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No Fixed Address
In Aritha Van Herk’s “No Fixed Address”, one key symbol surfaces many times. The main character’s name is Arachne, which means spider, and sets the reader up to understand the central symbol in the novel—the spider web. The reader sees several other instances of webs showing up throughout the novel. Arachne’s dependence on the road and her random driving is another form of web in “No Fixed Address”. To tie in Arachne’s driving with webs, we see Thomas’s maps as webs of sorts. The most important web that Arachne is seen to weave is that perverbial web of lies—a person can never escape from that web. In the end, Arachne is indeed caught in her own web, and in the end, she is caught in it.
Arachne, in mythological terms, is the master weaver; the women who pitted herself against a god and lost, thus being turned into a spider. Arachne Mantea is much the same. She is constantly putting herself into categories that she doesn’t belong in. Much of her life, Arachne was certain that she was adopted. Her family seems to be poor, but Arachne could not fit herself into that social class. When she finally meets a family that is of a rich class, she realizes whole-heartedly that she doesn’t belong to that class either. Arachne seems to belong nowhere, almost as if she belongs to that race in the heavenlies—this is her first and most fatal lie. When Arachne ceases to belong to any particular group, she becomes capable of anything. Cheating, stealing, and killing are no longer beneath her. If she doesn’t belong where she is anyway, Arachne doesn’t need to remember her past; she doesn’t need to cope with the things that have happened to her. Thus, Arachne forms lies of denial concerning her past and present actions. She represses the memories of a painful youth, while believing that her whoring around will never catch up with her. She begins to live a lie, and one that eventually gets her. Other aspects of her life mirror the level of lie that she is living. The manner in which she drives shows us more than any other.
When Arachne is merely lying to herself, we see her driving in a relatively small area, and very predictably so. She drives a bus, and in doing so, Arachne has a defined route.
Jack and the Judge, here is where we mainly see the web at work. Jack, at the request of Willie, went to dig up dirt on the Judge. Jack finds so many things out and as he exposes it everything goes wrong, the spider got him. When Jack reveals his findings to Judge Irwin, his father, he ends up killing himself before Jack has a chance to talk to him father to son. Although, for the most part, Jack's goal as stated at the beginning of the book was that he was to pursue truth and knowledge, he needed to leave this alone because it was a pursuit of knowledge, but it had no positive motive behind it, and, as we have encountered in previous books throughout the year and throughout this one, truth is not always a good and noble thing. In this case the truth led to what destroyed the Judge and Jack was pursuing the truth.
Grice uses many different modes throughout the essay to explain his underlying message about evil in the world to readers clearly. In the essay Grice uses description to better explain the black widow spider’s web. Leaves are dispersed in a black widow's web, beneath the leaves there are “husks of consumed insects, their antennae stiff as gargoyle horns” (para. 2). Around them are “splashes of the spider’s white urine, which looks like bird guano and smells of ammonia even at the distance of several feet” (para. 2). Grice's description on the black widow's web uses words that today are considered disgusting like urine and gargoyles which portrays a sense of what the web looks like along
...“A war-maker” “A ruler” From this the reader learns that there has been a distinct split between men and women since the beginning of time. It is interesting that Alette is hearing this information from a headless woman. (Notley 91) The woman being headless symbolizes women being praised for their bodies, sexuality, or feminity not for their brains or education. The headless woman says, “my body” “still danced then-” “but my head” “played audience” “to the achievements” “of males” (Notley 91)
Which is caused by the narrator having a male perspective. The narrator does not give the women and credit or redeeming qualities. All the women follow a general stereotype. If they tried to break away from the stereotype, they would me more important and influential characters. Paquette, a chambermaid in the Baron’s castle, is described as “a pretty and obedient brunette” (5). She is identified obedient not because of her job as a chambermaid, but because she is willing to exploit her soul and body to the men around the castle. In regards to the old woman, she doesn’t even have an actual name, which does not matter since is ugly and useless. The old woman has the mindset that she is; an object; a mistake; a disgrace. That her time has passed as a beautiful useful woman. All the rape and abuse has physically affected her and she is out of luck. In fact, she is lucky if men talk to her, or even look at her without
In the first part of the novel, he emulates his father, by being deaf to women's wisdom and women's needs, and casually disrespecting the women he should most respect. He chooses to stray from his father's example and leaves town to obtain his inheritance and to become a self-defined man. From Circe, a witch figure, he is inspired to be reciprocal, and through his struggle for equality with men and then with women, he begins to find his inheritance, which is knowing what it is to fly, not gold. At the end, he acts with kindness and reciprocity with Pilate, learning from her wisdom and accepting his responsibilities to women at last. By accepting his true inheritance from women, he becomes a man, who loves and respects women, who knows he can fly but also knows his responsibilities.
