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Ophelia death symbolism
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In William Shakespeare's Hamlet, Shakespeare prevails to us in the play that female characters are being innocently killed. The women are the real victims in the play because both Ophelia and Gertrude are killed for no reason. Ophelia and Gertrude are the only female characters in the Hamlet and they both are quite vulnerable and open to the evil society of Denmark. The play is filled with dominant male characters who all are deceitful towards the female characters. Both female characters are victims of lies which end up costing them their lives. Ophelia is the daughter of Polonius and the sister of Laertes. Ophelia and Hamlet have mixed relations for each other. Ophelia loves Hamlet but her father, Polonius, tells her not to. Ophelia is mocked by Hamlet about …show more content…
Later in the play, he drowns herself. Hamlet says "I loved Ophelia: forty thousand brothers/Could not, with all their quantity of love/Make up my sum" (V, i, 312-313). Hamlet is showing his true passion and thoughts towards Ophelia. Ophelia has become an innocent victim in many ways. First, Hamlet kills her father and tells her he does not love her. Second, Ophelia is left with no one to help or support her which causes her to start becoming crazy. Ophelia expresses her inner feelings by acting crazy and showing her madness. Ophelia sings songs that also present her true feelings about Hamlet and other characters in the play. "How should I your true love know/From another one?/By his cockle hat and staff/And his sandal shoon" (IV, v, 23-26). Ophelia is indicating that she feels betrayed by Hamlet. She uses deception and feels mistaken or lost from love. "Tomorrow is Saint Valentine's Day,/All in the morning bedtime,/And I a maid at your window,/ To be
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Culturally, women have been expected to be soft spoken, gentle, delicate flowers. They should not question a man's opinion or go against their will. Ophelia, in William Shakespeare’s Hamlet, is an example of a young naive girl who faces the dangers that come from only following what others want, and not thinking for herself. The men in this play use her for their own benefit and she suffers the repercussions, which leads her to madness and “accidental” death.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
He allows his true feelings and emotions to pour out at her grave for the last time before she is buried and gone forever: “I loved Ophelia. Forty thousand brothers / Could not with all their quantity of love / Make up my sum,” (V.i.285-87). Regardless to the amount of love Ophelia’s brother had for her, Hamlet claims that he loves her more than Laertes ever could. Similar to the symbolism in his letters, he expresses his abundant love for Ophelia and how she is the girl he truly cares about. The prince comes straight out with his feelings and does not act insane during the funeral, he is simply being honest straight from his heart. Now that she is gone, Hamlet cannot protect her and has no reason to hid his true emotions towards
Ophelia is a beautiful disaster. She is simply two faced, wearing a mask on the outside to elongate her delicateness and niceness, yet on the inside, she has a dark and twisted beauty to her showing that she has everyone fooled and is very much sane. Submissive, naive, and disturbed, seem to represent Ophelia perfectly. She stands in marked contrast to the schemings and manipulations of the Danish court. Polonius, her father, has shielded Ophelia with his love and compassion. She tells her overbearing father, "I shall obey my Lord" (1.4.10) when he tells her she can no longer see Hamlet, her lover. Ophelia has been in love with Hamlet before any of Hamlet's numerous tragedies occur, yet her father comes first. She is obedient to him because she places family above others. Since she is naive and innocent, she is frightened and disillusioned by Hamlet's inexplicable behavior and persuaded by her father's urgency in the need for her to help establish what Hamlet's condition and motives are...
The play states, “Ophelia: Good my lord,/ How does your Honor for this many a day?... Hamlet: To a nunnery, go.” ( Act3, Scene 1, Lines 99-162). This is where Hamlet calls Ophelia a liar and a cheat, he also mocks her dad by calling him a fool, and this is when he says he never loved her
Sweet and innocent, faithful and obedient, Ophelia is the truly tragic figure in William Shakespeare's Hamlet. "Her nature invites us to pity her misfortune caused not by any of her own self-initiated deeds or strategies"(Lidz 138). Laertes tells us convincingly how young and vulnerable Ophelia is, (act I. iii.10) likening her budding womanhood's destruction from Hamlet to a process as "the canker galls the infants of the spring,/ Too oft before their buttons be disclosed, /And in the morn and liquid dew of youth / Contagious blastments are most imminent". "He advises her to stay away and she lovingly banters back, typically like a young teen, reminding him to act as he advises" (Campbell 104). We then learn more of how pure and innocent she is as her father counsels her (Act I.iii.90). Telling her that she is a "green girl" and to think of herself as "a baby" in this matter, he insists that she must stop seeing him.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Throughout Hamlet, Shakespeare makes it evident that Ophelia is very unstable. She continuously changes her mind about the way she feels. Laertes and Polonius command her to do things that she does not agree with, but she does them with no argument. Afraid to stand up for herself, she stands back and watches everyone else control her life. In Shakespeare's Hamlet, Ophelia is treated as a marionette with her strings in the hands of the people around her; however, Kenneth Branagh portrays her as independent and innocent, ignoring Shakespeare's representation of her as feeble-minded through complete male dominance in her thoughts and actions, her indecisiveness, and digression into madness.
In Hamlet, Ophelia is unaware of the evil is spreading around her. She is an obedient woman, and is naive in that she takes what people say at face value, which makes her an innocent lady. "You should not have believed me, for virtue/ cannot so inculate our old stock but we shall relish of/ it. I loved you not." (III.ii. 117-119). Hamlet says these lines as a mask of his madness, but Ophelia does not understand his true motives and takes Hamlet's words very seriously to heart. The words that Hamlet says to Ophelia both confuse and hurt her greatly. Hamlet's lines are what eventually lead Ophelia to insanity, and Ophelia's insanity is what causes her death by drowning.
Hamlet put pressure on Ophelia by expecting her to surpass his mother's shortcomings and be an epitome of womankind. He searched her innocent face for some sign of loving truth that might restore his faith in her. He took her mute terror for a sign of her guilt and found her to be a false person, like his mother. In his letter to her, he addressed the letter to "the most beautified Ophelia" and he terminated the letter with "I love thee best, O most best, believe it" (II, ii). He used the word "beautified" to display a sincere tribute, and it is apparent he still loves her. His attempts to win her affection are not triumphant. Ophelia is still too much under the influence of her father to question his wisdom or authority, and she has no mind of her own to understand how much she has made her lover suffer. No matter how much it pained her to not see Hamlet, all she could see in his present behavior is the madness that terrified her.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
This final act of the play surely sums up the love that Hamlet had for Ophelia. Dramatically, Hamlet jumps into the grave of Ophelia. Distraught with grief for her, Hamlet confronts her brother, Laertes, telling him that he loved her even more than a brother loves a sister. Hamlet cries out to Laertes “I loved Ophelia. Forty thousand brothers could not, with all their quantity of love, make up my sum” (Shakespeare, Act IV, scene I, lines 285-287). Although it was too late for Ophelia to hear Hamlet’s true feelings expressed once again, this does show that Hamlet’s love was not madness, but genuine affection. Pouring out his heartfelt emotions, Hamlet says he loved her so much he would do anything for
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
Hamlet asserts his power over Ophelia early on by telling her “you should not have believed my, for virtue cannot so inoculate our old stock but we shall relish of it. I loved you not” (Shakespeare 95). This conversation happens when Polonius and Claudius are in the room; he does this to protect her from the backlash she may receive from her father and the king. By Hamlet belittling Ophelia he is distancing himself from her in the wake of all the problems that may arise. Hamlet is also quick to say, “Get thee to a nunnery” (Shakespeare 95).