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Negative impact of graffiti
Conceptual art essay questions
Negative impact of graffiti
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Street artists are known to be vandalizers and are considered to have no respect for the outside world. However, there are creative and well thought out artists that put their feelings into their graffiti art. One of them is known as Banksy. Banksy is an unknown artist that roams and does graffiti art around the United Kingdom and also has a few in San Francisco. He became such a sensation around the world because of his unknown identity and as well as his symbolism behind all of his arts. People do not think of his art as stains on a wall, but as a hidden message. There are people that travel around the world just to look at Banksy’s arts to take in the message right in front of them. There is one art in particular that has caught my eye and that is the art that seems to have a boy with a gas mask and …show more content…
He wanted there to be controversy and discussions about the topic. He wanted there to be an impact on the United States and to see how far his artwork can go in terms of people debating. I feel like some people do agree with his statement and that is okay. Not everybody has the same opinion about the way that the United States is currently in. I bet there are people walking down the street that look up to see the art and have an instant discussion on whether or not Banksy is correct and I believe that is powerful. I can see people having these types of discussions for however long that artwork is up.
In conclusion, I do not believe in Banksy’s quote, but I do like how it created a way to discuss and have a little bit of a controversy. All of his arts do have meanings and symbolism and that is what makes him unique from most other graffiti artists. I still can’t believe that his identity is still unknown to the world for this long. I especially wonder how he wasn’t discovered by cameras yet. All in all, his unknown identity and his symbolism in his art is wonderful, but it can create a lot of
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Three years later, enter Banksy, a world famous street artist from England. Banksy has become famous ironically through his use of anonymity as an artist. Banksy will choose a city somewhere in the world and embark usually on a month long anonymous crusade where he “tags” different buildings with culturally and politically motivated works of “street art”. When Banksy descended on New Orleans, he painted 14 works of street art in total, but the painting that stood out as the most glaringly political was the painting called “Looters”. (Banksy story)
” This was the start of his obsession with recording everything in his life, even if it went nowhere but into a box, never to be seen again. His habit soon became a driving force in his life. During a trip to visit his family that lives in France, he was introduced to the world of street art. That trip that he took in 1999 helped set the stone to the life that Theirry had yet to discover what it would create. In Banksy’s movie, it explains how the simple idea of putting your joy, or something that you love, up on a wall for everyone to see was an amazing thing.
A popular contemporary graffiti artist, Banksy, creates intriguing and intricate designs for public display on regular and everyday streets. His rising popularity serves as a catalyst for the renowned importance of the attainability of visual literacy. Visual literacy is the ability to understand and interpret the message of a visual image or object, and having this skill is becoming increasingly important in todays culture. According to Zemliansky, the first crucial step towards developing visual literacy is to treat visual messages as text and arguments. Although the message of most visual images are ambiguous, it is still logical to surmise that different ideas can stem from one image because of our varying perception due to varying experiences,
Although many people believe that Graffiti is vandalism, it is infact art because many museums display graffiti, people are interested in it, and it displays beauty and emotional power. Many people have learned to appreciate graffiti as an art form and have opened their eyes to the beauty and emotional power it holds. From the video on CBS News, “Is Graffiti Art or Vandalism,” Laura Fanning (museum visitor) explains at 1:42 “… now I see it as more of a commentary and a statement of ‘I’m leaving my mark’…” This quote exhibits a museum visitor whose perception of graffiti changed when she went to a museum that displayed Graffiti. The same message is delivered in the article, “Graffiti Art at the Museum of the City of New York: Writing Was on the Wall, and Some Still Remains” by Ken Johnson. Page one of the article reads, “In 1989, Mr. Wong founded his Museum of American Graffiti on the top floor of a townhouse in the East Village, but real estate complications ended that venture after only six months. In 1994, suffering from AIDS, Mr. Wong donated his collection to the Museum of the City of New York and returned to his hometown, San Francisco, where he died in 1999.” The quote from this article informs the reader that museums will accept people’s collections of graffiti to use in their museum. Museums are usually interested in art and when a museum accepts someone’s personal collection that they have donated it must mean that it is truly art. Not only are museums interested in graffiti as an art form, but many people have come to accept graffiti as an art and take interest in it too.
