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Themes in American literature
American literature and culture
American literature and culture
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Jack Kerouac was one of a group of young men who, immediately after the Second World War, protested against what they saw as the blandness, conformity and lack of cultural purpose of middle-class life in America. The priorities of people of their age, in the mainstream of society, were to get married, to move the suburbs, to have children and to accumulate wealth and possessions. Jack Kerouac and his friends consciously rejected this pursuit of stability and instead looked elsewhere for personal fulfillment. They were the Beats, the pioneers of a counterculture that came to be known as the Beat Generation. The Beats saw mainstream life as a prison. They wanted freedom, the freedom to pick up and go at a moments notice. This search for the true meaning of life was given a literary voice in Jack Kerouac's novel On the Road, written in 1951 but not published until 1957. This essay will investigate some of the aspects of the novel that make it a forceful and complex rejection of the white middle class American dream.
Beginning in the winter of 1947 Jack Kerouac undertook a series of journeys by car across the United States and finally into Mexico that he then wrote about in On the Road. The novel conveys a feeling of constant motion, a frenetic search for meaning in an America that is very different from the middle class ideal. Sal Paradise, the narrator of the story, describes an America of constantly changing landscapes peopled by a multitude of colourful characters. Sal Paradise's America is an America where the only commitment seems to be to the immediate gratification found in fast cars, sex, drugs and jazz. Sal's idol and travelling companion is Dean Moriarty, a reckless and hyperactive womanizer who, to Sal, is the phy...
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...tual values but also a search for a personal identity that had been lost or maybe had never even existed in the first place. In On the Road, the narrator, Sal Paradise, recounts the details of a search that, ultimately, is not rewarded. Sal's infatuation with Dean Moriarty leads him only to a parting of the ways. When he is abandoned by Dean, whilst seriously ill in Mexico, Sal finally realizes what Dean really stands for. Sal, at last, comes to the understanding that his friend's philosophy is based on the premise that personal authenticity requires the complete abandonment of personal ties. Dean believes that all your energy must be focussed on obtaining your own kicks to the exclusion of everyone else. As Sal says in the final paragraph of the novel, " I realized what a rat he was" (302).
Works Cited
Kerouac, Jack. On the Road. New York: Viking Press, 1957.
In The Dharma Bums, Kerouac strengthens his argument for the Zen ideal of poverty and freedom by this criticism of the conformity practiced by the middle-class:
Throughout the history of literature, a great deal of authors has tried to reveal a clear understanding of the American Dream. Whether it is possible to achieve lies all in the character the author portrays. The Great Gatsby and The Catcher in the Rye stand as prime examples of this. F. Scott Fitzgerald and J.D. Salinger, the authors of these titles, respectively, fashion flawed characters, Jay Gatsby and Holden Caulfield, with one vital desire: the longing to gain what they can’t have; acceptance and the feeling of belonging. Each retaining characteristics that shows their differences and similarities in opinion of the world around them.
288-293. ed. a. Alexander Bloom and Wini Breines. New York: Oxford University Press, 1995. Kerouac, Jack.
From the outside, the 1950’s was a great time for America. Society revolved around the idea of America being a middle-class nation. Americans worshipped conformity, and materialism satisfied the need to conform. However, the prosperity of materialistic America hid the growing, numerous problems. Dissent in any way was not tolerated; all injustice was stifled by a fear of difference. In “Fifties Society,” Alan Brinkley discusses the truth of the era; that the fear of nonconformity was hidden by the seemingly prosperous middle-class nation. Brinkley argues the Beat movement and “feminine mystique” show that the people who did not fit in reveal the true colors of 1950’s society.
The 1920s and 1930s represent two decades in our country's history that were very much connected to one another but extremely different in terms of economy. The Great Gatsby takes place during the roaring 20s, a time of extravagant parties and attempts at finding happiness after World War I. On the other hand, The Grapes of Wrath takes place during the 30s while America is suffering from the Great Depression and people are leaving their homes and lives to find success and work in California. Although the times were very different economically, both were dominated by people striving for the American Dream of wealth and social status in an attempt of obtaining happiness, success, and a better life. During the 20s, people wanted to escape the terrors of the war and during the 30s they were attempting to survive during the devastation of the Great Depression. Both The Great Gatsby and The Grapes of Wrath do an amazing job of representing people's desires for the American Dream and more specifically the prevalence of failure rather than success that came as a result of their efforts.
Americans live in constant pursuit of what they want more than anything, the American Dream. The perception of the American Dream varies from person to person, depending on what they hope to accomplish. In The Great Gatsby and Of Mice and Men the American Dream manifests in various extravagant and corrupt forms. The lives of these characters revolve around achieving their version of the American Dream.
F. Scott Fitzgerald was one of the most influential writers of modern day society. He holds this title because he wrote about things that drive people's everyday life. He wrote in two different periods that were very significant in the social development of America. These two periods of time symbolized not only the generation that he was writing about, but it also speaks to the present day generation.
