In Sophocles’ Oedipus the King, Jocasta is, after the tragic hero Oedipus himself, the most paramount victim of the tragedy. As she takes fourth the roles of mother, wife, and victim, her existence and even demise is nevertheless portrayed as background noise in the play.
As the story goes, Jocasta believes she can dodge her dreadful fate by abandoning her son. The young and naive queen could not fully grasp the fact that fate is not a blinding light to turn away from but a path that, no matter which shortcut you take, will lead you to the very same place you are meant to be. So she moves on, believing she has successfully avoided her so-called fate and proved the gods wrong. Little did she know, her precautions are what set the prophecy into
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As tensions rise and questions are asked, Jocasta is quick to realize that the prophecy did in fact come true, her son did committed murder against his father and incest with her, but she is even quicker to turn a blind eye, and beg Oedipus not to pry for the truth. While she does love Oedipus romantically, her maternal love for him subconsciously breaks through when she aims to protect him from the truth, therefore allowing herself to live with the guilt rather than he.
But of course, because every tragedy needs a heart-string-tugging fall, after Oedipus learns the truth about himself and the effects of his actions, it is Jocasta who cannot live with it. With her bed sheets tied around her neck, symbolizing her choking by the hands of maternity and incest, Jocasta commits suicide. Ironically, it is Oedipus who chooses to live with the guilt and without his sight.
As for the prophecy, similarly to Jocasta’s misery, it was completed. Every step taken to avoid fate in Oedipus the King was just another step closer to achieving it. Every event from Oedipus’ abandonment, to the murder of his father, to the incestual actions with his mother and her eventual suicide, even to his blindness, was fate. Though pieces of it were not mentioned by the Oracles, they were still meant to
Undoubtedly there has been a tremendous amount of speculation and dissection of this play by countless people throughout the ages. I can only draw my own conclusions as to what Sophocles intended the meaning of his play to be. The drama included a number of horrific and unthinkable moral and ethical dilemas, but I believe that was what made the play so interesting and that is exactly the way Sophocles intended it to be. The play was obviously meant to entertain and portray the author’s own insight. The underlying theme to the play is that no man should know his own destiny, it will become his undoing. This knowledge of things to come was presented to both Laius and Oedipus in the form of prophecies well in advance of it coming to be. The prophecies told of things that were so morally disturbing that they both aggressively did everything in their power to try and stop them from coming true. The story begins with Oedipus at the height of power as King of Thebes. His kingdom has encountered rough times and he has sent his nobleman Creon to seek help from the god Apollo to restore his land. Creon tells Oedipus that he must find the murderer of the previous King Laius and by finding this man and banishing him, his land will be restored. The murder occurred some time ago and King Oedipus sends for the seer Theiresias with his powers of prophecy to aid in the search for the murderer. Sophocles cleverly projects his feelings on wisdom and knowledge through Teirsias when he says “Alas, how terrible is wisdom when it brings no profit to the man that’s wise!”(23) Teirsias knows that this terrible prophecy has already been set into motion and the damage has already been done. There is really no point in telling it to Oedipus because it will only cause more harm than good. Oedipus provokes Teirsias into telling him the prophecy, “ Í tell you, king, this man, this murderer-he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way befor him with a stick.
Jocasta’s blindness to the truth ruins her relationship with Oedipus unlike Gertrude’s blindness which merely taints her relationship with Hamlet. Primarily, as Oedipus comes closer to discovering the truth, Jocasta begs him to stop searching. She pleads with him yelling “No! In God’s name – if you want to live, this/ must not go on. Have I not suffered enough?/... I know I am right. I’m warning you for your own good.” (Sophocles 55). It is clear that Jocasta knows the truth and all along yet she refuses to tell Oedipus .She tries very hard to ignore the fact that Oedipus is her son because she knows once he discovers the truth, he will not even be able to look her in the eyes. It terrifies Jocasta to know that once Oedipus realizes that she is aware of the truth all along he will loathe her. Nothing hurts her more than knowing that the one she loves despises her. Jocasta can evade these unfortunate events if she did not ignore the obvious truth before her. Moreover, Jocasta desperately hopes that Oedipus dies before he u...
Many times humans do things that contradict another thing they do. An example of this is one thing may be good but also bad at the same time. A person who has done this more then once is Oedipus in the writer Sophocles plays. Sophocles uses imagery like light verses darkness, knowledge verses ignorance and sight verses blindness.
Oedipus’ personality clearly reflects pride and determination throughout the play. When Oedipus heard the oracles’ prediction that he was to kill his father and marry his mother, he was determined to prevent the prophecy. Therefore he left his homeland of Corinth never to return. Then when he solved the Sphinx’s riddle, Oedipus’ pride rose to a new level. He was praised by the people of Thebes, resulting in his marriage to Jocasta, Queen of Thebes. Oedipus also shows his determination when in search of Laius’ murderer. He stated that he would avenge the King’s death as if Laius were his own father. He cursed the murderer, announcing “May he drag out an evil death-in-life in misery.” These characteristics of pride and determination, which Oedipus emanates throughout the play, may appear to be positive attributes to one’s personality. However, Oedipus’ actions, based on these characteristics, are what led him to his eventual downfall and suffrage.
Aristotle defined a tragic story as the adventure of a good man who reaches his ultimate downfall because he pushed his greatest quality too far. Sophocles advocates the definition in the tragic play Oedipus Rex. He develops the play with the great polarities of fame and shame, sight and blindness, and ignorance and insight to show Oedipus’ experiences in search for knowledge about his identity. Through his search, Oedipus pushes his quest for truth too far and ultimately reaches his doom. Oedipus’ reliance on his intellect is his greatest strength and ultimate downfall.
