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Shakespeare's character Ophelia
Role of ophelia in hamlet essay
Role of ophelia in hamlet essay
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Recommended: Shakespeare's character Ophelia
There are times when good people do bad things. We see it everyday in so many different avenues: movies, literature, videogames, and even real life. A destitute man might steal a loaf of bread for his family in a terribly harsh winter. A husband might break the speed limit to race his wife to the hospital. Both of these examples violate the law, but it is easy to understand the justification going through the law breakers minds. Yet an even greater issue is when one goes too far in trying to prevent evil, such as a vigilante murdering a drug dealer who killed several people with a bad batch. While the world may see the justification in that, the killer has still committed a sin. Worst of all is when one goes beyond even the evil that …show more content…
His cruelness towards Ophelia must be investigated first, for poor Ophelia was one of the most innocent characters in the play. Hamlet knows Ophelia is in love with him, yet in order to fulfill his own plans of vengeance, which involve wearing a guise of madness, he insults her, saying "I have heard of your paintings too, well enough. God has given you one face and you make yourselves another. You jig and amble, and you lisp, you nickname God’s creatures and make your wantonness your ignorance." Later, the Prince continues his torment of the girl even in public, saying things such as "Lady, shall I lie in your lap?" and "That’s a fair thought to lie between maids' legs." Throughout the latter conversation, imagine what is going through Ophelia mind. A man she once loved now makes jest at her own expense. She is insulted in front of the court, and she cannot respond. The play continues on, and Hamlet goes so far as to kill Polonius. Once more, bring your thoughts to the young maiden. Her father, her only living parent, has been murdered, her lover ridicules her, and she has no one to turn to for comfort. The shock of all of this draws her to her death; shaken and numb, Ophelia is unable to save herself from drowning. Who's fault is this? Who slew her father and broke her heart? Hamlet is …show more content…
Hamlet arrives to find Claudius repenting and praying. The king is distracted and does not notice the stealthy appearance of the potential assassin, but Hamlet still does not act. Why? For if he murdered Claudius while his soul was clean, he would go off to heaven. Hamlet could have avenged his father right then and there. The madness could be cast off like a muddy robe. Lives could be saved. But he does not act. This is where Hamlet truly goes wrong, for he chooses murder over revenge. It is not enough to kill Claudius, which is treacherous already, but in Hamlet's mind, he must guarantee that Claudius is sent to hell. He states “Tis heavy with him: and am I then revenged, to take him in the purging of his soul, when he is fit and season'd for his passage? No!” As a result of this decision, six more people die: Polonius, Ophelia, Gertrude, Laertes, Rosencrantz, and Guildenstern. The blood is on Hamlet's hands. In this moment, he brings himself to the same level of maliciousness as
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Though the reader realizes Hamlet's extreme anger and brooding throughout the entire play, he has no actual confrontation with another character until the aforementioned lines in Act III Scene I. One may notice the Prince's biting tone aimed at Claudius, Polonius or even Gertrude, but until his "Get the to a nunnery!" speech, no outbursts of pure rage in the presence of others can be found. This harshness in relation to Ophelia may be one of Hamlet's first moments of "action." The Prince seems reluctant to act upon any of his emotions toward anyone, though he often does give off an aura of discontentment and sorrow over his father's death. However, in these specific lines the audience sees Hamlet take an active stance in purging this young lady's once p...
By not speaking anything, Hamlet at once strengthens his image as a madman, as well as shrouding his real intentions towards those around him. Just following this passage comes a place in the text where we can see how the character of Ophelia has been manipulated by Polonius. After his "hint" that he might be doing this out of frustrated love, Ophelia says that that is what she truly does fear. (87) Her feelings of pity and concern are shaped by her father in order to fit his case of madness against Hamlet.
