Delphi, "Orestes holds a suppliant's branch in one hand, wreathed with a shining, pious tuft of wool, but in the other hand a bloody sword - bloody from his mother's wounds or from Apollo's purges, or both, since purging contaminates the purger and Apollo's shrine is polluted either way." (Fagles, R., The Serpent and the Eagle, p. 73, Penguin Classics, 1977.) Orestes admits his guilt (with no small amount of rationalization) but also attempts to place the bulk of the blame on Apollo, "And Apollo shares the guilt - he spurred me on, he warned of the pains I'd feel unless I acted, brought the guilty down." (Aeschylus, The Eumenides, Robert Fagles Trans., lines 479 - 481, Penguin Classics, 1977.) Apollo is representative of the new gods and, more particularly, of Zeus. "In the rapid succession of scenes at Delphi the representatives of the male and female divine forces appear before our eyes in bitter enmity with each other. And, they are indeed only representatives. Apollo speaks with the voice of Zeus... and hence of the Olympian patriarchy..." (Harington, J.,...
She woke up and told her father that she would wash all the clothes, her and her mates when down to the shore and washed all of their clothes they got naked and started playing and running . They woke up Odysseus with all the noise and laughter and she tries to help him. She gives him clothes to put on and she told him to meet her at her family's town so Odysseus goes and he finally gets to town and Athena disguises herself as a little girl and leads him in front of the gates and puts her magic so the king wouldn't see him and Odysseus got inside and ran to the queen and hugged her legs and the queen excepted
...o all guests saved Odysseus and helped him return home to his wife, son, and kingdom. Even though people from many different kingdoms and islands took Odysseus in their home and showed him great kindness on his return home, the individual who helped him most was the goddess Athena. In many occasions Athena assisted Odysseus. One such example is when Odysseus was fighting of the suitors and they threw spears at him. "Re-forming, the suitors threw again with all their strength, but Athena turned their shots, or all but two (p 566)." Another instance which Athena aided Odysseus was when she disguised him as a beggar on his arrival to his homeland. "Would even you have guessed that I am Pallas Athena, daughter of Zeus, I that am always with you in times of trial, a shield to you in battle (p 444)." "Your goddess-guardian to the end in all your trials (p 539)."
Ultimately, Athena has a great effect on all three of the main characters within The Odyssey. She is the one who finally sets in motion the return of the great warrior king Odysseus and helps him attain revenge on the suitors once he arrives in Ithaka. Athena helps to make Telemakhos brave and hopeful for his father to return home, giving him the courage and direction he lacked without his father for the first twenty years of his life. Even Penelope received help from the grey-eyed goddess in finding ways to protect herself from the advances of the suitors. Reading the classic epic poem The Odyssey, one can see how the great goddess Athena's relationship with Odysseus, Telemakhos as well as Penelope exemplifies how she impacted everyone she came across.
The deeds enacted by Agamemnon and Orestes were the same by definition, but different by motive. Agamemnon's motives were impure in his decision between his daughter and his war. He chose to conquer Troy at Iphigenia's expense. For such a ruthless act, consequences are inevitable, and Agamemnon met his punishment at the hands of his vengeful wife, Clytemnestra. Orestes was able to escape such a fate due in part to his faith in the gods, his reluctant desire to kill, and one goddess' (Athena's) mercy. The matricide committed by Orestes was padded by vengeance, and validated by retributive justice. Athena identified with Orestes during his trial on the basis that neither she nor Orestes had a true mother, and thus cast the final stone in favor of Orestes.
In the last portion of 'The Orestia';, titled 'The Euminides';, Aeschlyus describes the trial of Orestes, who is brought in front of a jury on the charge of matricide. The jury hands in a tied verdict and the goddess Athena casts the deciding vote in favor of Orestes. This of course begs the question: Was Athena's decision fair? I believe that this decision was in the best interest of fairness because Orestes was motivated by Apollo, enraged by the murder of his father, and aggrieved by the vicious cycle of antisocial behavior that was running rampant in his family.
