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Introduction: The film North Country directed by Niki Caro in 2005.It is based on a true story.North Country is about a woman Josey who has been abused by her husband and leaves with her two kids Sammy and Karen back to her hometown Minnesota.She gets a job offer from her friend Glory at the local iron Mine.But as Josey pursuits the job offer her relationship with her father Hank is pushed further apart.She becomes friends with the other women working there and starts to relise the way herself and the other women are targeted by most of the male co-workers there for sexual harrasment and being humilited in front of co-workers. The extended sequence begins with Josey surprising her children with gifts, now that she can afford gifts and support her family by earning money herself. The action then moves to her at the mine with Bobby Sharp and them walking up the conveyer belt and asking her to make up and forgive him in a rude way. It then jumps back into the present where Josey is in court listening to false accusations made about her. …show more content…
In the shot, we see that Josey is able to provide a house. We see the outer porch area that leads into a back yard. We also notice all three are together and united. and gifts for her family now that she works at the Iron mine as well as being a single mother. At the same time we hear These techniques combine to show the audience that this family is happy Society- women should be allowed to work and provide for their
After a year of pampering, Logan becomes demanding and rude, he went as far to try to force Janie to do farm work. It was when this happened that Janie decided to take a stand and run away with Joe. At this time, Janie appears to have found a part of her voice and strong will. In a way, she gains a sense of independence and realizes she has the power to walk away from an unhealthy situation and does not have to be a slave to her own husband. After moving to Eatonville and marrying Joe, Janie discovers that people are not always who they seem to be.
...mily circumstance of the Mexican American boy, Manny, to present the familial pattern of the migrant and their struggle. Manny’s father is a drunkard and has no care for his family, but he loves his family. When Manny’s sister, Magna, becomes pregnant and gives birth to a premature baby, his father shows much care for her that shows he has realized the fact that he has to adapt to the surroundings instead of struggling against it. Magna is the only person who brings money to the family unlike her father and brother and helps her mother to run her family. Manny mother feels very bad when she gets embarrassed in the hospital. She feels that this ill-treatment happens to her not only because of discrimination, but also because of her husband’s disregard. Thus, Martinez shows the family condition a Mexican American boy who faces disgrace in school and unstable family.
Men of all professions had gone, such as lawyers, physicians, miners, mechanics, merchants, senators, and gamblers (Wilson). Most of the men had abandoned their jobs and family to try their luck in finding gold. Luzena had went with her husband and brought along their two kids. She had remembered that “the travelers were almost all men” (Wilson). Since there were virtually no women to tend to the men’s needs, men often interacted with women they didn’t know. “A hungry miner, attracted by the unusual sight of a woman” had paid Luzena five dollars for a biscuit that she had made (Wilson). Thus, women became cooks, prostitutes, and owners of hotels. Luzena had a hotel called ‘El Dorado,’ where she had “twenty miners eating at my table.” (Wilson). That was how women typically made money, by providing services that are outside of mining, the ones essential for life, like eating. Luzena had also recalled a ball taking place in Nevada City, where “there were twelve ladies present and about three hundred men” (Wilson). This really portrayed the gender imbalance and demonstrated competition among men for even a dance with the
Blacksad: Vol 2 Arctic Nation is written by spanish author Juan Díaz Canales and drawn by spanish artist Juanjo Guarnido. The story and setting is film noir style, in late 1950s Americana with all anthropomorphic characters. The story begins when private investigator Blacksad sees a lynching of a black vulture, where he meets a reporter named Weekly (weasel), his future sidekick. It is revealed that Blacksad is working for Elementary school teacher Miss Grey, who asks to look for a missing girl named Kaylie, and tells him her suspicions that the girl was kidnapped by white supremacist group Arctic Nation. After befriending Weekly, they go to local dinner joint, where they are harassed by members of Arctic Nation. After this encounter, they are at the police station, where it is revealed that the leader of Arctic Nation
It is apparent that the topic of war is difficult to discuss among active duty soldiers and civilians. Often times, citizens are unable to understand the mental, physical, and physiological burden service members experience. In Phil Klay’s Ten Kliks South, the narrator struggles to cope with the idea that his artillery team has killed enemy forces. In the early stages of the story, the narrator is clearly confused. He understands that he did his part in firing off the artillery rounds, yet he cannot admit to killing the opposition. In order to suppress his guilt and uncertainty, our narrator searches for guidance and reassurance of his actions. He meets with an old gunnery sergeant and during their conversation, our narrator’s innocence
The beginning of Janie’s marriage to Joe shows promise and adventure, something that young Janie is quickly attracted to. She longs to get out of her loveless marriage to Logan Killicks and Joe’s big dreams captivate Janie. Once again she hopes to find the true love she’s always dreamed of. Joe and Janie’s life is first blissful. He gives her whatever she wants and after he becomes the mayor of a small African American town called Eatonville, they are the most respected couple in town. Joe uses his newfound power to control Janie. When she is asked to make a speech at a town event, she can’t even get out a word before Joe denies her the privilege. He starts making her work in the store he opens and punishes her for any mistakes she makes. He enjoys the power and respect her gets when o...
