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Social change in religion
Development of religion in America
Americanization about religion
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From the early founding of Plymouth Rock to today’s 21st century society, America has always been known as a predominantly Christian nation. It’s hard to argue we are not a religious society when we are “one nation under God” and our new president was recently sworn into office over the Bible. However, Christianity has been in a sharp decline as more Americans are becoming less affiliated with religion. In the last 10 years, society has seen nearly an 8% decline in the percentage of adults who describe themselves as Christian. (Bailey 1) Thankfully, it is no longer considered a societal taboo to question religion. Instead of being convicted of witchcraft like in colonial days, artists today can win an award for their efforts in questioning the importance of religion in today’s world. That’s exactly what happened to Kanye West and Jay-Z’s Grammy award-winning song “No Church in the Wild.” The song’s meaning is one thousand leagues deeper than simply “Kanye and Jay are the Gods of Hip Hop.” Upon deeper analysis, I …show more content…
The music video provides commentary on this topic with the video highlighting a riot between what looks to be a lower-class society revolting against a military police force. Some have commented that this represents the artist's fundamental belief in power. If we go back to the hook of the song, there is a subtler metaphor about how current political institutions are like the Great Chain of Being. The president of the United States has power, but only because the people believe and follow his/her mandates. Both, Kanye West and Jay Z, believe power derives from belief. When a society doesn’t believe in its system of power, individuals will come together and fight for what they as a group believe in. Movements like Black Lives Matter are currently challenging the status quo on systems of power in place,
Why I Left the Church” by Richard Garcia is a poem that explores the ongoing and conflicting relationship between a child’s fantasy and the Church. Although the majority of the text is told in present tense, readers are put through the lenses of a young boy who contemplates the legitimacy of the restricting and constricting nature of worship. It is a narrative that mixes a realist approach of storytelling with a fantasy twist that goes from literal metaphors to figurative metaphors in the description of why the narrator left the church. The poet presents the issue of childhood innocence and preset mindsets created by the Church using strong metaphors and imagery that appeal to all the senses.
I was so interested in the truth that I suspended my assumptions about West as I pursued more information through research, giving me an objective lens. It truly rattled me to have been so wrong in my assumptions, it felt weird to know that because of something I didn’t know, I had believed something. It genuinely shook my self-confidence. I really prided myself on my knowledge of Hip-Hop, I thought I knew all the classic albums, how could I have overlooked this one for so long? So, jolted by this sting of self embarrassment, I searched further, I wanted to know what else I had been oblivious to. It became increasingly clearer to me that there were two completely opposite views about Kanye, the more popular view: he’s a worthless egotistical pop star, who’s created nothing of value, and, as I was shocked to learn over time, the informed view, and the truth, that he was and is one the most influential artists of the 21’st
Moore does not devote much of his attention to religious ideas. Instead, he examines several different instances of the blending of the sacred and the profane in popular American culture. Moore narrates the direct and indirect effects of the public display of religion for both sacreds and seculars. History, lifestyle, work, education, government, music, sporting events, marketplace, literature, and womanhood influence people. He also brings up how religion can influence racial militancy and terrorism that threaten equality, domestic security, and national identity.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
On May 5, 2018, Atlanta rapper Childish Gambino released a video for his new song titled “This is America.” The video featured not-so-subtle commentary on the current gun debate in the United States and began trending quickly. Many began to wonder if a song with this much political weight could make it past the viral stage and hold its own on the music charts. One of those inquiring was Chris Molanphy, a journalist for Slate.com who often writes about popular music. He makes the claim that this song is “one of the most lyrically daring [Billboard] Hot 100 No. 1 in history.” In his article, “‘This is America,’ the Video, Is a Smash. Will the Song Have Legs?,” Molanphy uses diction, ethos, and analogy to argue that Gambino’s “This is America”
It starts by describing a young woman in college, stating, “she has no idea what she’s doing in college, the major she majored in don’t make no money, she won’t drop out, her parents will look at her funny (West).” By doing this the song establishes that this woman wants success but she doesn’t know how to obtain it since she was basically pushed into pursuing a career in college that she was unsure of in order to obtain success. The song furthers the story of the woman when she states that she gives up and goes on to say that her tuition money is enough to buy a few pairs of new shoes. The desire for success and frustration of not being able to achieve it, is what essentially leads the woman to take this shortcut of dropping out of school to acquire material possessions in the “now” instead of the slower, more standard route of finishing her education and finding success through that. Kanye West then describes in the song his addiction to material possessions when he began to acquire wealth from his music career.
Christianity’s role in America has rapidly changed over the last decades. Although it is still the most popular religion in the country its power over the people has decreased significantly. However, there are still many misconceptions towards American Christianity and in order to understand the unique nature of this religiously diverse country; one must understand its history and its citizens own views on the matter.
