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Oedipus tragic flaw
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The philosopher Aristotle was a highly intellectual man who loved to reason. One of his ideas was his structured analysis of the “tragic hero” of Greek drama. In his work, Poetics, he defines a tragic hero as “...The man who on the one hand is not pre-eminent in virtue and justice, and yet on the other hand does not fall into misfortune through vice or depravity, but falls because of some mistake; one among the number of the highly renowned and prosperous.”
Aristotle’s definition of a tragic hero is clearly shown by the main character in the Greek tragedy Oedipus the King by Sophocles. Oedipus, the protagonist in this Greek tragedy, is exemplary of Aristotle’s idea of a “tragic hero.”
In Oedipus the King, Oedipus, the main character is a great man who saves the city of Thebes from the plague of the Sphinx by answering an extremely difficult riddle. Everything is going for him. He becomes the king and marries the widowed Queen of the land.
However, as the plot unfolds, Oedipus begins to show the signs of being a “tragic hero” by Aristotle’s definition. Aristotle says that a tragic hero is a person, usually the main character, who starts out as a great and noble individual. Oedipus is not an evil man but a good, upright, man who suffers a downfall. Aristotle also says that this person begins to become fallible and eventually is doomed by their own “tragic flaw.” We see this with Oedipus when he displays hubris. Oedipus begins to think he can...
What would you do if someone told you you would end up killing your father and marrying your mother when you grow up? You would do anything to keep that from happening, wouldn’t you? Oedipus did in Oedipus the King by Sophocles. Unfortunately, Oedipus fails in avoiding his fate. Faced with a choice between pursuing the truth which everyone tells him would lead to his destruction or accepting a life without knowing any better, Oedipus chooses self-knowledge over self-deception. This makes Oedipus a perfect example of a tragic hero. In Greek drama, a tragic hero is a protagonist of a noble birth who possesses a tragic flaw that leads to his down fall but shows the courage to accept responsibility for his own actions.
Oedipus fits Aristotle's definition of the tragic flaw and protagonist almost flawlessly. Aristotle described the protagonist as "someone regarded as extraordinary rather than typical..."(1117). Oedipus freed Thebes from the Sphinx by solving her riddle-- something nobody else had been able to do. The priest in the first scene of Act I calls Oedipus "...our greatest power" (1121) and describes him as rated first among men.
On a warm, Summer's afternoon, I sat in my room, a Wii remote clutched in my right hand and a Wii Nunchuck in the other.
Aristotle defined a tragic story as the adventure of a good man who reaches his ultimate downfall because he pushed his greatest quality too far. Sophocles advocates the definition in the tragic play Oedipus Rex. He develops the play with the great polarities of fame and shame, sight and blindness, and ignorance and insight to show Oedipus’ experiences in search for knowledge about his identity. Through his search, Oedipus pushes his quest for truth too far and ultimately reaches his doom. Oedipus’ reliance on his intellect is his greatest strength and ultimate downfall.
“Tragedy is an imitation of an action of high importance . . .” states Aristotle in his book Poetics (as cited in Kennedy & Gioia, 2010). Without a doubt, he observed and analyzed countless plays throughout his life and in Poetics, he writes a broad description of what a tragedy should contain (Kennedy & Gioia). Specifically, to Aristotle, tragedies require a “Tragic Hero.” What makes this literary character unique from the other heroes of literature? The most obvious and central difference is that the hero in question always experiences a disastrous reversal of fortune, which follows the recognition of a previously unknown truth (Kennedy & Gioia). He must be “a man not preeminently virtuous or just” (Poetics part XIII, trans. 1909), yet he still must be a “good person” whom the audience grows to respect and because of this, deeply pities and fears for throughout the play (Poetics part XIII). Despite being a person of high estate and influence, surprisingly, the hero in the Greek tragedy is someone we can relate to in his humanness. Furthermore, his fall “from happiness into misery” is “brought upon him not by vice or depravity but by some error of judgment” (Poetics part XIII)—his hamartia. The Oxford English Dictionary translates this Greek word as, “The fault or error, which entails the destruction of the tragic hero” (Oxford English Dictionary, 1989).
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
Comparative Character Analysis of Classical Vs. Modern Tragic Protagonists. A hero/ heroine is described as the principal male/ female character in a literary or dramatic work or the central figure in an event, period, or movement. The classic tragic hero was defined by Aristotle in the fourth century as, “someone who is highly renowned and prosperous” (LATWP, 639), suggesting that there is a “natural right ordering and proportion of traits within the human being that if violated, produces calamity” (LATWP, 639). The book goes on to define classical tragedy as one that “involves the inevitable destruction of a noble person by means of character flaw, usually a disproportionate measure of a specific human attribute such as pride, jealousy or indecision” (LATWP, 639).
However fate may contribute to his downfall but only as a side kick as characterized by Aristotle's concept of tragedy. Oedipus justifies as a tragic hero because of his lack of self-knowledge. When he hears the story of how the king Laius, was brutally murdered, Oedipus wants to get to the bottom of the story and find the person who is guilty. When Oedipus is confronted by Tiresias about the murder of Laius, he is shocked and completely ignores the fact he murdered a man. This shows that Oedipus does not want to know the truth about him.
Aristotle sees tragedy of being made of pity and fear. When tragedies occur in people’s lives it appears fear and pity is always an accompanying trait. Aristotle finds these two emotions to be staples in creating the perfect tragedy play. A tragic hero is the direct spawn of creating a tragic play.
Ancient Greek Literature encompasses an assortment of poetry and drama to include the great masterpieces of tragedy. In Classic Literature, tragedies are commonly known for their elaboration of a protagonist fitting the classification of a tragic hero. This type of hero often collectively described as a character of noble birth, facing an adversity of some nature and a fate of great suffering. The characteristics of what encompasses a tragic hero are most prominently recognized from the viewpoint of the extraordinary Greek philosopher, Aristotle, in his work Poetics. Aristotle defined this type of character, the tragic hero, as having several basic characteristics, to include: hamartia, anagnorisis, peripeteia, hubris, and catharsis. These characteristic elements of tragedy were commonly manifest in numerous works throughout the
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
This soon-to-be king solved the riddle of the Sphinx, which had been killing the young men of Thebes as they tried to leave. The people of Thebes respected Oedipus, for he had saved the city from the Sphinx, by answering this riddle. For the removal of this monster he was praised by the city of Thebes and married the newly widowed Queen, Jocasta. Jocastas husband had been murdered by a "group of robbers" (who was actually Oedipus).
According to Aristotle, heroes exhibit certain characteristics to be considered as tragic. The hero must possess a tragic flaw that leads him to his downfall. Another prerequisite is the reversal of fate which is occurs because of the hero’s tragic flaw. The discovery of the reversal arises because of the realization of the hero’s actions. The amalgamation of tragic elements in Oedipus Rex delineates Oedipus as the archetypal Aristotelian tragic hero.
Greeks invented tragedy; One of the most famous of these is Oedipus the King, a tragic drama written by the famous Greek playwright Sophocles. The famous Greek philosopher Aristotle praised Sophocles’ work as the perfect tragedy. In addition to the reason Aristotle noted, The main character of this play, Oedipus, shows many characteristics of being a true tragic hero. While some people believe that Oedipus is not a tragic figure because he could have controlled his fate, Oedipus is indee a true tragic hero because his punishment exceeds the crimes he committed and the choices he made affected his life. The first reason why Oedipus is a true tragic hero is because his punishment exceeds the crime.
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.