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O'Manjo's Last Waltz
It was another long week, and I was looking forward to the usual summer rituals of mowing lawns and hammering a few nails into any place they seemed to fit. I usually closed the auto parts store at 5:30 and stayed doing paperwork for another hour or so, but not on Fridays. Fridays were the finish line of a usually marathon week of complaining customers and dissatisfied employees. At 5:31, the place would be empty, dark, and eager for an echo.
The old man knew this ritual, and when he came on Fridays, he usually blew in the door around 5:15. He had been coming in every week for about a year. We didn't know Joe's last name, we only knew him as "Old Man Joe." We call him "O'Mango," and he didn't seem to know the difference. His hearing was the least of his problems.
He peppered his weekly visits over different weekdays, but it was always Fridays that he waited until 5:15. He makes the usual remarks every time he sits his old, marshmallow behind down at the counter.
"Well, boy?" He'd ask. "What the hell are you looking at?"
"I'm looking at the ugliest, most disgusting, onriest son-of-a-bitch I've ever seen!" Was my usual reply.
"That's right, and don't forget it!" He would hold his dry, cracked hands in fists and shake them at me.
"Keep it up, boy, and I'll whoop your scrawny little but right here and now."
At some time in O'Mango's life, he was a prizefighter. His nose looked like it had taken more than its share of beatings, so I tended to believe the story. All the talk was, of course, our way of greeting each other. If he did intend to come after me, I'd most likely have him pushed out the door before he could get his oxygen tank over his shoulder.
O'Manjo didn't really need ...
... middle of paper ...
...opened. The neighbors didn't want money for them; they were just trying to sort things through, and knew Joe well enough to guess at our credit arrangement.
They said Joe died peacefully in his sleep, without pain. I wondered if he just laid in bed listening to that tape over and over like it was some kind of drug and he was a junky. This didn't seem wrong to me. At least I'd know that he died happy. I imagined him waking up in heaven wearing his best dance shoes, and bouncing across the ballroom floor.
There will always be another customer to fill Joe's stool and fire remarks at us, but none will replace Joe. When I think about it, I kind of feel guilty that he paid me ten dollars a month to be his friend. It was not a difficult job, but was merely human interaction that somehow becomes precious when it's lost.
I just pray O'Manjo got his money's worth.
Upon accepting a position to work for the New York Transit Authority, Mary Myers was forthright in informing her supervisor(s) know that she was unable to work any sundown Fridays to sundown Saturdays. (Feazell, 2003) As it relates to keeping “the Sabbath”, sundown Friday to sundown Saturday adherence to set aside this time period for rest and worship. (Feazell, 2003) Consequently, after Ms. Myer begin working for Transit Authority, her scheduled hours were involuntary changed, and she was then required to work on the Sabbath. (Feazell, 2003)
Philip Lindsay, in his autobiographical book I'd Live the Same Life Over, tells about the circumstances of Joe Lynch's death, in somewhat more detail than does Slessor in his elegy:
At Chipotle, a Mexican fast food restaurant, the customer approached the first station where he ordered a burrito. The first employee asked “What can I get started for you?” The customer then replied with “Andrew will get a chicken burrito.” The employee proceeded then to warm a tortilla and ask the customer what kind of rice and beans he would like. The customer responded in similar fashion, saying, “Andrew will take some brown rice and no beans.” It was then that the customer began to look at the customer with a confused look. She did not say anything, and she continued to keep creating the burrito. When the customer went to the next part of the burrito-creating process (with a new employee), he did not begin his responses with “Andrew will have” but rather stating what he wanted on the burrito (e.g. “pico, sour cream and cheese, please.”). The next employee was the cashier, responsible for ringing up the customer for his food. The cashier asked the customer if the burrito was going to be it for him. The customer responded with “That’s going to be it for Andrew today.” The cashier then acknowledged the customer and then proceeded to check the customer out. Once the checkout was completed, the customer said “Thank you,” and left the restaurant.
At the beginning of the year, a work schedule policy change was made to increase production hours as a result of company growth. The previous Monday through Friday work schedule
Theodore Roethke's poem “My Papa's Waltz” is a unique American poem which is written in iambic trimeter. The poem captures the sometimes intense relationship between father and son. Roethke's own father, a German immigrant, died when he was still a teenager. His father was a major inspiration in his life and images from his childhood appear throughout his poetry. A biographer, Matt Forster comments that “His poems are often explorations of his own psyche, using imagery from his childhood to describe his interior life (Forster 2005).” He became one of the best known American poets by the end of his lifetime in 1963. In the famous poem “My Papa's Waltz” the author uses musicality and deep psychologically-rooted themes to create a poem that is unforgettable and alive with action. The poem is composed in iambic trimeter which parallels the 1, 2, 3 tempo of a waltz. This feature helps in creating the illusion of musicality and dancing as is suggested in the poem's title. Thematically the poem comments on the oedipal complex, the intimate relationship between father and son, loss, memory and music.
