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The role of the gods in Oedipus the king
Jocasta in oedipus the king essay
The role of the gods in Oedipus the king
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The Greek gods were believed to be invincible, all-knowing, and influential in people’s everyday lives, and it was thought that the gods would wreak havoc in the lives of those who did not obey. These beliefs coincide with an overall theme of Oedipus The King, which is to show reverence and fear towards the Greek gods. Initially, Jocasta is prideful towards the oracles and their validity, but her words and actions mask a lack of confidence; once her prophecy comes true, she becomes extremely regretful and respectful towards the oracles demonstrating an awareness of her own weakness.
Jocasta is an embodiment of this theme, due to the fact that she did not respect the power of the gods and believes she has escaped her prophecy; although she becomes regretful
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As the queen of Thebes, she must show a façade of strength to reassure the city, and herself, in the midst of hardships that all will be well. After being told, by Tiresias, that Oedipus is the murderer, Jocasta, keeping a strong composure, chimes in telling Oedipus, “There is no art of seership known to man (Oedipus. Second Episode. Choral Dialogue. Antistrophe 2)”. By showing disrespect to the gods to prove her self-confidence, Jocasta assures Oedipus his fear is misplaced due to the fact that her prophecy did not come true and neither would his. Disrespecting seers and Apollo, the queen continues the pattern, “So there! Apollo fails to make the son his father’s murderer, and the father murdered by his son. All forseen by fate and seers, of course, and all to be forgotten (Oedipus. Second Episode. Choral Dialogue. Antistrophe 2)”. By flaunting her power in evading what was forseen by fate and seers Jocasta
The authority which Oedipus and Jocasta defy is the same. Both the king and his mother defy the authority of the gods by trying to evade their edict. The edict states that a son would be born to Jocasta who would marry his mother and kill his father, as Oedipus says, “How mating with my mother I must spawn a progeny...having been my father's murderer.” (OEDIPUS, Oedipus, 44). When Jocasta hears of this, she attempts to kill the baby Oedipus, thus trying to escape the prophesy. Similarly, when Oedipus, as an unmarried adult, hears that he would kill his father, he runs away from his home town, Corinth, never to return. Oedipus and Jocasta both defy the gods' authority, which in this case comes in the form of running away from a menacing prophesy. In the end, however, Jocasta dies and Oedipus is overthrown and ruined.
By completing his prophecy, Oedipus caused Jocasta to kill herself, which led to absolute chaos, since no one had expected this type of tragedy. Due to Jocasta’s death, Oedipus took the brooches from the gown she perished in and repeatedly stabbed himself in the eyes. He felt there was nothing beautiful left to see in the world, he did not want to see his parents in the afterlife, and he wanted to suffer for his mistakes. This was yet another action of Oedipus’s that created even more disorder for Thebes to handle because now their Queen was dead and their King
Jocasta’s blindness to the truth ruins her relationship with Oedipus unlike Gertrude’s blindness which merely taints her relationship with Hamlet. Primarily, as Oedipus comes closer to discovering the truth, Jocasta begs him to stop searching. She pleads with him yelling “No! In God’s name – if you want to live, this/ must not go on. Have I not suffered enough?/... I know I am right. I’m warning you for your own good.” (Sophocles 55). It is clear that Jocasta knows the truth and all along yet she refuses to tell Oedipus .She tries very hard to ignore the fact that Oedipus is her son because she knows once he discovers the truth, he will not even be able to look her in the eyes. It terrifies Jocasta to know that once Oedipus realizes that she is aware of the truth all along he will loathe her. Nothing hurts her more than knowing that the one she loves despises her. Jocasta can evade these unfortunate events if she did not ignore the obvious truth before her. Moreover, Jocasta desperately hopes that Oedipus dies before he u...
Oedipus’ personality clearly reflects pride and determination throughout the play. When Oedipus heard the oracles’ prediction that he was to kill his father and marry his mother, he was determined to prevent the prophecy. Therefore he left his homeland of Corinth never to return. Then when he solved the Sphinx’s riddle, Oedipus’ pride rose to a new level. He was praised by the people of Thebes, resulting in his marriage to Jocasta, Queen of Thebes. Oedipus also shows his determination when in search of Laius’ murderer. He stated that he would avenge the King’s death as if Laius were his own father. He cursed the murderer, announcing “May he drag out an evil death-in-life in misery.” These characteristics of pride and determination, which Oedipus emanates throughout the play, may appear to be positive attributes to one’s personality. However, Oedipus’ actions, based on these characteristics, are what led him to his eventual downfall and suffrage.
Teiresias finally tells Oedipus the horrible truth, but Oedipus calls him a liar and fails to recognize the truth again. When Oedipus finally figures that the oracle, drunk, and Teiresias was all true, he cannot handle it and blinds himself while Jocasta kills herself. Oedipus believes he can surpass that of what any man has ever achieved.
Throughout the play, Jocasta tested the beliefs of those around her by feigning disbelief in the gods herself. Though she put up this false front, she did keep her faith. At the beginning of the scene wherein a messenger relayed word of Polybus' death and Oedipus' ascension to the throne of Corinth, we see Jocasta praying - not the act of a disbeliever at all! Again, in the same Episode, Jocasta carries garlands and incense to the altar and tries to appeal to Apollo to purify the city of Thebes.
