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The godfather genre essay
The godfather film analysis essay
The godfather genre essay
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On The Godfather, Italian-Americans, and the Mafia
The Godfather, released in 1972 by Paramount Pictures, set a course for the comeback of the gangster genre after its decline in the 1960’s. With its main characters as Sicilian-Americans, Hollywood continued to use them to portray criminals, particularly members of the mafia. The film is set in New York City between 1945 and 1955, and is centered around the fictional Corleone crime family.
With The Godfather, Hollywood managed to bring light to Italian-American culture. The trilogy as a whole was a breakthrough for such actors as Al Pacino, Robert Duvall, and Robert De Niro, and the first entry revamped the failing career of Marlon Brando. Although director Francis Ford Coppola thought Mario Puzo’s Godfather novel was poorly written, it was his intention, as an Italian American himself, to create the film about an Italian-American crime family and have the audience identify with them.
The Godfather franchise follows the Corleone family, particularly Michael Corleone and his rise to the patriarch of the family business. Initially, Michael had no interest in the business, but as his father—Vito Corleone, then-current Don of the family—was badly wounded following an assassination attempt by a rivaling mob, he felt the need to protect his father and represent his family. Though he took refuge in Sicily as the five most powerful of New York’s crime families—of which the Corleones were part—fought amongst each other, he became fully involved in the business upon his return to the U.S., planning with his father to avenge the death of his brother Sonny.
The Corleone family didn’t come from wealth and privilege. They started with nothing, and rose to prominence as the most powerful...
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... may seem like they were cold-blooded murderers, but they are just one of many families that still believe that blood is thicker than water, even though crime does pay in corporate America.
Works Cited
Edwards, Magenta Kate. "How are Family Values Represented in The Godfather?" the-news.co. N.p., n.d. Web. 28 Feb. 2014.
The Godfather Part II. Dir. Francis Ford Coppola. Prod. Francis Ford Coppola, Gray Frederickson, and Fred Groos. 1974. Paramount Pictures, 2008. DVD.
The Godfather Part III. Dir. and Prod. Francis Ford Coppola. 1990. Paramount Pictures, 2008. DVD.
The Godfather. Dir. Francis Ford Coppola. Prod. Albert S. Ruddy. 1972. Paramount Pictures, 2008. DVD.
Santopietro, Tom. The Godfather Effect. New York: St. Martin's Press, 2012. Print.
Swann, Travis. "The Godfather: Cultural Value." Ecorsair. Avenue, 2 May 2012. Web. 24 Feb. 2014.
The characters in these films were savvy, secretive and wealthy unlike the gangsters seen in Little Caesar and Scarface: The Shame of the Nation. Brian De Palma’s Scarface (1983) payed homage to the original, and although they follow roughly the same storyline, De Palma’s remake is more reminiscent of The Godfather films than its predecessor. Tony Montana (Al Pacino), the film’s main character, worked his way up from poverty by selling drugs and committing horrifying acts of violence in order to attain the power, wealth and woman he so desired. In his 1983 review of Scarface, Pulitzer prize winner, Roger Ebert states “Al Pacino does not make Montana into a sympathetic character, but he does make him into somebody we can identify with, in a horrified way, if only because of his perfectly understandable motivations” (RogerEbert.com). More than fifty years later, Ebert expresses similar thoughts to those of Robert Warshow, esteemed film critic and author of “The Gangster as a Tragic Hero.” “…We [the audience] gain the double satisfaction of participating vicariously in the gangster’s sadism and then seeing it turned against the gangster himself.” (Warshow) These sentiments are exactly what the censorship of the 1932 version intended to prevent, yet Scarface (1983) did not receive the same scrutiny. Despite the mixed reviews that Howard Hawk’s original Scarface: Shame of the Nation and Brian De Palma’s
...e and every changing history. The United States adapts and changes as certain eras come and go, but hold true to certain values, just like the gangsters do. It seems then, that many conventions of the gangster film genre are part of a bigger metaphor for conventions of American history. A country who started from very little and became a world super power through, what some would say, questionable means. One can hope that the one convention that doesn’t hold true is that of the rise and fall of the gangster.
Al Capone (Alfonso or Alphonse Capone) was born in 1899 and passed away in the year of 1947. Once he had been brought up in New York City, Capone became connected with crimes and was the subject of murder investigations. In 1920 he moved to Chicago and became a lieutenant to John Torrio, a notorious gang leader. They established numerous speakeasies in Chicago in the Prohibition era. After eliminating his opponents, "Scarface" Capone took over control from Torrio. He was implicated in brutal murders and received tribute from businessmen and politicians. Al Capone was a well known powerful, murderous gangster in America in the 1920’s. (MasterFile EbscoHost)
Alphonse Capone was born on January 17, 1899, in Brooklyn, New York to Gabriele and Teresina Capone. He grew up in a rough neighborhood and was a member of two gangs; the Brooklyn Rippers and the Forty Thieves Juniors. Alphonse did well at school until the 6th grade when he was expelled for retaliating against a teacher who hit him. He was fourteen at the time. He became part of the Five Points gang in Manhattan and worked in gangster Frankie Yale's bar, the Harvard Inn, as a bouncer and bartender. While working at the Inn one night, local gangster Frank Gallucio was drinking with his sister at the Harvard Inn. Capone approached the girl to compliment her, and Gallucio took offense to him started a fight. Gallucio pulled a knife and cut Capone's face three times. That is how "Scarface" came to be.