...e relationship with men, as nothing but tools she can sharpen and destroy, lives through lust and an uncanny ability to blend into any social class makes her unique. Her character is proven as an unreliable narrator as she exaggerates parts of the story and tries to explain that she is in fact not guilty of being a mistress, but a person caught in a crossfire between two others.
Besides this spider-web also represent the fragilely and delicate of
manliness” so she can kill King Duncan with no remorse - she sees herself as
...herself as a man and has misogynistic tendencies. Fortunately, the role of women in society today has changed very much from the roles that they played in classical mythology. Women are now seen as being able to play any role they desire, whether it is the role of a housewife or the role of a workingwoman with a successful career. It is no surprise that achieving the roles that women play today took such a long time when for so long even in mythology women’s roles in society were constantly pushed in the direction of domestics and when for so long women were portrayed as less then pleasant creatures. The fact that these sorts of roles were pushed on women in the Greco-Roman society was proof enough that it was a patriarchal society. It is astoundingly wonderful that the roles that women play in modern society have evolved so much since the times of classical myths.
Readers are shown, through the use of structure, the challenges and feelings of going through the swamp. Gooey, sticky mud and the struggle of walking through it are visualized through a wave like structure. The waves represent a person moving forward with hefty and large steps. Oliver also incorporates enjambment in her poem to demonstrate a never ending journey. By avoiding the use of periods at the end of lines, we are show that the struggle of crossing
Females may be seen as small but they are not disregarded the way that other cultures have done for centuries. For many Native American cultures females and elder women play an intricate role as leaders and wise women. Though warring and hunting were left to the males, females made the daily decisions on how the tribe of village was run. They had many gender specific roles, but were seem more as equals. Spider Woman is a symbol of feminine power and knowledge. What we as individuals take from these teaching depends on the individual. I have come to see the potential and multi-ranged abilities of females in a new
First distinguishable element includes imagery. “Ever unreeling them [filament], ever tirelessly speeding them [filament]” (“Noiseless” 5), Whitman demonstrates how the spider moves in detail, focusing
...irl she always, throughout the end of the play, tends to bow down to her lord with no opposition showing the claim of her character being nothing more than an object for the men in the play to use as a slave with no pay as well as a consistent source of sexual desires.
In Charlotte’s Web, Wilbur is thrown into an entirely new situation, away from Fern, and is forced to adapt and make other friends. In Wilbur’s first interaction with Charlotte, he thinks to himself, “But what a gamble friendship is! [...] Wilbur was merely suffering the doubts and fears that often go with finding a new friend” (p. 41). Once more, it appears that White uses the talking animals to mask a broader focus on life itself. Wilbur overcomes various trials in the course of the book, such as finding himself in an unfamiliar situation, and later ultimately facing Charlotte’s untimely death. The ability to adapt is a necessary life skill, and moreover, dealing with the finality of death cannot be avoided and to pretend that it does not exist does children a great disservice. White introduces controversial topics in a book that is geared toward children, though it should remain a classroom because of those controversial elements. Literature in itself is designed to leave an impression on its readers and White leaves a lasting impression on his young readers as they develop an understanding of unfamiliar situations, and later, death
Web. The Web. The Web. " Alice Walker (1944-). " Contemporary Literary Criticism.