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Greek role of women in greek mythology
Greek role of women in greek mythology
Analysis of king oedipus
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In the “Oedipus the king”, Jocasta is seen as an excellent, loving queen figure who stood strongly on her intelligence while controlling any difficult situation, but she is as fragile as a beautiful flower base who can be shattered easily by her own false hope and belief . Jocasta, a mother and a wife of Oedipus, became the most tragic victim of Oedipus’s fate beside the tragic hero himself. From the beginning when the oracle foretold the fate of the Thebes kingdom, Jocasta was already involved in the tragedy. Despite this misfortune, she tries to control and alternate the fate while standing firm and being constantly unwavered while being blinded by her own belief that no man has power to tell the future. Her perfect queen model and personality …show more content…
In episode 2 when Oedipus and Creon were arguing, she was able to settle the quarrel by interrupting their conversation. By saying her strong statement, “Wretched men! What has provoked this ill- advised dispute?”(639-640), she put in some sense into Oedipus and Creon by informing them with reasonable argument that there were no time for arguing when people are suffering in Thebes. Moreover, her characteristic pursued Oedipus’s anger. Her strong characteristic helped her plead Oedipus from exiling Creon and was able to soothe Oedipus who was fearsome as a vicious bull that charges into anything on the path. Her characteristic was able to guide Oedipus to move on and kept him flexible in his …show more content…
When the Messenger of Corinth explained Oedipus’s past, Jocasta realized the truth which her intelligence never imagined. She first panicked when she learned Oedipus’s true identity. The truth was too much to handle that Jocasta tried to prevent Oedipus from learning the truth because knowing the reality would give worst breakdown to Oedipus than herself. Even though Jocasta pleaded Oedipus to stop searching for the truth, Oedipus ignored her warning which worsened Jocasta’s condition. Falling into misery, Jocasta finally shattered by the pressure of emotion and incomprehension of information which herself could not accept.
Herself [was responsible for her death]…She came in anger through the outer hall, and then she ran straight to her marriage bed, tearing her hair with the fingers of both hands, then, slamming shut the doors… She mourned the bed where she, alas bred double… and there we saw her, hanging from above, entangled in some twisted hanging strands.
The authority which Oedipus and Jocasta defy is the same. Both the king and his mother defy the authority of the gods by trying to evade their edict. The edict states that a son would be born to Jocasta who would marry his mother and kill his father, as Oedipus says, “How mating with my mother I must spawn a progeny...having been my father's murderer.” (OEDIPUS, Oedipus, 44). When Jocasta hears of this, she attempts to kill the baby Oedipus, thus trying to escape the prophesy. Similarly, when Oedipus, as an unmarried adult, hears that he would kill his father, he runs away from his home town, Corinth, never to return. Oedipus and Jocasta both defy the gods' authority, which in this case comes in the form of running away from a menacing prophesy. In the end, however, Jocasta dies and Oedipus is overthrown and ruined.
In the play, Oedipus the King, blindness is used metaphorically and physically to characterize several personas , and the images of clarity and vision are used as symbols for knowledge and insight. Enlightenment and darkness are used in much the same manner, to demonstrate the darkness of ignorance, and the irony of vision without sight.