“Scarface”, an original gangster film created by Brian De Palma, has captured audience’s attention by remarkable editing shots and the superb use of mise-en-scene. “Scarface”, originally released December 9 of1983, is a drama revolved around the life of Tony Montana who is played by Al Pacino. Tony gets his name by the scar on his face going over his right eye. He was born in Cuba who immigrated to the United State who then starts his life in Florida from the bottom of the drug cartel to soon making his way up to becoming one of the most powerful cocaine cartel leaders in Miami. What made this film so realistic was because at the time, Miami was becoming a huge crime scene to cocaine smuggling and drug wars. According to Answers.com, this time was brutal and the people associated with this lifestyle were known as “Cocaine Cowboys” (par.3). It was a time where it wasn’t unusual to see and hear about drug related deaths. Brian De Palma captured all of this by his utilization of editing style and application of precise mise-en-scene.
Al Capone grew up in Brooklyn, New York; his parents came from Italy, so he had some Italian background in him. He was the fourth child out of nine; he went to school until he was fourteen years old, but he eventually dropped out to help earn money for his family. Right after he dropped out, he joined a street gang called the South Brooklyn Rippers. When he grew older, he joined a new gang called the Five Points Junior. These gangs never carried out any major crimes. The only thing they did was steal.
Al Capone was one of the most known of all of the gangsters. He was one of the biggest gangsters in the underworld of chicago. Al capone was a sharp dresser a classy gentleman. Capone was the best at what he did. capone originally liyed in naples which is in italy .
It is the Godfather that demands the family stick with family and never side with any one out side of the family no matter the situation. Vito the Godfather would remind them family is family and no one will miss treat or use any member of the family. He proves this point when his godson comes to him about a problem with a director name Jack Woltz. Because Jonny Fontane is the godson the Godfather Corleone will send his step son who is consigliere to the family to California to advise the director to hand the part over to Fontane.
Loyalty, the root of any mob family, something that Francis Coppola’s, The Godfather so strongly believes in, whereas Martin Scorsese’s, Goodfellas is more of a fend for yourself type of atmosphere. The Corleone family sets up loyalty as if it was a commandment. Whether it is staying loyal to one’s commitment or to the family.
People in Sicily believed that they could not trust the country’s police service, so they created their own organized protection that later evolved into the Mafia. Later on the group engaged in organized crime and formed the Sicilian mafia. They came from Sicily to America during the mid 1800s due to bad conditions in Sicily where almost everyone was below the poverty line. Giuseppe Esposito and six other Sicilian members were the first to leave and fled to New York after they killed the chancellor and vice chancellor of Sicily. Then on the five main Sicilian mafia families were created and the majority of the mafia came to America in the early 20th century. In 1920 they officially became an organized criminal group. The names of the powerful families are; Gambino, Lucchese, Genovese, Bonanno, Colombo and they mainly operated in New York, Philadelphia, New England, Detroit, and Chicago. There are around 26 La Cosa Nostra family cities around the United States where they dominate and run organized crime throughout the cities and towns.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
Al Capone was the son of two poor Italian immigrants, he had to find guidance with the only people that took an interest in him but unfortunately for him it was some of the biggest mob leaders in New York. Even with that kind of influence hard to believe that a once soft spoken, intelligent kid from a good family would grow up to run a major city with blood, bullets, and
Different groups of the Mafia are called “families” because all of the members are related. Each family is led by a capo, or boss, whose authority is very absolute. Some caps may be called “godfathers” because the capo serves as a godfather for children of members of the “family.” Most Mafia leaders own legitimate businesses. Ownership does not involve racketeering, because running a business honestly allows owners to receive respectability (or at least a bluff). Underneath the boss is the sottocapo, or underboss, and a consigliere, or counselor. The consigliere is an older member of the “fa...
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
The era of Don Carlo, which lasted from 1957-1976, was enormously prosperous for the Gambino Crime Family. At the beginning of his rule he, and many other crime families, ran into a pretty large roadblock. As Gambino was being sworn in as leader of the Cosa Nostra, President Elect John Fitzgerald Kennedy, a man who had “sworn to destroy people like him and rid the nation of the scourge of organized crime” had also been sworn in”(Davis 87). The Kennedy brothers, with Robert as head of the McClellan Committee, was the first time that the executive branch of the government directly went after organized crime. Before Kennedy, presidents had even been opposed to going after the mob Harry Truman and Eisenhower discouraged hearings like Kefauver’s to proceed. Another huge obstacle to the federal investigation of the Cosa Nostra lay directly at the feet of corrupt FBI Director J. Edgar Hoover. He obtusely denied the existence of the Mafia and was reported to call the reports of its existence “baloney” (Davis 87). Eventually, after overwhelming evidence, Hoover was convinced there was a problem and organized crime was the reason for it. President JFK’s brother, Attorney General Robert Kennedy instituted the world’s largest attack on organized crime in all of history. He drew up a list of the top targets, forty in all, and went on his way. After the first year of his war on organized crime, Bobby Kennedy indicted 121 mob defendants and had 73 convictions. By 1963 there was 615 indicted and 288 convictions. One of the most long-lasting tactics that were introduced during Kennedy’s campaign, was the use of bugs and other listening devices in the homes, favored clubs, and hideouts of the mobsters. Electronic surveillance was a new resource an...