Historically, men have always been seen as superior to women. In Shakespeare’s Hamlet, Ophelia is the perfect example of a female character that is weak, passive and overly reliant on men. However, The Wife of Bath, from Chaucer’s The Canterbury Tales, does not adhere to the misogynistic mindset of her time. Despite the numerous female characters in literature similar to Ophelia, Chaucer’s creation of the Wife of Bath proves that not all authors depicted women as inferior.
In Shakespeare’s Hamlet, Ophelia and Gertrude are both passive women that are considered vulnerable and spineless by the men in their lives. The two women lived their lives in the shadows of the male characters while their thoughts and opinions are oppressed by a patriarchal society. Ophelia embodies the flaw of obedience, but deeper than that, the flaw of dependence. Ophelia is completely dependent on her father, Polonius, and proves this when she agrees to stay away from Hamlet and his false feelings. Ophelia’s actions show that she will do anything to appease her father, even doing things that she doesn’t necessarily want to do. “Get thee to a nunnery!” (Act III, scene i) Hamlet mocks Ophelia using this quote and commands her to go to a covenant rather than give birth to
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“Frailty, thy name is woman!” (ActI, scene ii) Hamlet is referring to women in general, but the comment is aimed directly at his own mother, Queen Gertrude. Hamlet, who is still mourning over the loss of his father, is bitter towards his mother because she re-married so quickly. Hamlet is unhappy with the incestuous nature of his mothers marriage to her dead husband's brother, Claudius. Hamlet insults not only his mother but the entire female gender, claiming that frailty and weakness are character flaws of all
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
In Chaucer's The Canterbury Tales, a reader is introduced to a rather bizarre and heterogeneous group of people leaving for a pilgrimage. The Wife of Bath is the most interesting and lively character of the group. Her "Prologue" and "Tale" provide readers with a moral lesson as well as comic relief. The Wife's "Prologue" serves as an overture to her "Tale", in which she states a very important point regarding the nature of women and their most sacred desires. According to this character, women desire sovereignty, or power, over their men most in the world. This wish seems to be most appropriate for women of the time period in which Chaucer lived. However, women today no longer wish to dominate their men - sovereignty of women over men is not relevant in the twenty-first century. The reason is that women are no longer deprived of power and freedom.
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Nelson, Marie. "Biheste is Dette: Marriage promises in Chaucer's Canterbury Tales." 2001. Dept. of English, Wentworth University. 15 July 2003 <http://www.wentworth.edu/nelson/chaucer>
The use of euphemism and crudeness in “The Wife of Bath’s Prologue” is simultaneously unnerving and amusing, and begs the question of how a “wicked” woman like The Wife could ever actually progress in medieval society. Chaucer incorporates subtle allusions to female sexual organs and it is this bluntness (that would raise eyebrows even today) which establishes the Wife as such a powerfully outspoken character. Because courtship in Chaucer’s time was considered worthy of complete submission, the fact that the Wife places such emphasis on domination and even psychological power hints at her being an object of irony (and not a feminist figure “before her time”). It is for this reason that Chaucer’s delicate use of “queynte”- a term from which
Hamlet is even guilty of oppressing women, whether it is the queen/mother or a common girl/girlfriend, because he reduces the women in his life to archetypes—that is, the cunning lover and the frenetic past lover. Hamlet’s oppression of women was a result of his mother’s action to remarry with his uncle, and this causes Hamlet to despise and loath women. Though Hamlet has known these women before the death of his father, he is so wrapped up in revenge that he cannot treat them fairly. Hamlet insulted Gertrude by yelling out, “frailty, thy name is woman!” (1.2.150) When Hamlet talks about frailty, he is talking about weakness.
Not only does the scene, "Get thee to a nunnery," show how Hamlet feels about Ophelia, but it also shows how Hamlet feels about marriage and women. Hamlet tells Ophelia to go to the convent because she should not want to be a "breeder of sinners" and because there should be no more marriage. Hamlet does not want anymore marriage because that would mean more children and according to Hamlet the only children born to marriage are sinners.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
order of her father. She does as her father says regardless of how it could affect her own
Beidler, Peter G. "Chaucer's Wife of Bath's 'Foot-Mantel' and Her 'Hipes Large'" Chaucer Review Vol: 34, Issue: 4. April 01, 2000. 388-397