Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Explaining Traditional African Family Practices
Explaining Traditional African Family Practices
Purple hibiscus general overview
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Explaining Traditional African Family Practices
In Purple Hibiscus, Adichie explores the intricacies of fifteen year old Kambili’s life as she is forced to deal with the reality of her father’s oppression when placed in contrast with the freedom and joy of her cousins’ lifestyle. Papa, a mimic-man of colonialism, ashamed of his past and now fearful of insubordination requires perfection from his family. Kambili lived to please her father, and was ashamed if she let him down in any way. “I wanted to make Papa proud, to do as well as he had done... I needed him to smile at me, in that way that lit up his face, that warmed something inside me. But I had come second. I was stained by failure”(39). Initially, this seems to reflect normal feelings that little girls have for their fathers: a view …show more content…
His expectations for her are abusive as they are unrealistic and rob her of any sort of freedom. Papa issues them a strict schedule which outlines what they are to do with each hour of the day. If the schedule or a rule is broken Kambili and her family are physically beat by Papa (102). Kambili and her brother Jaja are expected to come first in their class each semester at school (39). Papa twists religious references to justify his expectations and emotionally manipulate Kambili. Upset with Kambili for placing second in her class, Papa says, “Why do you think I work so hard to give you and Jaja the best? You have to do something with all these privileges. Because God has given you much, he expects much from you. He expects perfection” (47). Kambili’s words must be well thought out, not to reflect her opinions, but to please her father …show more content…
Aunty Ifeoma and her children are not so influenced by the Western Culture. They can appreciate their culture while still practicing Catholicism. They are educated to genuinely think for themselves: asking questions, developing opinions, and enjoying conversation with one another. Conversely, Papa is consumed with keeping up an appearance of perfection in the eyes of Western Culture. He insists on speaking English and abhors all things related to his native culture. His standards of perfection for his family are instituted out of a place of personal shame and a fear of
Wakatsuki describes Papa as “a poster, a braggart, and a tyrant”. But he held on to his self-respect” (58). He was “absurdly proud” (54) that he went to the law school, even though he never finished. Prior to the evacuation and internment, his self-esteem was not destroyed. When “Papa was taken to the prison, he did not let the deputies push him out the door, instead he led them” (8).
When thrown into a foreign country where everything new is particularly strange and revolting, the Price family would be expected to become closer; however, the exile from their homeland only serves to drive the family farther apart. In Leah’s case, as a impressionable child in need of guidance in a dramatically foreign country, she remains loyal to her father, idolizing his close-minded ways. This blind devotion unknowingly
On an everyday basis teens all around the world fight and disagree with their parents. In the passages Confetti Girl and Tortilla Sun this very thing is clearly demonstrated. Both stories feature two teenage girls that have lost one of their parents. They both now face the daily struggle of agreeing and relating to their remaining parent. In Confetti Girl, the narrator is constantly overlooked and out shadowed by her father’s favorite thing, books and literacy.
Aunty Ifeoma, wanting her niece and nephew, to experience something outside of her brother’s structured home, convinces Father, using religious reasons, to let Kambili and Jaja visit her home. Shocked by the schedules given to Kambili and Jaja to follow during the stay, Aunty Ifeoma takes them away and integrates them into her family, making them do shifts for chores. At a time when her cousin’s friends come over, Kambili “wanted to talk with them, to laugh with them so much...but my (her) lips held stubbornly together… and did not want to stutter, so I (she) started to cough and then ran out and into the toilet” (Adichie 141). Kambili, unfamiliar to the house full of light-hearted arguments and constant laughter, finds herself trapped inside her own emotions, incapable of expressing them. Just like any other hero enters a new place with different values, Aunty Ifeoma’s home had a set of completely different values, and Kambili initially has a hard time adapting to this
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
It is the first time that Lizabeth hears a man cry. She could not believe herself because her father is “a strong man who could whisk a child upon his shoulders and go singing through the house.” As the centre of the family and a hero in her heart, Lizabeth’s dad is “sobbing like the tiniest child”She discovers that her parents are not as powerful or stable as she thought they were. The feeling of powerlessness and fear surges within her as she loses the perfect relying on her dad. She says, “the world had lost its boundary lines.” the “smoldering emotions” and “fear unleashed by my father’s tears” had “combined in one great impulse toward
The amount of female support Kambili receives in Nsukka from Aunty Ifeoma and Amaka ultimately help her gain confidence and show her the meaning of what it feels like to be free from male dominance. Aunty Ifeoma illustrates that she is not afraid to speak her mind in any situation especially when you have done no wrong. When Papa abused Kambili after she dove after the ripped painting of Papa-Nnukwu, Aunty Ifeoma immediately spoke and sai...
