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Analysis of ophelia's death
Analyzing ophelia in hamlet
Ophelia's innocence in hamlet
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There are many reasons that can contribute to one’s decease. In the play Hamlet by William Shakespeare many situations and known people can be a possible connection to Ophelia’s mysterious death. Followed by the play Ophelia has been a common victim throughout. The last and ultimate downfall of Ophelia was due to her father's murder done by her lover Hamlet. Realizing that the person she outmost loves and trusts has done such a reckless and an unforgivable act.
However, Ophelia's death was unknown and questionable whether it was an accident or an act of suicide. Throughout the play Ophelia was portrayed as a weak woman, an average female whose life was based towards preventing dishonor to her family. Ophelia being torn between Hamlet and
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Hamlet and Ophelia do love one another yet the many issues take a toll on their relationship, which causes a sudden switch. The desire Ophelia craves from Hamlet is not received, therefore she gets so enraged by his incapability that ultimately, she loses her sanity. The main goal of Hamlet is to take revenge of Claudius for the death of his father, despite taking his anger out on his uncle it is all thrown upon Ophelia. Which for him is seemed as quite easy since his mother takes Claudius's side, while Ophelia her father and brother. Hamlet desperately is in need for Ophelia's love yet she just distances herself from him, which triggers him into a belief that she betrays him. When in reality she is just in fear of her father and brother since she's been asked to break up with him. While Ophelia just obeys her father Hamlet on the other hand just goes along with his act of losing his mind and doesn’t pay any heed to her. Ophelia felt caught up in all this she was alone, and the one person she has love for betrays her. Hamlet confesses his love for Ophelia after knowing of her death' 'In the graveyard, Hamlet is confronted by Laertes that he never loved Ophelia. Hamlet defends himself by saying “I loved Ophelia, forty thousand brothers could not with all their quantity of love make up my sum” (V.i.285-87). Sadly, his love was lost by not giving much time and appreciation when needed from him which resulted in Ophelia's
Ophelia’s mental strength quickly dissipates due to multiple happenings in the play. The man that she once thought she was in love with kills her father, driving her into the dark abyss of grief. She begins to fall into madness, “...speaks things in doubt /That carry but half sense /Her speech is nothing” (3.3.7-8). She begins to jabber on about nonsense. She loses her ability to think, “...poor Ophelia /Divided from herself and her fair judgment” (4.5.91-92). Others see her as an emotional wreck, falling farther and farther into insanity. She finally can’t take it anymore, so she ends her own life, “As we have warranty. Her death was doubtful” (5.1.234). Others saw Ophelia in a dark light, saying that she took her own life, and that she did not deserve a nobel burial. Ophelia was driven into mania by a combination of negative things, that in the end, lead to her taking her own
First there is the killing of Polonius. When he kills Polonius, the father of his girlfriend, he shows no sign of regret. No guilt. He is so caught up in his own little world of revenge, he doesn't even think of the fact that he just killed an innocent old man and the father of Ophelia. In fact, there is no point in the entire text in which he even mentions Ophelia. This just goes to show that he doesn’t truly care about Ophelia, which as state is the necessary component of love. The second deciding scene is that of Ophelia’s funeral. Hamlet has gone the whole text since the play in act three scene two without a word about Ophelia. Then *bang* Ophelia is dead and he's seeing her funeral. He observes as a distraught Laertes, Ophelia’s brother, throws himself into her grave in grief. Hamlet’s response to this is not a of shared sorrow but of competition. He starts by saying to Laertes “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (5.1.284-287). Rather than just grieve for her, he fights with her grieving brother about who loved her more. While this may seem like a loving gesture, there has been no other proof of his love for her throughout the play which make this seem a bit strange. It is as if he wants to have loved her so that he can have emotions that are more important than everyone else’s. Hamlet even accuses Laertes of just trying “to outface” him “with leaping in her grave” (5.1.295). Hamlet would actually be grieve the lose of Ophelia and not fighting over whose emotions matter more if he had truly loved
Upon learning that Ophelia has allied herself with Polonius and Claudius, he loses his head and has an incredibly dramatic episode. He is initially honest and open with Ophelia, but his mood quickly changes when he learns they are being spied on. He questioned Ophelia’s motives by asking whether she was honest and fair. He breaks her heart upon the realization she is not on his side. He tells her that he once loved her, then their conversation spirals into nothing more than Hamlet hurling insults at his former love before storming out.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one, characterized by her willingness to let go of her submissive, earth-bound self and leave the world no longer a victim.