Through the years, the inhabitants of America have been mobile people. The Native Americans moved according to the seasons and the migration of animals; the first Spanish settlers moved to find gold; the European colonists moved for land; and in the past weeks, Southerners have been moving to escape tragedy. Although these four major diasporas seem to have individual reasons, all four share one common root: the American Dream - an urge to improve a given lifestyle by making a drastic change. In their respective books, The Great Gatsby and Sula, F. Scott Fitzgerald and Toni Morrison display this phenomenon by creating characters that will do anything to better their personal lives; however, both writers incorporate great failure into the lives of their main characters, thus dismissing the idealistic thoughts of the American Dream.
The end result of both these novels shows the tragedy that can occur to everyday people, even if they didn’t do anything wrong. The American Dream made the fantasies of the men of the novels strive to attain it, but in the end the dreams of both the men ultimately destroyed them. Both Fitzgerald and Hansberry wrote these books not only for the intention to merely entertain people, but also to entice the reader into a thought, and question how things happen in the world. Both Realist authors embarked a rapid departure from the Romantic Movement, writing a novel that conveys to the reader what truly happens to people, and try to show the true pragmatism of the real world. Both authors write in tangent about the American dream, and both put forth the question of if it actually exists, and concluding from their very cynical novels, it truly does not.
The American Dream is a concept that has been wielded in American Literature since its beginnings. The ‘American Dream’ ideal follows the life of an ordinary man wanting to achieve life, liberty, and the pursuit of happiness. The original goal of the American dream was to pursue freedom and a greater good, but throughout time the goals have shifted to accumulating wealth, high social status, etc. As such, deplorable moral and social values have evolved from a materialistic pursuit of happiness. In “Advertising the American Dream: Making Way for Modernity”, Roland Marchand describes a man that he believed to be the prime example of a 1920’s man. Marchand writes, “Not only did he flourish in the fast-paced, modern urban milieu of skyscrapers, taxicabs, and pleasure- seeking crowds, but he proclaimed himself an expert on the latest crazes in fashion, contemporary lingo, and popular pastimes.” (Marchand) This description shows material success as the model for the American Dream. In his novel The Great Gatsby, Fitzgerald reveals the characterization of his characters through the use of symbols and motifs to emphasize the corruption of the American Dream.
F. Scott Fitzgerald’s novel The Great Gatsby is set in the 1920s when the Jazz Age was at its peak, and immigrants seeking fast fortune set their eyes to the United States to obtain the American Dream. Fitzgerald’s theme throughout the novel is the idea that the American Dream that many individuals set out to obtain a rags to riches story is a myth. Gatsby and George Wilson are portrayals of those who strive to gain wealth as fast as possible, and will do anything in their power to get what they want. As society framed the American dream as an optimistic form of pursuing your goals, Fitzgerald makes a stubble nod and racial hierarchies that were formed from this idea. Though they represent individuals striving for a better life, their goals and social status within the community are immensely different, and their deaths at the end of the novel symbolize the death and decline of the American dream.
Each character in the novel has their own interpretation of the ‘American Dream – the pursuit of happiness’ as they all lack happiness due to the careless nature of American society during the Jazz Age. The American Dreams seems almost non-existent to those whom haven’t already achieved it.
Stripped to its barest essentials, Jack Kerouac's novel Desolation Angels reads as a drug-induced stupor of casual sex (or fantasies thereof), mixed into a melting of jazz and poetry. The often-adolescent urges of Kerouac's character Jack Duluoz, however, are mere episodes in the fast-paced, write-it-as-you-think-it, pre-literary notoriety phase in the life of a man who essentially founded the Beat generation. Though the overflowing stream of consciousness that comprises this book seems undoubtedly spontaneous, Desolation Angels actually examines, in a most straightforward and clearly organized manner, the state of human solitude. Zipping from a Forest Service mountaintop outpost to San Francisco, from Tangiers to London, and slipping from loneliness to jazz clubs full of "cats," from a morphine addict's room to the home of his knitting French Canadian mother, the angels of desolation take on varying shapes, ceaselessly trailing Duluoz/Kerouac.
...1920’s, in which he examines the evils of the time; he recognizes the consequences that accompany the actions of the characters who act on such vices, and wrote about them. This is a novel about what happens to the American dream in the 1920’s, a period when the old values that give substance to the dream are corrupted by the vulgar pursuit of wealth. The very definition of materialism implies unhappiness because without spiritual values there cannot be true and lasting fulfillment.
America is based on dreams, from those of its creation to those of today. Yet one Anonymous dared to say, “The American Dream is dead.” That no longer is it possible for one person in America to acquire their dream, whether it be wealth, prosperity, happiness or any goal that with enough determination and ability can be achieved. It is erroneous to believe as such when there is so much left to uncover, build, develop, expand and acquire as shown in books and in life when we see that the future is a blank slate. The limit to what can be done has not been reached yet. In The Great Gatsby written by F. Scott Fitzgerald, a fiction drama, we see it when we observe New York City in the 1920s. There, in its boisterous environment, the setting, attracting everyone like moths to its flame to culminate dreams, hopes, and the future which goes against the quote. Not only that but we also see it in the plot of the story, though the theme of the story seems to be that the American dream is impossible to achieve, that there is a dream at all being chased refutes the saying. The Great Gatsby’s plot and setting allows us to observe that dreams are always a constant of life as long as there are humans, desire and the capabilities to achieve.