The theme that the lives of humans are controlled by the gods, in Oedipus, show that everything humans do are futile and result in no gain but only loss. This theme is mainly shown by the character Oedipus, king of Thebes. In the beginning of his life, Laius the king planned to kill his son by leaving him on Mount Cithaeron to die. "...at the moment I was your savior."
Thebes supported one brother, but the other one he considered a traitor and announces his body will not be allowed a proper burial. Antigone stands up for her brother by given him a proper burial. By doing so she upsets Creon so he locks her up, then she kills herself. After her death others affected also takes their life Haemon her lover who is the son of Creon and Eurydice his mother who is sadden by his death.
Jocasta’s compliance to the demands of the men around her is revealed through her constant role as a nurturing mother, one who provides emotional connections, but cannot make decisions. This role spans throughout the entire prophecy, throughout her entire life, and throughout her roles as Oedipus’ mother and then his wife. With the arrival of the prophecy that her and Laios’ son is destined to kill his own father and marry his own mother, Jocasta had to leave her child to essentially die in order to evade the prophecy. A mother’s first instinct is typically to protect her child at all costs; however, Jocasta goes against this by actually putting her child in danger in order to protect her husband. This instance proves that the husband seems to be the main focus. Every action seems to be to p...
In attempting to leave Corinth and prevent the prophecy to the best of his abilities Oedipus alleviates some of the guilt that he could carry. Oedipus’s true defense is his ignorance in not knowing that “Polybus was no kin. . .in blood” (1016), believing that he was doing the right thing to prevent the prophecy and leave Corinth, he hurt himself and unfortunately put into motion the elements needed for the prophecy to come true. One may also be tempted to blame Jocasta for her role in the prophecy coming true, however that is also unfair. Firstly it is important to remember that women had little to no power in ancient Greece, even if they were queens. It is a fair assumption to make that Jocasta had no choice in the matter of marrying Oedipus when he came to Thebes, he was the new king so she would marry him to maintain her power. In considering Jocasta’s innocence it is also important to remember that she did try to kill Oedipus as a baby, which, while morally is a grey zone, shows that she should not be held solely responsible for the prophecy coming true. Jocasta’s innocence could be
The play Oedipus the King by Sophocles has often been described as the story of a “tragic hero.” This story is indeed tragic; however, Oedipus is not the only character stricken by tragedy. Equally stricken may be the character of Jocasta. She, as well as Oedipus, suffers many tragedies throughout the story. Shifting the story to a different perspective quite possibly may increase how we view it. The point is not to denounce Oedipus’ role as a tragic hero, but to denounce his role as the only tragic character.
First off, Teiresias is hinting at the fact that Oedipus’ relationship with Jocasta is a “sinful union” (Sophocles 36). Oedipus is unable to make the connection between what Teiresias is saying and his own prophecy. Oedipus does not want to acknowledge the fact that he has committed a sin and he avoids learning the truth by remaining ignorant of his true parentage. On top of this, when Teiresias outright tells Oedipus that “the killer [he is] seeking is [himself]” (Sophocles 36). Oedipus refuses to believe this and instead accuses Teiresias of lying and plotting against him. Oedipus, as a known intelligent character, should have listened to Teiresias, who is known for being a wise man; instead, Oedipus puts the blame on Teiresias. Teiresias then goes on to foreshadow that the “taunts” (Sophocles 36) Oedipus is throwing at him will “someday [be] cast at [him]” (Sophocles 36). Oedipus does not take the warning of Teiresias seriously instead he continues to insult Teiresias. Oedipus’ inability to face the truth will result in him being banned and blinding himself for his ignorance. Similarly, Jocasta attempts to prevent Oedipus from gaining knowledge by explaining that “[i]t makes no difference now” (Sophocles 55) and to “[f]orget” (Sophocles 55) what has been told to him. Jocasta not only tries to stop Oedipus from learning the truth, she also tries to stop herself from verifying the truth, this later results in her unfortunate suicide. Also, Jocasta’s ignorance and inability to discover Oedipus’ true past causes her to commit incest, a major sin. Jocasta and Oedipus committing this sin then result in the God’s punishing Thebes. Showing that, ignorance leads to
Jocasta’s first appearance and lines in the play are to interrupt an argument between her husband and Creon. She begs Oedipus to let the matter be, “Believe his words, for gods’ sake, Oedipus, in deference above all to his oath to the gods…” (Sophocles 1485). Her words drip in verbal Irony because the sequel to this play Antigone wherein Creon takes over the kingdom. Although this is only one small instance of verbal irony, the author continues to use Jocasta’s lines in this context, revealing truth to us through lie. In this instance, the reader can infer to Creon’s guilty nature despite not reading Antigone.
In the play Oedipus the King, Sophocles affirms that the gods ultimately have the final say to control one’s destiny; however, an individual is solely responsible for the decisions he makes. Approaching near the climax, Sophocles sets up a fundamental conflict of the play, the need for Oedipus and Jocasta to perceive the immutable state of prophecy through the consequences that deliver itself when the gods fulfill their plans for one’s destiny. The messenger even describes the omnipotent power of the gods, and witnesses the augury of death proposed by the supernatural, finally stating:
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.