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To what extent is Antigone a victim of male brutality in Sophocles
The use of violence in literary
Hannah arendt essay on violence
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Nicholas Cameron Bayly
13068297
Dr Myer Taub
DFK 210
Topic 1
In referring to both Hannah Arendt’s ‘On Violence’ and Walter Benjamin’s ‘Critique on Violence’, how does the notion of violence manifest itself in theatrical terms in Sophocles’ Antigone?
CONTENTS
Cover Page -
Introduction Page 3
Conclusion Page 7
Bibliography Page 8
In this essay, I will be exploring the notions of violence in Sophocles’ Antigone. In examining these notions, I will be referring to and explaining both Hannah Arendt’s ‘On Violence’ and Walter Benjamin’s ‘Critique on Violence’. By referring to these two political philosophers, key theories and terms relating to violence are discussed and analysed, and the play Antigone is examined in the context of these two essays
‘On violence’ was an essay written by German-American Hannah Arendt (14 October 1906 – 4 December 1975). Arendt was a political philosopher, prolific in the 1960’s, she mainly covered topics revolving around totalitarianism, patriarchy and politics. The essay ‘on violence’ explored views of violence, strength, authority, power and force. Through the essay, she aimed to clarify and distinguish the afore-mentioned points, and create an understanding of them. She aimed to break down the theory in philosophical and academic terms; something she strongly felt was not adequately done at the time. (Arendt, 1972)
Arendt mainly viewed notions of violence in terms of the political realm. Politics is a constant struggle for power; whereby the ultimate type of power is indeed violence. Greek society and the play Antigone are prefect representations of this. The play Antigone deals frequently with the power of rule and la...
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... of whether violence can be considered moral to achieve a just end is difficult to answer. Jurisprudence is called into question, as one tries to justify violent means to an end.
Benjamin follows a Kantian model. He does not condone, defend or encourage Violence, but analyses it. In relation to the law, he views violence as key. Regardelsws of severity, law is always traced to a latent violent principle. Violence is seen as natural and self perpetuating. It is not possible to separate Law from violence.
Hannah Arendts views on violence and Walter Benjamins criticism of these views both find equal footing on Sophecles Antigone. Notions of violence prevalent in Antigone are easily broken down and anzalysed according to Arendts and Benjamins theories. The theories of violence, power, and law according to the different philosopihies are applicable and relevant.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
The play Antigone by Sophocles is about reason and opinion and reveals how people use their voice to be heard. Antigone uses reasoning and opinions to express their moral beliefs and state laws in the play. People manipulate each other by using these terms to get their way by speaking out and standing up for themselves.
Conflict is constant. It is everywhere. It exists within one’s own mind, different desires fighting for dominance. It exists outside in nature, different animals fighting for the limited resources available, and it exists in human society, in the courts. It can occur subtly, making small changes that do not register consciously, and it can occur directly and violently, the use of pure strength, whether physical, social, economic, or academic, to assert dominance and achieve one’s goals; this is the use of force. Yet, with the use of force, the user of force is destined to be one day felled by it. “He who lives by the sword will die by the sword.”
The purpose of this short essay is to justify Antigone’s position during the story and to conduct an analysis from the other readings to defend my interpretation. I will take in consideration the similarities and differences of all three other readings Civil Disobedience, Machiavelli and Socrates.
The book We, and the plays Antigone and A Doll’s House provide rich support for individual reasoning and ardent opposition to mindless devotion to establishment. Zamyatin’s story opens with a perspective in support of the fanatical institution, but on deeper levels of commentary contradictions are already starting to propagate. A potential allusion to Zamyatin’s own ideological confusion early on in his life, the hidden meaning of We’s early lines reveal the trap of an ideal society. While Zamyatin felt that trust in society led to the decline of personal willpower, Sophocles argued that personal willpower provided a better alternative to trust in society. Antigone sticks to her morals, even in direct violation of laws established by the “Ship of State”. Sophocles paints a picture of human beings as the play toys of malevolent gods and goddesses; in the end sticking to morals is the only way to escape the malicious cycle that plagues Thebes. Ibsen provides middle ground between the others as Nora’s awareness of the pitfalls of an ideal society prompt her to seek new beginnings as an aware and thinking individual. In the final scene of A Doll’s House, Nora articulates to Torvald her motives for leaving him and abandoning their family:
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Now that we have seen the shortcomings of two popular views of violence, Coady proposes his positive account; namely, that we ought to adopt a restricted definition. He begins with a dictionary definition (physical force with intent to damage/injure another), but he then observes that this is too restrictive and that we ought to include some psychological considerations. A restricted definition, Coady argues, is less morally loaded than the other two views given that it allows us to call an act a violent one without being committed (at least not as committed as the other views) to a certain ethical
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
Sushma Karki P English 1302 October 10, 2017 Antigone “Antigone” is a Greek tragedy by Sophocles. The story is about a young woman who has a brother by breaking the king’s decree, and now she is punished for obeying God’s law. In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist, and the other is the antagonist. The protagonist is a “good guy” and the antagonist is the “bad guy”.
In William Shakespeare's Othello violence can be found in several different ways. Violence can be expressed physically, mentally, and verbally. This tragic play shows how jealousy and envy can overpower a person's mind and lead them to wreak havoc on others. Not only does this story give many different examples of violence, it displays how mental violence can promote physical violence, and continues on in that cycle. Mental promotes physical which ultimately leads back to mental.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
QUESTION ONE: Hannah Arendt argues for a crucial distinction between politics, which she takes to be the realm of speech, conversation and debate, and violence, which she suggests is ‘speechless’. Others we have studied this term propose something different – that politics and violence are inseparable, and that one invariably entails the other. With direct reference to at least one of the authors considered in Theories of Conflict and Violence, consider the relationship between politics and violence. Hannah Arendt was one of the most influential philosophers of the 20th century. After witnessing the atrocities of both World Wars and the worldwide tension during the Cold War, no concepts or theoretical understandings of the crimes and events that occurred were developed, inciting Arendt to comment on political violence.
Feminism is a large issue in present day while it was not such an important idea throughout history. Man was historically stronger, smarter, and more useful than woman. As it turns out, that idea is incorrect although at the time that “Antigone” by Jean Anouilh was written, this idea was widely accepted by both man and woman. The play itself is about breaking what is law to do what is right, but under all of that lies the true theme of man vs. woman. Antigone is set out to see how far a woman can push a man before a war is started.