Undoubtedly there has been a tremendous amount of speculation and dissection of this play by countless people throughout the ages. I can only draw my own conclusions as to what Sophocles intended the meaning of his play to be. The drama included a number of horrific and unthinkable moral and ethical dilemas, but I believe that was what made the play so interesting and that is exactly the way Sophocles intended it to be. The play was obviously meant to entertain and portray the author’s own insight. The underlying theme to the play is that no man should know his own destiny, it will become his undoing. This knowledge of things to come was presented to both Laius and Oedipus in the form of prophecies well in advance of it coming to be. The prophecies told of things that were so morally disturbing that they both aggressively did everything in their power to try and stop them from coming true. The story begins with Oedipus at the height of power as King of Thebes. His kingdom has encountered rough times and he has sent his nobleman Creon to seek help from the god Apollo to restore his land. Creon tells Oedipus that he must find the murderer of the previous King Laius and by finding this man and banishing him, his land will be restored. The murder occurred some time ago and King Oedipus sends for the seer Theiresias with his powers of prophecy to aid in the search for the murderer. Sophocles cleverly projects his feelings on wisdom and knowledge through Teirsias when he says “Alas, how terrible is wisdom when it brings no profit to the man that’s wise!”(23) Teirsias knows that this terrible prophecy has already been set into motion and the damage has already been done. There is really no point in telling it to Oedipus because it will only cause more harm than good. Oedipus provokes Teirsias into telling him the prophecy, “ Í tell you, king, this man, this murderer-he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way befor him with a stick.
Jocasta’s blindness to the truth ruins her relationship with Oedipus unlike Gertrude’s blindness which merely taints her relationship with Hamlet. Primarily, as Oedipus comes closer to discovering the truth, Jocasta begs him to stop searching. She pleads with him yelling “No! In God’s name – if you want to live, this/ must not go on. Have I not suffered enough?/... I know I am right. I’m warning you for your own good.” (Sophocles 55). It is clear that Jocasta knows the truth and all along yet she refuses to tell Oedipus .She tries very hard to ignore the fact that Oedipus is her son because she knows once he discovers the truth, he will not even be able to look her in the eyes. It terrifies Jocasta to know that once Oedipus realizes that she is aware of the truth all along he will loathe her. Nothing hurts her more than knowing that the one she loves despises her. Jocasta can evade these unfortunate events if she did not ignore the obvious truth before her. Moreover, Jocasta desperately hopes that Oedipus dies before he u...
When reading the story of Oedipus the king people see it from Oedipus’s side “that he a child would kill his father and marry his mother;” however nobody sees it from the view of the mother, imagine how terrible it would be to find out that you have been bedding your own child and are grandmother and mother to the children you share. Jocasta is the Queen of Thebes, Never the less when a person is to think about what a queen 's life would be like, it would not be wrong to picture glamorous parties, fancy clothes and even an easy stress free life. However Jocastas first marriage did seem to emulate that life, and it seems like her first marriage to King Laius was happy. After the arrival or her son the happy king and queen receive the prophecy
Oedipus the King is a very famous Greek tragedy written by Sophocles that was first performed in 429 B.C. A major theme during the course of the play is the characters keenness to ignore the truth. Many times in the play, there are circumstances in which the truth is blatantly obvious, however the major protagonists are blinded by their own self-preservation to see it. For instance, when the messenger says, “Your ankles… they tell the story. Look at them”(1032). When Oedipus was a child, his birth parents, Jocasta and Laius, bound his feet together. The fact that Jocasta never made the connection between Oedipus and her once baby illustrates that she doesn’t want to hear the truth.
Aristotle defined a tragic story as the adventure of a good man who reaches his ultimate downfall because he pushed his greatest quality too far. Sophocles advocates the definition in the tragic play Oedipus Rex. He develops the play with the great polarities of fame and shame, sight and blindness, and ignorance and insight to show Oedipus’ experiences in search for knowledge about his identity. Through his search, Oedipus pushes his quest for truth too far and ultimately reaches his doom. Oedipus’ reliance on his intellect is his greatest strength and ultimate downfall.
At the outset of Oedipus Rex no female characters are present; the reader sees a king who comes to the door full of curiosity: “Explain your mood and purport. Is it dread /Of ill that moves you or a boon ye crave?” When the priest has responded that the people are despairing from the effects of the plague, the king shows sympathy for his subjects: “Ye sicken all, well wot I, yet my pain, /How great soever yours, outtops it all.” Thomas Van Nortwick in Oedipus: The Meaning of a Masculine Life : “We see already the supreme self-confidence and ease of command in Oedipus. . . . exudes a godlike mastery in the eyes of his subjects. . . .”(21-22); such “godlike mastery” will be his undoing. The critic Ehrenberg warns that it “may lead to ‘hubris’” (74-75). Throughout the drama Sophocles draws out an ongoing contrast between the “godlike mastery” of the king and the softer, more balanced and selfless characteristics of Jocasta, his wife. She is a foil to Oedipus. Shortly thereafter Creon, Jocasta’s brother, is returning from the Delphic oracle with the fateful words of the god’s command: “...