From start to finish. The old man examined how each individual water droplet splashed once it reached the ground one after the other. He would lay on the bed and watch how the raindrops fell from the roof and how reunited they became once they landed. His rusty, most prized, phonograph, played in the background, the sweet melody of The temptations singers, soothed his ears. The rhyming beat of the instruments made the man feel young again and brought back part of the happiness he once carried with his significant other. “I guess it’s time to get up and make my breakfast already.” he said, as he looked at the clock.
My Papa’s Waltz My Papa’s Waltz has been compared to a generational litmus test. Depending on what generation the reader was born, could determine how the reader would interpret this poem. Each generation has its own views that have been developed in them for the language used to describe Papa in this poem. The whiskey on his breath and Papa’s hand beating on his head, both sound like a negative connotation.
"My Papa 's Waltz," by Theodore Roethke 's, is a poem about a boy who expresses his affection for his father, but at the same time expresses a sense of danger that comes from the father. The poem appears to be a snapshot in time from a child’s memory. The uplifting experience is created through the father and son’s waltz while the father’s uncontrollable movements juxtaposes the menace of the drunken father.
The sun had just set and all the street lights had begun to turn on to help see through the dark alleys. Just before we began to close the store something surprisin...
classic nineteenth century Waltz. With heads thrown back and ribbons flowing, their movement seems light and fully of energy, yet the image still portrays a sense of finesse and refinement. The young woman’s hair is neatly pulled back in an updo while the male’s hair is carefully combed and controlled. Additionally, their arms are precisely placed while their legs and motions are in perfect unison. Both thin framed, they illustrate a sense of whimsy and attractiveness. Although the artist was sure to portray the movement of the couple’s clothing, their outfits remain smooth and reserving. Even the distance between the dancers’ heads prevents the dance from seeming too sexually suggestive. By portraying such a composed couple, the artist implies
Two men were working the front end, the cashier at register 3 was helping an older looking woman with a sun hat, Capri pants ,and far too much make up on, the other cashier was leaning on the bag rack behind him, enjoying a break in a slow day . Both of the clerks looked as if they were in their early twenties, definently townies, the townies hated summer vacationers. Townies never said a word to vacationers, and you could tell in their attitude; they all longed for Labor Day to roll around so everyone would go home, bringing peace to their little town again. My observations of the store and town politics were...
This poem has a kept form. Even at a glance, it has a set form. It consists of four quatrains, each line being an iambic tritameter. The poem is about a young boy waltzing with his father. One can assume that the speaker is a young boy, or perhaps the poet reminiscing his youth. The father dances around in a haphazard manner, knocking over pans in the kitchen. Upon first glance, the tone is humorous. The picture one immediately forms is rather comical with the boy clinging on for dear life as his chuckling father spins him round and round, making a mess in the kitchen while the mother looks on discontentedly. However, the line, "whiskey on your breath could make a small boy dizzy" suggests the father's drunkedness and "at every step you missed my right ear scraped buckle" suggests the dance was not an altogether joyful one. Lines such as "hung on like death", and "beat time on my head" are might even lead the reader to think the father is abusive of the boy.
New Criticism attracts many readers to its methodologies by enticing them with clearly laid out steps to follow in order to criticize any work of literature. It dismisses the use of all outside sources, asserting that the only way to truly analyze a poem efficiently is to focus purely on the words in the poem. For this interpretation I followed all the steps necessary in order to properly analyze the poem. I came to a consensus on both the tension, and the resolving of it.
That evening and the week that followed, my husband and I dined on sourdough hamburgers, french fries, and Pepsis in hopes that Otis would show. After eight nauseating days of engorging ourselves with red meat and grease, we left our home phone number with the shift managers who promised to call the next time Otis came in. They never called.
When he was working there he never maintained a positive mindset. Whenever a customer would approach him he wouldn’t have a smile on his face or even he would never ask the customers how their day was or how they are. Whenever the customers would take a long time with their order he would get very frustrated quickly and would have a mad look on his face. So then he would ask the other employee to take the customers order because he couldn’t stand them anymore. Then after a couple weeks of poorly working he got fired.