The whole music video is in remembrance of the little girl Aiyana Jones and to show its audience the injustice it served in America (Alexis 5). The music video does not focus on the lyrics, but focuses on a whole different story. Although the music video is about the war between the government and drugs, the lyrics and the music video share a mutual message and that is to seek peace not only in the community, but also in our minds. Today, there have been issues on police brutality and unlawful arrests. This music video really illustrated different point of views of different people such as the victim and the policemen. Although the music video displayed a different message, the lyrics also provided a great message to people especially young women. Both music video and lyrics
In the video, the roles of society seem to be reversed as compared to what is traditionally viewed. West is referring to the early ages of our country in which the African American race were enslaved to the Caucasians. This is seen in completely opposite light in West’s video, as all of the Caucasians are in reversed roles with the African-Americans. As Kanye West being a popular icon in the music industry, both whites and blacks are a lump sum of his audience which creates for him to have a larger impact of the common thoughts on racism regarding both groups. Most individuals find themselves very moved by the video as it puts them into a slight state of shock seeing this prominence of reverse racism in our culture today. This goes along in turn with the title of the song being “Monster”, as West is depicting the whites as being monsters toward the black race, and him attempting to put a change on that. Through the use of the vivid and extremely graphic images, West’s music video, forces the viewer into thinking about society and the roles that racism has played both hundreds of years ago and today. West uses scenes in which white individuals are portrayed to be dead, or controlled by the African American race. “A white male is being dragged across the floor by an African American, showing the reverse dominancy regarding race, while in the very next scene the whites are
Hip Hop was, at its inception, a means for African Americans to tell their unaltered story. Towards the mid-’90s however, the genre began to be way more salse conscious than it ever was before. Artists, such as Nas for example, began to stray from their genuine and authentic selves to start making music about drugs, violence, and sex because that was what pushed their sales to the corporate level. This album was Lauryn Hill coming to re-educate the people in an attempt to bring them back to the root of Hip Hop. This poem focuses on many different themes, however this focuses on religion. In the poem Mystery of Iniquity the writer Lauryn Hill examines religion to illustrate racial discrimination, corrupting and crooked
The influence of secular rock music on contemporary Christian music has awakened a generation of listeners who enjoy being in the “gray” area. There’s a generation out there that does not want the label of “Jesus freak.”
Eck, Diana L. A New Religious America: How a "Christian Country" Has Now Become the World's Most Religiously Diverse Nation. San Francisco: HarperSanFrancisco, 2001. Print
...erself expanded gospel’s exposure when she appeared twice on “The Tonight Show with Jay Leno.” Meanwhile, television producer Bobby Jones reaches four and a half million viewers each week with his BET program, “Gospel Explosion.” However, the test for Gospel music reflects one that all Christian musicians must wrestle with: Can Gospel continue to increase its fortune in the mainstream marketplace while still maintaining its spiritual base? Despite what you believe the answer to be, African American Religious music will continually evolve. Since Thomas Dorsey first stretched the boundaries to create gospel music, choirs, quartets, and power vocalists have been singing the same song, albeit in different styles and places. As African American religious music continues to grow beyond even Dorsey’s expectations, one can only hope that it will be embraced regardless of how it is labeled by everyone who needs to be reminded of the good news it represents.
America so often aligns itself with that of a Godly nation; hence the nations’ founding fathers were ‘Christian’. Broadly speaking, this ‘Christianity’ America ties itself to is nothing more than a man-made religious activity that has lost its foundation. According to statistics from the Federal Government, 78% of Americans have a belief in God and claim to be “Christians”; yet Christians currently have less influence than any other time in this nations’ history. Since the majority of Americans profess Christ as their Lord and Savior, the all-powerful God, creator of heaven and earth, who is above all, in all, and through all, where is the evidence of Him? The Gospel from the Bible has been ripped out and roughly applied to the American dream, which completely contradicts Jesus: “If any man will come after me, let him deny himself, and take up his cross, and follow me” (Matthew 16:24).
In the video Eric breaks it down for viewers for us to see how power is perceived and structured. At the beginning of the film Liu illustrates how power resides in the people. He goes on to say that those who really have power then turn evil because people may perceive it distinctively. Democracies and dictatorships show the contrast in how power is perceived and understood contrarily based on how it is defined in their civic life. His definition of power is essential in this video because it identifies the importance that it has on people and their abilities compared to others. I identified our class concept during this part of the video because people may have different perceptions of power and interpret it in a different manner. When organizing what we perceive we think about the stereotypes that are given to those with power, and those without it. We make generalizations upon these stereotypes. We also create personal constructs upon people we encounter who have more power because of the judgments that are constructed. Interacting distinctively with those of lesser, or higher power, is a norm for people who interpret the definition of