The Philharmonic Orchestra performed at Lindenwood University Friday March 3rd at 8 O’clock. The Orchestra was under the direction of Robert Hart Baker. I have never attended a live orchestra performance so it was eye-opening to listen to the beautiful sounds that arose from the array of instruments in the orchestra. There were about ninety members and more than half of the members were string players which consisted of a lot of violins, cellos, and basses. Behind the strings sat the brass and woodwind instruments which consisted of trumpets, trombones, tubas, clarinets, flutes and oboes to name several. The percussion section was aside the woodwinds and brass. A choir followed in the last piece played and were placed behind the wood winds and brass.
The first piece they performed is titled, Pique Dame Overture and it was composed by Franz von Suppe. Suppe was an “Austrian composer of light operas. He greatly influenced the development of Austrian and German light music up to the middle of the 20th century” (Britannica). He composed and directed several pieces during his time. Richard Kozarski
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I enjoyed listening to the orchestra and choir perform together. The lyrics represented the moods and emotions about the creation and the beginning of life. As the composer, himself writes, “The Gift of Life is a six-movement choral celebration of the living earth, of creation, and of life itself, offering a kaleidoscope of moods from contemplative and prayerful to majestic and inspirational” (Rutter). Each of the six movements were all variations of each other, lyrically speaking. First movement is titled, O all ye works of the Lord, second, The tree of life, third, Hymn to the Creator of Light, fourth, O Lord, how manifold are thy works, fifth, The gift of each day and the Finale: Believe in life. The choir’s lyrics consisted of sacred texts and hymns that corresponded with the
The overture grew out of 17th century baroque dramatic works which began with either a French ouverture, the word from which the term is derived, or an Italian overture (Sadie, 1980). Composers such as Lully, Purcell and Handel used the French overture which is in two sections, each marked with a repeat. The French overture begins with a slow homophonic section frequently using dotted rhythms often ending on a half cadence and then moves to a faster fugal or "quasi-fugal" section which usually makes a return to the slow tempo and rhythms of the first section (Stolba, 1998). The Italian overture, or sinfonia as it was sometimes called, was written in three movements which are fast-slow-fast in order, the finale often written in a dance like character (Peyser, 1986). By the eighteenth century, this type of overture prevailed for operas even in France with the first movement becoming longer and more elaborate. Sonata form was generally used and a slow introduction would often begin the work (Sadie, 1980). Due to the loose terminology of the eighteenth century, symphonies and suites were sometimes called overtures (Peyser, 1986). The slow-fast-slow alternation of tempos foreshadowed the order of movements in the Classical symphony, lacking only the menue...
Or Jupiter or the Sun. The second and final was the Lord Nelson Mass, composed by Joseph Haydn. In this concert, the two performances differed greatly, unlike the last performance that I went to. The previous one that I attended had music that all sounded very similar to me. That could just be my lack of experience with American music, especially music that was composed hundreds of years ago.
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
I chose to do my concert critique on Eric Clapton-MTV unplugged full concert-HQ January 16, 1992 at Bray Film Studios in Windsor, England. Eric Clapton is my favorite rock n roll singer which has a mixture of genres. The concert was inside and on stage. The audience was seated up close to the stage which made the atmosphere comfortable; Eric and the band showed much warmth and connected with the crowd it wasn’t like the band was untouchable.
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
The two concerts that I chose to go see were Stanislaus State Wind Ensemble and Jazz Ensembles & Combos Concert. These two concerts are both very similar yet different in their own ways. Each piece also has many attributes to contribute and it was fun being able to watch two very different genres.
I will begin my description of the music that I heard at the LACMA concert with the work that I liked best. This was the new discovery from Kinderszenen’s Ahnung, the composer of this piece was Robert Schumann, U.S. Premiere performed by the pianist Luiza Borac. This piece was first beginning with the repeating chords accompanied with the soft moderato me...