The film opens up with Judy Bernly (Jane Fonda) showing up for her first day of work. It is quickly shown that this is her first job and she comes off as very naïve and scared. She was married and never had to have a job until her husband left her for his secretary. She seems to want to win him back so she decides to enter the workforce and also become a secretary. Judy meets Violet Newstead (Lily Tomlin). She has worked for the company for over 12 years and made it to the supervisor of her department. However, she can’t
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
Initially relieved that she and her husband are alone, Rodriguez’s mother is quickly disappointed, as her husband has left her for another woman. Later in a photograph, Rodriguez sees her mother with a coffee-dark V in the collar area of her neck, proof of hard labor during the Cuban Revolution. Above her head in the photo lies a painting of a saint with no head. After sending her children away in hopes of giving them a better life, Rodriguez’s mother is left working in the hot and sunny cane fields, which marks her with a coffee-colored tan. Rodriguez reveals her family’s Catholic religion through the painting of the saint, but without a head, the painting reveals her mother’s loss in faith due to the its failure to address her and other suffering laborers. With a loss of her faith, husband, and children, Rodriguez’s mother is left with one last person: her mother. However, while Rodriguez looks at the photograph, her
Before the mid 1800s, the north and south dealt with a lot of disagreements that involved economic differences. The differences dealt with slavery, representation, states’ rights, and tariffs. There was a conflict with states wanting to balance the freedom of slaves in the states. Another cause was the tariffs which dealt with the taxation of imported goods, the Northern states supported protective tariffs, but the South did not. Consequently, the conflicts began to grow and this increased the differences between the North and South. During the early to mid 1800s sectional differences forced the north and south farther and farther apart. The differences that affected the North and South involved the missouri compromise of 1820, the cotton gin invention, and the Uncle Tom’s novel.
Imagine being born into a rich, wealthy family, where your last name is respected and well-known by many. To say, living in a big, beautiful house and able to wear fancy silk dresses, so fortunate, that you have servants to cook and clean for you, and every year when it’s your birthday, it’s celebrated big, just as Esperanza Ortega did. Throughout the story of Esperanza Rising the author Pam Munoz Ryan ( 2013) illustrates an image to the reader of a young, rich, Mexican girl who is forced to mature and grow up much faster than expected. Correspondly, at the beginning of the book, Esperanza lives a rich life, to say, she had it “all,” but a sudden tragedy quickly changed her and her family’s life, whereas by the end of the story, Esperanza
both in the north and the south , the north as it was afraid if the
The year 1861 brought on great division between the North and the South. The North had many great advantages with thriving industries, a large army, and an experienced government. The South also had great advantages including a significant amount of land and a very determined army. The North, which was also identified as the Union, was for the emancipation of slaves. The South, which was also known as the Confederacy, wanted to continue in their practice of slavery. The North and South both held many strengths and weaknesses in the political, economic, social, and military categories. In the end, it was the North that prevailed.
Principally, Vega portrays the commodification of the peasant women of Fuenteovejuna. Throughout the playa, the Commander treats the peasant women as his property. During their first conversation in the play, the Commander forcefully asks Pascuala “don’t you belong to me?” after she rejects his sexual advances (Vega 37). Within the same conversation, he takes verbal possession of her by calling her “my wild beauty” (Vega 37). The possessive pronoun “my” demonstrates how the Commander perceives Pascuala as his property rather than as a person. He continues to equate the peasant women with property by declaring to Pascuala and Laurencia “you’re also here as presents/just like the rest!” (Vega 39). By paralleling the women to the food he takes from the villagers, the Commander objectifies them, portraying them as property. In a Marxist staging of the play, this equation would be enriched by the important role property plays in the conflict between the Commander and the peasants. The Commander’s objectification of the peasant women is not only insulting; it represents his further exploitation of the property of the working class. Indeed, Vega parallels the women with food, the property the Commander exploits from the villagers. When Laurencia asks the Commander’s
Margaret Hale in Elizabeth Gaskell’s novel North and South exemplifies the new type of woman a mid-nineteenth century woman should emulate. The contemporary woman is capable of balancing being a dutiful, generous, just woman while also satisfying her own passion, intellect, and moral activity. England needs women that can manifest their innate ability to sympathize with a capacity to change and adapt. The progressive world will require the modern woman to redefine the norms of social life.