Jocasta’s compliance to the demands of the men around her is revealed through her constant role as a nurturing mother, one who provides emotional connections, but cannot make decisions. This role spans throughout the entire prophecy, throughout her entire life, and throughout her roles as Oedipus’ mother and then his wife. With the arrival of the prophecy that her and Laios’ son is destined to kill his own father and marry his own mother, Jocasta had to leave her child to essentially die in order to evade the prophecy. A mother’s first instinct is typically to protect her child at all costs; however, Jocasta goes against this by actually putting her child in danger in order to protect her husband. This instance proves that the husband seems to be the main focus. Every action seems to be to p...
In the passion of her rageful grief, her grief for Laius, her husband, killed as she now knows by Oedipus, and her rage (we may imagine) the son who has violated her and destroyed the façade of their current life, Jocasta enacts a violence that redounds upon Oedipus. Oedipus runs after her in a rage and breaks down the door to her rooms. But when he sees her dead, he takes her body down gently and stabs his eyes out with the pins that held her gown – pins reminiscent of course of the pins that pierced his ankles. “No more!” he cries to his eyes as he stabs them. “You will look no more at the pain I have suffered, the horrors that are my doing!”
As the play draws to a close, it is shown how Oedipus learns the true nature of things. Oedipus remains blind to the truth until he can deny it no longer. After hearing the testimony of the herdsman it is perfectly clear to Oedipus that he has fulfilled the prophecy by killing his father and marrying his mother, in turn bringing the great misfortune about the city of Thebes. Upon discovering the truth, along with discovering Jocasta’s dead body, Oedipus blinds himself with the pins on her dress and shouts that his eyes “would no longer see the evils he had suffered or had done, see in the dark those he should not have seen.” (1280-1282).
The play Oedipus the King by Sophocles has often been described as the story of a “tragic hero.” This story is indeed tragic; however, Oedipus is not the only character stricken by tragedy. Equally stricken may be the character of Jocasta. She, as well as Oedipus, suffers many tragedies throughout the story. Shifting the story to a different perspective quite possibly may increase how we view it. The point is not to denounce Oedipus’ role as a tragic hero, but to denounce his role as the only tragic character.
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
Many could argue that Jocasta is responsible for the downfall that Oedipus encounters due to an unsuccessful attempt to have Oedipus murdered as an infant. It could be said that she therefore deserves our criticism for her actions in the play although we cannot over look the choices the Oedipus makes himself. Oedipus chose to leave Corinth when told the news of the terrible prophecy that had been foretold about him. It was this choice that led Oedipus to kill what he thought to be a wanderer on a foreign road. In leaving Corinth he fulfilled the prophecy to kill his father. It was Oedipus' choice that accounts him responsible for the criticism he eventually endures, not Jocasta.
If fate really was not a factor in Jocasta’s life, the question of why she killed herself cannot simply be answered by stating that she was not worthy enough to the gods. The matter of the fact is that fate, stated by the oracle, proved to have effect as Jocasta could not handle the truth, killing herself to evade reality. Not only can people’s lives be affected by fate, the free will of a person is also indicative to the lifestyle they are destined to endure, “Rather, his foreknowledge makes him act irrationally to fulfill his destiny” (Langis n.pag.). It is hard not to listen to the voice of one’s conscious, but often times the true drive of humans subdues the powers from above. Just as Jocasta, had a strong desire to prove fate wrong, Oedipus knew what could happen to his life but decided to erratically choose to flee to Thebes.