Eastern Washington University Department of Music presented a program of Opera works by Giacomo Puccini, Aron Copland, W.A. Mozart, John Dowland, Franz Shubert, Maurice Ravel, and Robert Schumann on Friday, March 7, 6:30 p.m., in the Music Building, Recital Hall. These Opera works were sung by Senior Recitalist, Alexandra Rannow.
The Philadelphia Orchestra is an American symphony orchestra in Philadelphia, Pennsylvania. Their concert hall is at the Kimmel Center for Performing Arts, where they perform for their patrons during their main season, September to May, in Verizon Hall. This has become the orchestra’s performance hall since 2001, since they also own the Academy of Music, which is the oldest operating opera house in the nation since 1957. The orchestra also performs for its Philadelphia audiences during the summer at the Mann Center for the Performing Arts. The orchestra was founded in 1900 by Fritz Scheel, who also acted as the first conductor. The current and eighth music director is Yannick Nezet-Seguin, who was appointed in 2012 (The Philadelphia Orchestra, 2016).
Jazz is a music genre that is very rich in culture which is why I decided to attend a Jazz concert. This was my first Jazz event I had ever been to. I went to see the band The Chairman and the Board. This was a blues swing band. Having been to other concerts, I was expecting something similar as far as atmosphere and crowd. I was proved very wrong as this concert defied all my expectations and was in a whole different field as far as life entertainment goes. The first thing I noticed right off the bat was the audience. The age range of this audience was mainly 40-70. I definitely felt like the odd man out when I was there. It did get me thinking though, why was this audience so much older? I looked into the era of when most of those people
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
The first piece on the program was Polonaise from Eugene Onegin (1878). This piece is from the Romantic period composed by Pyotr Ilyich Tchaikavosky (1840-1893). Very short piece probably around six minutes. The variations and the interesting theme made this piece the most interesting among the other compositions despite the length of this piece, but it was amusing. The piece started with trumpets playing short high notes as an introductory, with the accompaniment of violins playing quick short notes. It sounds like if it was played in a major key, very cheerful and very fast like if the tempo is Vivace. Moreover, trumpets throughout the piece reinforce the harmony. Throughout the piece varies styles were used such as legato (smooth connected style).The texture of this piece is homophonic ( one line of real interest with accompaniment). The rhythm of the piece is really catchy, pretty much predictable; most of the piece variations are centered on the main theme, but it is very pleasing to the ears (consonant).
The Fort Wayne Philharmonic chamber orchestra brought the Baroque and Classical eras to life at the First Wayne Street United Methodist Church, with their orchestral rendition of Royal Mozart. The orchestra provided the audience with a night full of compositions from prominent musical composers such as Ludwig Van Beethoven, George Frideric Handel, Franz Joseph Haydn and Wolfgang Amadeus Mozart.
The orchestra was well amplified throughout the Lincoln Center Opera House because it was clearly heard from our upper mezzanine seating. Sunken down below in front of the stage is where I found the opera orchestra. The opera orchestra, which is quite similar to a full symphony orchestra, was starting to warm-up as I entered the "jewelry box". In the orchestra pit I found aerophones, which included, oboes, clarinets, bassoons, horns, trumpets, trombones, as well as a flute, piccolo, english horn, bass clarinet, contrabassoon, bass trombone, and a tuba; chordophones, which included the first and second violins, violas, cellos, and a harp; membranophones were made up of the percussion and a timpani. The dynamics range from piano to extreme fortissimo throughout the four act opera. This helped the audience grasp the feelings and emotion that the characters were trying to displ...
There is an event that I just can describe as one of the most unique and memorable in my life: attending my first concert. After years of listening to Ron Pope’s music, watching his YouTube channel, and following all of his social media accounts, the satisfaction of seeing someone whose music has been the soundtrack to my life for so long was unreal. There were moments that I had to internally remind myself that this is, in fact, happening in real life. Being a dedicated (some may say eccentrically so) fan is tough work – and I was rewarded with two hours of pure magic for one night. Attending my first concert was a unique event that I will always remember fondly because of the atmosphere, the amazing performance and the sense of connection