Hamlet’s apparent antics with Ophelia prove that their relationship begins to fall apart and become unhealthy. Hamlet mistreats Ophelia when she attempts to return the gifts he has given her, and he responds in a harsh manner, asking about her chastity and beauty, saying “that if [she] be honest and fair, [her] honesty/should admit no discourse to [her] beauty” (3.1.117-118). Hamlet continues to belittle her, calling her two-faced and admitting that he “did love [her] once” (3.1.125), his feelings for her now absent. Hamlet’s facade becomes personal through this. The entire exchange shows how Hamlet prioritizes his revenge, over his love because he eventually figures out that Polonius and Claudius spy on him. Hamlet soon speculates Ophelia’s association in their plan and decides to put on a facade for her too. Claudius’s facade also affects his relationship with Gertrude and Hamlet. After his speech to the court, Claudius approaches Hamlet in a way that appears as if he cares about him, even addressing him as “my cousin Hamlet and my son” (1.2.66), despite being aware of Hamlet’s sensitive and depressive state because of his father’s death. Moreover, Claudius expresses his deceitful love when he admits to Laertes that he won’t put Hamlet on trial because he mentions how much he loves Gertrude, and that she “is so conjunctive to my life and soul/that, as the
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
This can be proven by the change in Ophelia’s actions and behavior. Ophelia starts to sing strange songs in front of Gertrude about her father’s death and Hamlet’s madness. Ophelia sings to Gertrude and sings, “He is dead and gone, lady, he is dead and gone, at his head a grass-green turf, at his heels a stone” (4.5.26-29).This tells us that Ophelia is a very soft and is a very weak character and can easily get heart broken. She cares about her family and the death of her father has shattered her into pieces, it may cause problems for her to
William Shakespeare takes us through the life of Hamlet, the Prince of Denmark battling through the death of his father, and seeking revenge on the man who murdered him, in his tragedy that is, Hamlet. Shakespeare creates a world fixated on life versus death that is constantly questioning the possibilities of the afterlife and comparing it to their present circumstances. As death surrounds Denmark, the idea of suicide rises and becomes a significant theme that encourages characterization and plot development throughout the play. Hamlet, distraught by the death of his father and the recent marriage of his mother, Gertrude to his uncle, Claudius, begins contemplating whether suicide is the right choice for him in his situation. Death also takes over the mind of Ophelia, a beautiful young lady who Hamlet is in love with, when her father Polonius is murdered, leading to her madness and eventual suicide. The final suicide is the death of the entire royal circle caused by their own corrupt conflicts and actions. Shakespeare explores the idea of suicide as an important theme through the imagination and actions of his characters.
Poor Ophelia lost everything. She lost her lover and the social position and security that would have come when she became Hamlet's wife. She lost her father and an honorable burial and her trust and respect for her Queen and King. Finally, she lost her life. The innocent destroyed with the deceitful. Perhaps Shakespeare used Ophelia's innocence to provide an even greater contrast to the deceit of the characters that engulfed her.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
To capture our sympathy, Ophelia goes through a transformation unlike any other character in Hamlet. She is abandoned by everyone she holds dear; her father Polonius, her brother Laertes, and Hamlet, her lover. And yet Ophelia becomes tangled in a web of madness when her loyalty is torn between Polonius and Hamlet. Most horrible of all is Ophelia's suicide-death. The emotion is evokes, coupled with the above points shows that Shakespeare's intentions was to make Ophelia, a minor character in terms of the number of lines assigned to her, into a memorable character evoking the most sympathy.
One quote that backs up the point that Ophelia represents a tragic character is from the Bloom’s Literature document which goes into detail on Ophelia as a character, stating that, “Ophelia 's nature is abundantly affectionate; her wounded but faithful love—both for her father and for Hamlet—makes her one of the most touching of Shakespeare 's characters” (Boyce 1). Boyce also go on to state that, “the relationship between Hamlet and Ophelia is not a love story” (Boyce 1), which is why we see things fall apart between the two characters. It is very clear to us that Hamlet still had feeling towards Ophelia but felt betrayed by her which is the reason that he shut her, and all women out of his life, which you can find evidence of when he states, “man delights not me: no, nor woman neither” (2.2.301). The reason that Ophelia is one of the major factors to