The first part of the book gives an account of Immaculée’s family background. The love she experienced from her parents and her three brothers is illustrated. Her parents cared for everybody, particularly the poor. Because of the love with which she grew up, she never realised that she was living in a country where hatred against the Tutsi, her tribe, was rampant. It was not until she was asked to stand up in class by her teacher during an ethnic roll call that she realised that her neighbours were not what she thought them to be – good and friendly. After struggling to get into high school and university, not because she was not qualified but because of discrimination against her ethnic background, she worked hard to prove that if women are given opportunities to...
“Girl” written by Jamaica Kincaid is essentially a set of instructions given by an adult, who is assumed to be the mother of the girl, who is laying out the rules of womanhood, in Caribbean society, as expected by the daughter’s gender. These instructions set out by the mother are related to topics including household chores, manners, cooking, social conduct, and relationships. The reader may see these instructions as demanding, but these are a mother’s attempt, out of care for the daughter, to help the daughter to grow up properly. The daughter does not appear to have yet reached adolescence, however, her mother believes that her current behavior will lead her to a life of promiscuity. The mother postulates that her daughter can be saved from a life of promiscuity and ruin by having domestic knowledge that would, in turn also, empower her as a productive member in their community and the head of her future household. This is because the mother assumes that a woman’s reputation and respectability predisposes the quality of a woman’s life in the community.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.
No matter where one grows up, they will always strive for their parent’s approval. The location, the time, or their age will not determine if they would love for their parents to approve of them. The problem usually uproots because the parents grow up in a different generation than their kids. Some parents want their kids to do better than them, or grow up as they did. In Hosseini’s Kite Runner and in Amy Tan’s The Joy Luck Club, express the problem that children have getting their parent’s approval very well.
My thesis statement is that children’s innocence enables them to cope in difficult situations. Children generally have a tendency to lighten the mood in sad situations because of their innocent nature. They turn even the saddest situations to mild, innocent situations. This is evident when Marjane says “these stories had given me new ideas for games”, (Satrapi, 55). By saying this she refers to her uncle’s stories of how he and other prisoners were tortured in prison. Stories of torture have never been easy to hear even for adults but Marjane so innocentl...
Her realization that she is not alone in her oppression brings her a sense of freedom. It validates her emerging thoughts of wanting to rise up and shine a light on injustice. Her worries about not wanting to grow up because of the harsh life that awaits her is a common thought among others besides the people in her community. As she makes friends with other Indians in other communities she realizes the common bonds they share, even down to the most basic such as what they eat, which comforts her and allows her to empathize with them.
Since Sister was affected the most by certain actions of the family, Welty narrated this short story through Sister’s point of view to show how the function of the family declined through these actions. Sister was greatly affected when her sister broke the bonds of sisterhood by stealing her boyfriend and marrying him. Secondly, Sister was affected by the favoritism shown by her family towards her younger sister. Since her sister was favored more than her, this caused her to be jealous of her sister. For example, Sister shows a lot of jealousy by the tone she uses when describing what Stella-Rondo did with the bracelet that their grandfather gave her. Sister’s description was, “She’d always had anything in the world she wanted and then she’d throw it away. Papa-Daddy gave her this gorgeous Add-a-Pearl necklace when sh...
In the beginning of the story, Kambili is a fifteen year old girl who is painfully shy, her brother, Jaja, is a seventeen year old whom is beginning to rebel against his devout, abusive and perfectionist father. The first sentence of the story is the beginning of the coming of age. " Things started to fall apart at home when my brother, Jaja, did not go to communion and papa flung his heaven missal across the room and broke the figurines in etagere"(PAGE 3) The commencement of the their coming of age story is followed by an eruption of violence in the opening paragraph.