Homer’s poem The Odyssey depicts the tendency of people to ignore the consequences of their actions. Odysseus punished Penelope’s suitors without thinking of consequences that he would have to endure. He did not acknowledge the consequences because that would prevent him from doing what he wants to do. Odysseus wanted to kill the suitors; they ate away at his fortune. Finding consequences for murdering the suitors would force Odysseus to realize what he is about to do is not a good idea. Odysseus chose to ignore the consequences and killed the suitors anyway. Odysseus had absolutely no reason to kill the suitors; they had the right to stay in his home because Penelope made them feel welcome, Penelope and Telemachus both told them that Odysseus was dead, and although Telemachus told them to leave, he did not have the right to do so.
When she approached the my statue she sighed happily and uttered, “My, this is a beautiful temple. It is a shame it is wasted on Athena for I obtain more beauty than her, perhaps one day people will build an even grander temple to my beauty.”
She later sparks a flame inside of Telemachus to embark on his journey to find his father. At the first destination Telemachus arrives at, Athena appears once again in the court of King Nestor. She appears in the form of an eagle to represent that she is beside Telemachus in his righteous journey to find his father. When hearing of her son’s departure, Penelope becomes extremely distraught. In an attempt to reassure and comfort her, Athena appears as a “glimmering phantom” and says these comforting words, “Take heart, and don’t be so afraid. The guide who goes with him is one many men pray for to stand at their side, a powerful ally- Pallas Athena. And she pities you in your grief, for it is she who sent me to tell you this” (Homer 342). There are many motivators for Athena in The Odyssey. Some could argue she relates with Penelope, and provides protection for her household throughout the years. Others may say she is enamored with Odysseus because of their relating character traits. Athena basically takes on the motherly role of watching over both Telemachus and Odysseus. She monitors both of the men’s journeys, and allows them to go through tribulations in order to grow emotionally and spiritually. Brian Lower a literature professor from Union College wrote,” Athena allows Odysseus to experience the storm, but not die. She knows that it will make him stronger for it. There is an
determines the ultimate fate of the world. Oedipus tells the Messenger: “Apollo. told me once – it is my fate – I must make love with my own mother. shed my father’s blood with my own hands” (418). Oedipus learns this at a young age and desperately attempts to change his fate. He leaves.
Bar-elli, G. and Heyd, D. (1986), Can revenge be just or otherwise justified?. Theoria, 52: 68–86. doi: 10.1111/j.1755-2567.1986.tb00100.x
Throughout history, revenge, or vengeance, has been altered by several cultures and even the American culture. This is shown throughout many ancient greek epics. Throughout these two epics, what is just revenge and what the action of revenge is are much different than what Revenge is seen through today’s society. Revenge is the main theme in The Iliad, with Achilles’ revenge on Agamemnon and Hector, and in The Odyssey, with Poseidon’s revenge on Odysseus and Odysseus’s revenge on the Suitors, and these epics define how revenge was seen in the ancient Greek world.
He attends Hippodameias marriage where he uses the gorgon head (transmutation of Athena) and changes
In Herodotus’ story, the bones of tragic hero Orestes served as protection for the Tegeans. Fagle’s allusion is crucial to Sophocles’ depiction of redemption as a result tragedy, in Oedipus at Colonus. In Oedipus at Colonus, we finally witness the triumph of free will over fate. Due to free will, Oedipus is doomed to suffer, and because of his damnation, he learns to accept they ways of the gods and is thus blessed in death (Lines 424-433). We can therefore conclude that Oedipus’ desired free will to escape his fate, led him to redemption. Despite his redemption, fate continues to influence the lives of his children: Antigone and Ismene doomed to carry their father’s shame, and Polynices and Etiocles, doomed to kill each other. Overall, we notice that in Greek Culture, fate holds more power over free will, but it is only through free will that the Greeks through learning by suffering, and are thus blessed by their gods. In conclusion it is safe to say that though fate holds more influence over free will, both fate and free will are of equal value to the Ancient
The Dilemma that Orestes is facing is deciding whether to obey Agamemnon or Clytemnestra. With whatever Orestes decides might or not affect his fate. If he decides to kill Clytemnestra, he will be hunted down by the furies who are out to kill him. Orestes decides to obey the God of Apollo, which he will then sacrifice himself in order to keep the peace.