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Theme of death in poems
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Religion and its impact on society
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Recommended: Theme of death in poems
In this poem, Larkin explores how we cope with inevitability and inescapability of death. After waking up in the pre-dawn darkness, the speaker thinks about his own death. The realization that each day brings him closer to the end plagues the speaker's own life and thoughts. He is not in anguish at having wasted his life since he has accepted that it was his destiny to have to overcome difficult odds, but rather, he is simply terrified of his own personal death. In stanza three, the speaker believes that religious faith and rationalist assurance prove unable to console the speaker. Religion has simply gone beyond intolerable for the speaker, and rationalism fails to realize that the idea of losing sensation is what makes death so terrifying. By stanza four, the speaker deems …show more content…
The urban world outside prepares to return to life after slumber, but to the speaker, the darkness is still present. Larkin states, "One side will have to go" (line 44), referring to life and death. Unfortunately, life must leave the speaker, and death remains inevitable. The speaker's emotional predicament is the result of the conditions of individual life in the 20th Century. Physically, people were relatively stable but were also mentally and spiritually overwhelmed by a sense of loneliness and isolation. He awakes by himself, having no one to share his existence. Throughout the poem, the speaker laments that in death, there will be "nothing to love or link with" (line 29), further worsening the fact that the speaker does not have any companions in the first place. The speaker's own fear of death largely substantially contrasts the societal norms that Aldous Huxley's Brave New World imposes on its citizens. Children, for example, are conditioned to see death in a societal context in which the individual has no meaning. Emotions such as sadness and isolation are suppressed, and natural occurrences including families and natural births are eliminated thus making death
With reference to three poems studied so far discuss how Larkin presents the theme of illusion and reality.
More than death itself, Harwood’s poetry shows how many people fail to accept death. Their belief in immortality and fear of the end is also potrayed in Nightfall. Although when the subject of the poem is death, the words describe life, as if reluctant to face up to reality. The images are of suburbs, lights, birds and trees. Even with so many experiences, many of us will forever be ignorant seems to be the truth ringing perpetually though Harwood’s verses.
One must look at this poem and imagine what is like to live thru this experience of becoming so tired of expecting to die everyday on the battlefield, that one starts to welcome it in order to escape the anticipation. The effects of living day in and day out in such a manner creates a person who either has lost the fear of death or has become so frighten of how they once lived the compensate for it later by living a guarded life. The one who loses the fear for death ends up with this way of living in which they only feel alive when faced with death. The person in this poem is one who has lost their fear of death, and now thrives off coming close to it he expresses it when he states “Here is the adrenaline rush you crave, that inexorable flight, that insane puncture” (LL.6-7). What happens to this persona when he leaves the battlefield? He pushes the limit trying to come close to death to feel alive; until they push
In the free verse poem "When death comes" by Mary Oliver, the speaker contemplates what the inevitability of what death means to humans. Structurally, the poem bears no rhyme scheme as it depicts the free thought of the speaker. The voice of the speaker in this poem resonates with curiosity and the idea of life after death. Through the utilization of rhetorical devices such as repetition, alliteration, symbolism, and personification, the reader will come to understand that underlying tone that death is imminent regardless of how one 's life is spent. Within the poem, the source of tension resides in the constant internal struggle to oust the cycle of life and death. In some instances, Oliver’s curiosity and acceptance of death allows her to
As a prelude to an inquiry into thematic elements of the poem, it is first necessary to draw out the importance of Fearing’s use of experimental form. Fearing “adheres” to the conventional use of strophic poetic construction, making use of epigrammatic style, where the seven stanzas separate the lament into isolated combinations and experiments on language and the content suggests each might stand alone as organic entities. Putting these highly-varied units into a single poem reflects on the incoherence of broader theme of death and the response to death, the dirge, as well as the notion that such a broad topic as death contains many sma...
