One of the many themes in John Steinbeck’s novel Of Mice and Men is women, they have no privilege and are seen as nothing but trouble. During his lifetime women are also seen as lower class citizens. Some of the women in the novel are Curley’s wife and the prostitutes, they are just seen as sexual objects. Throughout the story, Steinbeck expresses the great dislike for the women, through how the men feel about Curley’s wife. By the time the readers finally meet Curley’s wife, they already have a negative opinion about her. She is described as pretty and very flirtatious. The men believe she dresses seductively on purpose to get their attention and will get them fired. For instance, George says “ I seen ‘em poison before, but I never seen jailbait worse than her”(32). George is saying he has seen enticing women, but she is dangerous. Lennie Smalls is told to “ keep away from her, cause’ she’s a rattrap..” (32). These warnings portray Curley’s wife as the temptation that will cause everyone nothing but difficulty. …show more content…
Throughout the book, she is referred as Curley’s wife. On several occasions, she is called everything but her name. The workers call her bitch, tramp, and tart behind her back. None of them really know if Curley’s wife is promiscuous. “Jesus what a tramp” and “don’t you even take a look at that bitch. I don’t care what she says and what she does”(32), are good examples of what the men call her on a daily
Curley’s wife is an outsider on the ranch, simply because she is the one. only woman there is. Steinbeck never named Curley’s wife. She is defined by her relationship with Curley, as his property, not as an individual. Namelessness also has the effect of reinforcing how insignificant she is in the life of the ranch, how dependent she is on Curley, for her.
In John Steinbeck’s book Of Mice and Men, Steinbeck portrays Curley’s wife as a flirtatious, mischievous, and over all isolated woman. Steinbeck doesn’t give this character a name, yet she is one of the most important characters in the story. Curley’s wife first comes off as flirtatious to the main characters, George and Lenny, when they first hear about her from the character Candy . Candy is talking about how she gives men “the eye”. He also displays his feelings about her by saying, “Well, I think Curley’s married… a tart”(28). This is setting George and Lenny up to expect she is a flirt.. Steinbeck describes Curley’s wife in her first introduction as a scantily dressed woman.. Steinbeck writes, “Both men [George and Lenny] glanced up, for the rectangle of sunshine in the doorway was cut off. A girl was standing there looking in. She had full, roughed lips and wide-spaced eyes, heavily made up. Her fingernails were red. Her hair hung in little rolled cluster, like sausages. She wore a cotton house dress and red mules, on the insteps of which were little bouquets of red ostrich feathers”(31). The color red is sometimes considered for portraying a sign of danger or sex. This passage supports Curley’s wife as being flirtatious and also how she’s dangerous and can cause trouble displaying herself while she is married. Also, when George and Lenny are talking to Curley’s wife she tries to flirtatiously talk to them too. After their first conversation she re-adjusts herself. Steinbeck displays her with “She put her hands behind her back and leaned against the door frame so that her body was thrown forward”(31). Steinbeck is explaining to the reader in detail that Curley’s wife is trying to show herself to Lenny and George to get thei...
Curley's wife's' life was portrayed as a women who liked to be around other men to try to seduce them. She was described as many things, such as a tramp and other words other than Curley's wife. None of the employees on the ranch wanted to be around her because she was described as nothing but trouble. Lennie was the only one who showed her attention, but that ended badly.
The character of Curley’s Wife is very hard to unravel, as throughout the book, Steinbeck’s representation of women through characters such as George and Candy, is very harsh. This is because the sociological opinion at that time was that they were either, mothers, sisters, or prostitutes, as the audience soon see, George and other ranch workers refer to her as “bitch” “loo loo” and “tramp”. There were also a growing number of prostitutes during the Great Depression period, as they would offload their services to those whom were able to pay and have some decent income during the Depression. Other aspects that may make Curley’s Wife seem like a tart, is Curley’s “Glove Fulla’ Vaseline”. Curley literally keeps a glove full of Vaseline, in order to keep his hand soft, possibly for a sexual act. Curley boasts to Candy that the hand is for his wife, which tells us that she gives him consent to do these acts to her, and also, Curley’s nerve to inform fellow workers about his glove shows that he believes that his own wife is a tart, which is very controversial today, but back then, women were seen as nothing more than possessions, yours to do what you will. George informs Lennie to avoid Curley’s Wife at all costs, and not to talk to her, because of her promiscuous behaviour, he believes t...
Curley's wife is seen as a cheap possession, a toy that belongs to Curley. A possession that he gets to control. His lack of love, respect and attention results to her death in the end. By all the men she’s seen as a tramp, they think that she’s out cause trouble. But the truth is she’s desperately lonely. She just wants someone to talk to. She’s missed out on a wonderful life that could have been hers, and that hurts her.