The rise of vandalistic art produced by Banksy and others, has altered the way in which the public views graffiti culture. Where spray paint once represented gangs and violence, it now suggests an exciting and cutting edge artform that could potentially be a lucrative investment. In fact, Banksy’s work is so sought after that people are willing to take bricks out of buildings in order to steal it. In 2013, one of Banksy’s most famous pieces of artwork was stolen from the side of a store in the UK. It was later discovered at a US auction (Banksy Artwork Taken). “Street art has entered the art world’s mainstream, with Banksy pieces regularly selling for more than $1 million” (Salib
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
Banksy is a pseudonym for an anonymous graffiti artist, painter, political activist and one of Time Magazines most influential people in the world. Little is known about Banksys actual background but according to Tristan Manco in his book Home Sweet Home, Banksy was born in Bristol England in the early 1970’s. Known for his contempt toward the government, for labeling graffiti as vandalism, he displays his art on public surfaces, such as billboards and walls, and has even built physical prop pieces. Banksys distinctive stencil style usually embodies humorous images often paired with slogans that carry themes of anti-war, anti-capitalism and anti-establishment. Uncommon to most artists Banksy does not sell photographs or reproductions of his work, but art auctioneers have been known to sell his street art on location for large sums of money. In 2005 Banksy infiltrated many New York museums, such as the Museum of Modern Art, the Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History and hung his work among notable art pieces. Banksys distinctive satire graffiti style mixed with his anonymous rebellious antics give him an invaluable buzz that is rare among current graffiti artists today.
Through successful conceptualization and execution of his “action” installations, Joseph Beuys was able to present how he and many others felt about such matters related to psychology, the social structure, and politics. The messages in Beuys’s works may not have been clear to many, but he sought to show that all humans are creative and that art is not meant to be easily understood because there wouldn’t be a need for art if is was. I believe Joseph Beuys can be considered one of the greatest time-based performers of his time.
Although other artists know who he is, Banksy doesn’t have a public face that he shows at galleries and in his documentaries. In Will Ellsworth-Jones article “The Story Behind Banksy: on his way to becoming an international icon, the subversive and secretive street artist turned the art world upside-down” he talks about one of Banksy’s earlier galleries. Ellsworth-Jones says “The show was a high-profile demonstration of the phenomenon that has come to be known as the ‘Banksy effect’—the artist’s astounding success in bringing urban, outsider art into the cultural, and increasingly profitable, mainstream” (2). Banksy’s “effect” is altering urban culture and bringing it to art galleries to be displayed and sold. In the grand scheme of things, he is commodifying graffiti and urban culture, making it more consumable and then proceeding selling and profit off of it. In A&E’s biography page for Banksy they state that Banksy’s work is unique due to the fact that it “often engages political themes, satirically critiquing war, capitalism, hypocrisy and greed.” The uniqueness of his work is a common reason different news outlets give for Banksy’s success. Contrary to popular belief, Banksy’s content isn’t groundbreaking. Artists of all mediums, including graffiti, before and during his time have touched upon all of the same themes as
...erent meanings and different types of self-expression. "The simplified imagery of graffiti has become attractive to certain professional fine artists in various areas around the world" (Philips). The point that I am making is that various forms of graffiti are beautiful and the need to express ones' self is part of what being a human being is all about. I don't see a problem with the reasoning behind why graffiti artists do graffiti and why taggers tag. It becomes a problem when they use other people's property (including public and city property) to express themselves via graffiti and tagging.
At the end of the day, people should stop underestimating graffiti art. Banksy, in his book, “Banging Your Head Against A Brick Wall,” said “Graffiti is one of the few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make someone smile while they're having a piss.” Graffiti work should be admired by everyone else because it holds so many significance whether it's only a phrase or a sketch. People shouldn't just absentmindedly assume it as the worst thing ever or as an awful thing. I agree that it can be vandalism to the public but graffiti can also be made in many other places legally so why think of it in the dark side? People should take care on how they are judging the striking art behind graffiti and criticizing it without really evaluating all the great meaning behind it.
In the article “Revolution in a Can” by Blake Gopnik, he states, “The most elaborate images from Egypt, Libya, and Haiti today look very much like the 1980s paint jobs on New York subway cars and warehouse facades, and yet their point is not to function as art but to work as carriers of content and opinion” (114). In other words, graffiti is used to show how people truly feel inside. This is important because in addition to being considered art, it also serves the function of expressing oneself if that freedom does not exist. As a matter of fact pieces like this can be found all over the world. They are located on the Palestinian West Bank, on a wall on Benghazi in Libya, and in Tahrir Square in Egypt. A piece of graffiti art that epitomizes this is Begging for Change by graffiti artist Meek. The work engaged the public since it was done right near a train station. It features a homeless man holding a sign that reads, “Keep your coins, I want change”. The piece radiates a very powerful message stating how money can’t solve
Banksy’s artwork was effective in achieving it’s purpose because of it’s appeal to the heart, and in what is perceived as a dismal area where there is little hope, it most likely affected the view some may have on life, if not for just a moment.