From the moment of birth, to the moment of death, humans are flooded with emotions both good and bad. Individuals are continuously seeking fulfillment, some failing to find it while others succeed. Many seek adoration; love, accomplishment and greatness. In literature, authors take the readers on journeys that allow imagination, granting the possibility for the reader to grasp inner desires and decide what is truly important in life. Literature allows readers to dive into a different world where happiness and fulfillment is plentiful and eternal, also described as a utopia, while other pieces of literature direct the reader into a world of dissatisfaction which is a dystopia. Aldous Huxley’s Brave New World is in 26th century England. With the help of advanced technology and drugs, happiness fills the lives of the people living at that time period. But, the people are missing out on one of the most important feelings of life. That is sorrow or unhappiness. The society in Brave New World is very different from modern-day society; many aspects of life are removed such as family, monogamy, and religion. The citizens of Brave New World live in false happiness with all the necessities of life provided for them but have the lack of an inferred deeper satisfaction. In Brave New World happiness is the lack of unhappiness because the inhabitants can never truly know what happiness is without experiencing true unhappiness. The lifestyle in Brave New World is built on the notion that happiness is the only thing necessary in one’s life. This novel suggest that the reader should seek things besides happiness because the citizens in the World State live bleak and monotonous lives which show the faults in this so-called ‘perfect’ society. In thi...
nsciousness after death, or maybe a combination of both, which creates this fear. The fear felt is undoubtedly universal. However, the ways in which it is dealt with are varied and diverse. The concept of human mortality and how it is dealt with is dependent upon one’s society or culture. It is the society, which has the greatest impact on an individual’s beliefs.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
The concept of human mortality and how it is dealt with is dependent upon one’s society or culture. For it is the society that has great impact on the individual’s beliefs. Hence, it is also possible for other cultures to influence the people of a different culture on such comprehensions. The primary and traditional way men and women have made dying a less depressing and disturbing idea is though religion. Various religions offer the comforting conception of death as a begining for another life or perhaps a continuation for the former.
“Its deserted streets are a potent symbol of man and nature 's indifference to the individual. The insistence of the narrator on his own self-identity is in part an act of defiance against a constructed, industrial world that has no place for him in its order” (Bolton). As the poem continues on, the narrator becomes aware of his own consciousness as he comes faces nature and society during his walk. He embraces nature with the rain, dark and moon but he also reinforces his alienation from society as he ignores the watchman and receives no hope of cries for him. The societal ignorance enforces our belief that he is lonely on this gloomy night. “When he passes a night watchman, another walker in the city with whom the speaker might presumably have some bond, he confesses, ‘I… dropped my eyes, unwilling to explain.’ Likewise, when he hears a voice in the distance, he stops in his tracks--only to realize that the voice is not meant "to call me back or say goodbye" (Bolton). The two times he had a chance to interact with the community, either he showed no interest in speaking or the cry wasn’t meant for him. These two interactions emphasize his loneliness with the
the poet is trying to portray the fragility of a life, as it is created with the intent to be lost (death
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
..., Well-Lighted Place”, represent the opinions and views of one typical person, in one ordinary life. The theme of a world of nothingness is overwhelming to the human brain, and almost inconceivable, and everything we do in this life is simply designed to help us take our mind off of death; suicide is the ultimate escape from “despair” over “nothing” (494). Hemingway’s brilliant transitions in time explain how life eventually grows worse with age, and humans will succumb to suicide, drunkenness, or something comforting and safe, much like a clean, well-lighted cafe. Further, Hemingway has shown the world that man has created many bogus ways to cope with the insurmountable fear of nothingness, namely religion. People can try to kid their selves into feeling soulful, genuine, or meaningful, but there is no need to “fear for [the human] soul”, as it is non-existent.
By rethinking the carpe diem theme, Andrew Marvell makes his point more effectively than many other poets working with the same ideas. Using the methods described above, he makes the ideal scene of timelessness more concrete, so that when it is swept away the alternative seems all the more frightening and imperative. In this way he recreates a feature of real life- death is imperative, but trivialities can often make it seem distant. Invariably, however, it will greet us all.
However, cultures differ on how they mentally visualize death and what happens when a person dies. In some cultures, death is conceived to involve different conditions, including sleep, illness and reaching a certain age. In other cultures, death is said to occur only when there is a total end of life. Similarly, certain cultural traditions view death as a transition to other forms of existence; others propose a continuous interaction between the dead and the living, some cultures conceive a circular pattern of multiple deaths and rebirths, and yet, other view death as the final end, with nothing occurring after death. These different conceptions have a noticeable influence on their lifestyles, their readiness to die for a cause, the degree to which they fear death, their expression of grief and mourning, and the nature of funeral rituals.