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Similarities between the odyssey and oh brother where art thou
Similarities between the odyssey and oh brother where art thou
Similarities between the odyssey and oh brother where art thou
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O Brother, Where Art Thou? - From Greek Classic to American Original
In the winter of 2001, American audiences initially paid little attention to Joel and Ethan Coen's Depression era, jail-break, musical "buddy" comedy O Brother, Where Art Thou? The film's reputation lingered, however, and over the next seven months O Brother eventually grossed a significant $45.5 million (imdb.com). Loosely adapted from Homer’s The Odyssey, the film focuses on Ulysses Everett McGill’s (George Clooney’s) journey from the jailhouse back to both his home in Ithaca, Mississippi, and to his wife Penny (Holly Hunter). Along with his two sidekicks, Delmar and Pete (Tim Blake Nelson and John Turturro), Ulysses encounters not only characters from the classic myth including the Sirens and the Cyclops, but also slices of American folk legend. Episodic in its narrative structure, the film unfolds like Homer’s saga with very few, if any, segues between the vignettes. The film deserves an admiring second look for the Coen brothers employ their old-time country music soundtrack in a manner analogous to Homer’s lyre, reconstruct gender roles and heroism for the American twentieth and twenty-first centuries, and create a moving tribute to the American South during the Great Depression.
The title of the film derives from Preston Sturges’s 1941 American film comedy Sullivan’s Travels, in which a movie-director character attempts to prove himself a “serious” artist by deserting comedy and making a dramatic film entitled O Brother, Where Art Thou? The Coen brothers perhaps created their O Brother as a realized vision of their directorial counterpart in Sullivan’s Travels. Simultaneously they reinforce the idea that comedy certainly can be art, and thus...
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Jones, Peter V. Introduction. The Odyssey. By Homer. Trans. E. V. Rieu. London: Penguin, 1991. xi-l.
Lomax, Alan. The Folk Songs of North America. Garden City: Doubleday, 1960.
O Brother, Where Art Thou? Dir. Joel Coen. Screenplay by Ethan Coen and Joel Coen. Perf. George Clooney, John Turturro, Tim Blake Nelson, Holly Hunter, John Goodman. Touchstone, 2000.
O Brother, Where Art Thou?—The Official Web Site. 2000. Buena Vista Online Entertainment. 30 Oct. 2001 .
“O Brother, Where Art Thou?” The Internet Movie Database. 15 Jan. 2002. .
Oermann, Robert K. “‘Old-Time Music Is Very Much Alive’ But you won’t hear it on ‘country’ radio.” O Brother, Where Art Thou?: Music From a Film by Joel & Ethan Coen. CD. Universal Music, 2000.
The film O brother, where art thou? is set in the Great Depression of the 1930’s and emphasizes the struggle between the upper and lower classes by using a variety of cinematic devices. Through the use of these cinematic devices and comedic relief the realities of the Depression are viewed without creating a stark, melancholy, documentary-styled film. Examples in this film of these cinematic devices used to show these realities include:
Pop culture’s mythology theory is used in many forms of media today, from The Legend of Zelda in video games to “Harry Potter in books. One example of usage of the mythology theory is the 1996 movie, O Brother, Where Art Thou? directed by Joel Coen. This movie is based off Homer’s epic poem, “The Odyssey.” There are many similarities between the two, yet at the same time, there are many differences.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Homer’s Odyssey is the iconic story of a man’s episodic journey home. The film, O Brother Where Art Thou, is a justifiable homage to the Odyssey because of the many parallels between some of the major characters depicted in the movie and the epic poem. The movie is set in the 1930s in the state of Mississippi, changing the characters in social demeanor, but retaining their motivation and major plot points.
Homer, The Odyssey, The Norton Anthology of World Masterpieces, ed. Maynard Mack, Expanded Edition, (New York: W. W. Norton, 1995), pp. 219-503.
Once a successful novel hits the market, producers are inclined to adapt the story into a movie. Since imagination, symbolism, and character psyches are explored in a novel, the movies tend to lack the luster of the original text. Using their imagination, readers are able to conjure up characters and scenes that are unique. This is the case with Tim O’Brien’s, “Sweetheart of the Song Tra Bong.” This is a story where love and war collide after a soldier brings his sweetheart to his Vietnamese post. On the whole, this chapter in The Things They Carried is far superior to the film, The Soldier’s Sweetheart, because it has thorough descriptions of characters’ feelings, including symbolism concerning objects and important events. When the audience is able to draw it's own story around an author's narrative, the experience is more satisfying than when every detail is presented through the cinematic medium - an active audience is happier than a passive one.
Woods, Paul A., ed. Blood Siblings: The Cinema of Joel Coen and Ethan Coen. Grand Rapids: Plexus, 2000. Print.
Homer. “The Odyssey”. The Norton Anthology of World Literature. Ed. Martin Puncher. New York: W. W. Norton & Company, 2012. 475. Print.
In the movie, the three main types of comedy I recognized were farce, parody, and satire. Farce is comedy designed to provoke the audience into simple, hearty laughter and often uses highly exaggerated or caricatured character types and puts them into improbable and ludicrous situations. It also makes use of broad verbal humor and physical horseplay. Some examples of farce in the movie are:
How prevalent is police discretion and why does it exist? Can discretion be eliminated? Should it be? Due Date March 11 2005
Burton, Tim, dir. Big Fish. Writ. Daniel Wallace and John August. 2004. Sony Pictures, 2005. DVD-ROM.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
Lawall, Sarah N. “The Odyssey.” The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 206-495. Print.
Homer. ?The Odyssey,? World Masterpieces: Expanded Edition. Maynard Mack ed. Ed. Coptic St.: Prentice, 1995.
“All the Pretty Horses”, a novel written by Cormac McCarthy tells the tale about a man and his friend travelling the plains of Mexico after leaving their homes in Texas. As the novel’s name alludes to, horses are a central theme in the story as they represent manhood and freedom when John Grady, the protagonist, and his friend Rawlins get thrown in jail. McCarthy’s novel became critically-acclaimed which gained him more recognition, as well as a movie adaptation directed by Billy Bob Thornton. Even though Thornton’s adaption has the basics of the novel’s story it does not appropriately grasps its depth. While Thornton’s version stays faithful to the dialogue from the book’s included scenes it does fall short by having an erratic pace, having