Throughout the play, Oedipus is faced with the truth and fails to acknowledge it. He is first told by the drunk at the party, but he dismisses it as just something said by an ignorant drunk. He then visits the oracle and is told his fate determined by the gods and believes he can escape it by fleeing to Thebes. On his way he carries out the first part of the fate by killing his father. He then makes it to Thebes and marries Jocasta, unknowingly fulfilling the fate. Teiresias finally tells Oedipus the horrible truth, but Oedipus calls him a liar and fails to recognize the truth again. When Oedipus finally figures that what the oracle, drunk, and Teiresias was all true, he cannot handle it and blinds himself while Jocasta kills herself.
Jocasta’s compliance to the demands of the men around her is revealed through her constant role as a nurturing mother, one who provides emotional connections, but cannot make decisions. This role spans throughout the entire prophecy, throughout her entire life, and throughout her roles as Oedipus’ mother and then his wife. With the arrival of the prophecy that her and Laios’ son is destined to kill his own father and marry his own mother, Jocasta had to leave her child to essentially die in order to evade the prophecy. A mother’s first instinct is typically to protect her child at all costs; however, Jocasta goes against this by actually putting her child in danger in order to protect her husband. This instance proves that the husband seems to be the main focus. Every action seems to be to p...
In attempting to leave Corinth and prevent the prophecy to the best of his abilities Oedipus alleviates some of the guilt that he could carry. Oedipus’s true defense is his ignorance in not knowing that “Polybus was no kin. . .in blood” (1016), believing that he was doing the right thing to prevent the prophecy and leave Corinth, he hurt himself and unfortunately put into motion the elements needed for the prophecy to come true. One may also be tempted to blame Jocasta for her role in the prophecy coming true, however that is also unfair. Firstly it is important to remember that women had little to no power in ancient Greece, even if they were queens. It is a fair assumption to make that Jocasta had no choice in the matter of marrying Oedipus when he came to Thebes, he was the new king so she would marry him to maintain her power. In considering Jocasta’s innocence it is also important to remember that she did try to kill Oedipus as a baby, which, while morally is a grey zone, shows that she should not be held solely responsible for the prophecy coming true. Jocasta’s innocence could be
It seems that Jocasta suffers many tragedies, possibly more than Oedipus himself. Using our definition of a tragic hero, Jocasta’s fearful deed is that of giving up her son to death. That turns out to be her downfall and destroys her. However, she does not fit the criteria as a tragic hero. Jocasta did not do a good deed turning her into a hero. She goes through many tragedies, but this only categorizes her as a victim of tragedy. While Oedipus is still the “tragic hero,” he is no longer the main victim in the play.
While Jocasta’s physical appearance is not described in great detail, it can be deduced that she is older than Oedipus; not only is she his mother, she has been Queen since before his birth. Her age and nobility is enforced by the confidence she has in herself and her beliefs. For example, when Oedipus begins to grow anxious that his heinous fate has been sealed, she shrugs it off and encourages him not to get stressed over it. She was told a similar prophecy in the past, during her marriage with Laius, but the two of them went to great lengths
Jocasta is the queen of Thebes. She is married to Oedipus, the king of Thebes. Little did Jocasta and Oedipus know when they got married is that, Jocasta is Oedipus’s mother. The reason they did not know this very important piece of information is because Laius, Jocasta’s other husband, and Oedipus’s father had gotten a prophecy. The prophecy was that someday, Laius would be killed by his own son. So they took Oedipus and bound his ankles together and gave him to a Shepherd. They both thought that their son had died that day. He lived and was adopted, and Laius’s prophecy will someday become true.
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
Many could argue that Jocasta is responsible for the downfall that Oedipus encounters due to an unsuccessful attempt to have Oedipus murdered as an infant. It could be said that she therefore deserves our criticism for her actions in the play although we cannot over look the choices the Oedipus makes himself. Oedipus chose to leave Corinth when told the news of the terrible prophecy that had been foretold about him. It was this choice that led Oedipus to kill what he thought to be a wanderer on a foreign road. In leaving Corinth he fulfilled the prophecy to kill his father. It was Oedipus' choice that accounts him responsible for the criticism he eventually endures, not Jocasta.
In Oedipus Rex, fate is something that unavoidably befalls two characters. The gods decide Oedipus and Jocasta’s fate, even before they know it. Trying to avoid destiny is pointless because no matter what, it will catch up to you wherever you are. It is often thought that you can change your destiny, but in reality our fate was put into action the day we were born. Throughout the play, Oedipus tries to change his fate.
Oedipus, Laius, and Jocasta believed they could cheat fate and that it was impossible for these prophecies to come to fruition. In their belief in what they had seen and observed, it was clearly shown they were always blind. They were unaware that they were ignorant and Apollo selectively gave them information, which guided them toward their demise. Once Jocasta realized that she married and had children with her son, she hung herself. Oedipus found out, which was the recognition in the tragedy, he ripped golden brooches from a gown and plunged them into his eyes, which was the reversal in the tragedy. This act of blinding himself was Oedipus’ catharsis. He was blind all along it was never luck guiding him to his rise in success. Oedipus was always guided by Apollo to reach great heights and then to plummet to the lowest of lows; making Oedipus the quintessential tragic