This book depicts her as property of Curley’s because she is never given a name beside “Curley’s wife” or “Tart”. Curley’s wife was a woman who had aspiring dreams to be in movies and when that dream ended, she settled with marrying Curley. Curley’s wife shows abuse of power because since she is married to a person who is influential on the ranch, that makes her somewhat powerful, she uses her femininity and authority to manipulate others. She is unhappy with her marriage and is lonely so she goes out to the ranch to talk to the other guys, which gets Curley paranoid. When she is being forced to leave Crooks’s room, she retaliates by telling him, “Well, you keep your place then, nigger. I could get you strung up on a tree so easy it ain’t even funny.” When Candy tried to stand up for Crooks, she made sure they all knew their place, “Tell an’ be damned,” she cried, “Nobody’s listen to you an’ you know it. Nobody’s listen to you.” (79-80) There is a whole food chain in the ranch and Lennie, Candy and Crooks are at the bottom while Curley’s wife is at the top. On the other hand, she talks to Lennie because of his mental incapacity to know what’s wrong and right. He’s easier to allure in so she would have someone to talk to. Although Lennie wasn’t allowed to interact with
Throughout this passage, Steinbeck never gives Curley’s wife a name. This suggests that she did not have a position or identity at the ranch. Steinbeck did this to illustrate the real representation of all women in the 1930’s because back then most women would not have an identity of a position in the world of work.
Curley's wife, comparable to most other characters in the novel, is a type of character with little discrepancy, moreover being the only woman in novel. Curley’s wife is demonstrated by her position and part. This part is however, being a possession of Curley or a wife. She is heavily insulted and looked upon as inferior: George and Candy call her "jailbait" and "tart", which supports the fact that he has no voice and as a matter of fact, no name – simply being referred to as Curley’s wife. Due to her lack of power, she attempts to gain it by leeching off those with power. This leeching is portrayed as her seducing the other men on the ranch who have large presence like Slim: “Hi Slim” supports a casual and somewhat flirtatious approach to the other men. She seduces other by wearing far too much makeup and dressing like a "whore" with “red fingernails” and red shoes with ostrich feathers.
From her first appearance in the story, Curley’s wife is described as a different kind of threat, one who is all artifice and manipulation from her red lips and fingernails to her red mules, “on the insteps of which were little bouquets of red ostrich feathers” (Steinbeck 31). The imagery Steinbeck uses, paints her as a woman who is quite bold, but fragile with a passionate essence.
Curley’s wife has only been married to Curley for two weeks, but still the men on the ranch already have many negative opinions on her. These opinions and judgements take away from her authority and make her powerless on the ranch. While arguing with Curley about his wife Carlson says, “Whyn’t you tell her to stay the hell home where she belongs. You let her hang around bunkhouses and pretty soon you’re gonna have som’pin on your hands and you won’t be able to do nothing about it” (Steinbeck 62). The way Carlson speaks of Curley’s wife makes her sound like she is a possession, not a human being. This ties back into her not even having a name, but simply being defined by her relationship with Curley. Instead of confronting Curley’s wife about her behaviour, they consult with Curley instead and tell him that he needs to reign his wife in because she is too distracting and unpredictable. They treat her with no respect and it takes away from all of the authority that she should have over them because of her wealth and connection to Curley.
Curley’s wife is a difficult character to understand. Steinbeck hasn’t named her; this could be for a number of reasons. He may have wanted her to be seen as lonely therefore not naming her shows no one gets close enough to her to call her by her first name. He may have done it to show the other characters only see her as the wife of Curley rather than an individual. He may also have done it to show the male attitudes towards females. Curley’s wife also helps to provoke mixed emotions in the reader. We often feel sorry for her such as when she talks of her loneliness, but on other occasions the reader can find her cold hearted. This is seen when she is racist towards the other characters.
“Why can’t I talk to you? I never get to talk to nobody.” (Steinbeck, 86). In the novel Of Mice and Men by John Steinbeck, Curley’s wife is an outcast compared to the men. Being female, she cannot do what the men can. This novel was based in the 1920’s, a time where women weren’t allowed to do certain, almost all, things. She was not allowed to talk to anyone because she was seen as a threat. Her treatment was caused by how men viewed her. This all affected her responsibility, the views of her as a woman, and her loneliness.
You may be thinking Curley’s wife is just a troublemaker who caused her own death by being a tart, but challenge yourself to broaden your perspective. She is a misunderstood character that never has a chance to be fully understood. The main victim of the story is not Lennie, George, or anyone else in the novella Of Mice and Men. This person is Curley’s wife. Curley’s wife is a victim in the story because of her loneliness, unfulfilled dreams, and loveless marriage.
The moment Curley’s wife appears in Section Two, the reader senses that she will be a catalyst in terms of the conflict that takes place in the story. She is the only woman in the novella, and her flirtatious behavior tempts the lonely ranch hands. She was described as a beautiful young women. Steinbeck’s description was: “She had full, rouged lips and wide spaced eyes, heavily