In addition to verbal abuse, Hamlet is prone to fits of physical violence, the most notable being the murder of Polonius in Act 3, Scene 4, which will eventually lead to the untimely death of his one true love. He shows no remorse over the killing of his love’s father and when asked where he hid the body provides little information, at first taking an opportunity to further show his insanity before finally revealing the body’s whereabouts.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
One of Hamlet’s flaws is that he over thinks things a lot and it is first shown the most at the prayer scene with Claudius. Once Hamlet sees how Claudius reacts to the play he knows that Claudius killed his father and that the ghost was right, he has a chance to kill him and doesn’t take it . His only proof was the ghost and even though others saw the ghost no one else heard it talk except Hamlet. Hamlet was also considering a lot of other things at this time, like how if he killed Claudius now Claudius would be free of sin and would go to heaven. He was also thinking if his father didn’t get to die free of sin it wouldn’t be fair for Claudius to die free of sin either, which shows how vengeful Hamlet’s character is. At the same time, Hamlet has morals and understands the consequences so that’s why it’s harder for him to perform the act . After a l...
By most accounts, this passage would be taken to mean that he does not kill Claudius because at this time the King is praying, and when praying one's soul will ascend to heaven if one should die. Hamlet wants Claudius to burn in hell; for him to go to heaven would make his revenge void. He will avenge his father's death when Claudius is engaged in some other less holy act, in order to insure the King's place in hell.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
In the remaining moments, Hamlet learns of the Poison, "The point envenome'd too! Then, venom, to thy work." (134) exclaims Hamlet as he strikes Claudius down, and they all parish. Hamlet gets his revenge. But to do so, he must sacrifice the lives of Gertrude, Polonius, Laertes and himself. He consequently entrusted his "Faith" into both the right place, and the wrong place because got what he wanted, however died during the
According to the bible, if you repent of your sins you will be forgiven and go to heaven when you die, Hamlet believes this and that is why he does not kill Claudius in this scene. Another reason he does not kill his Claudius based on the reason above, he will not give Claudius the glory of going to heaven when Claudius did not give his father the choice to repent of his sins before he was killed.
It could be said that Hamlet is deliberately delaying his revenge for fear of actually committing it. However, religion was a focal part of people’s lives at the time the play was set and at the time it was written, one would be justified in claiming that Hamlet genuinely didn’t want to kill Claudius while he was praying to prevent him from going to heaven.
With his thinking mind Hamlet does not become a typical vengeful character. Unlike most erratic behavior of individuals seeking revenge out of rage, Hamlet considers the consequences of his actions. What would the people think of their prince if he were to murder the king? What kind of effect would it have on his beloved mother? Hamlet considers questions of this type which in effect hasten his descision. After all, once his mother is dead and her feelings out of the picture , Hamlet is quick and aggressive in forcing poison into Claudius' mouth. Once Hamlet is certain that Claudius is the killer it is only after he himself is and and his empire falling that he can finally act.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
Ophelia is manipulated by Hamlet to display to the King and the rest of the court that he is in fact mad. When Hamlet enters her room wearing disheveled clothing and acting quite strange towards her, he knows that Ophelia will tell her father and the King. Ophelia then reports this strange occurrence to her father, telling him about his strange composure of taking her “by the wrist and” holding her hard and then “shaking” when he was about to let go. (Act 2, Scene 1 Lines 86-91) The team of Polonius and the King also exploits Ophelia in order to dig deeper into Hamlet’s madness.
Hamlet seems incapable of deliberate action, and is only hurried into extremities on the spur of the occasion, when he has no time to reflect, as in the scene where he kills Polonius, and again, where he alters the letters which Rosencraus and Guildenstern are taking with them to England, purporting his death. At other times, when he is most bound to act, he remains puzzled, undecided, and skeptical, until the occasion is lost, and he finds some pretence to relapse into indolence and thoughtfulness again. For this reason he refuses to kill the King when he is at his prayers, and by a refinement in malice, which is in truth only an excuse for his own want of resolution, defers his revenge to a more fatal opportunity, when he will be engaged in some act "that has no relish of salvation in it."