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Argument essays
Argumentative essays
Argumentative essay philosophy
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After studying Logic, I now believe that Nietzsche is wrong in saying human reasoning is not valid. I believe this because after reading through Nietzsche’s argument I see some fallacies that make Nietzsche’s argument less valid. I also see that Nietzsche is saying that human reasoning must not be valid because we cannot understand our own concepts, such as leaves or honesty. In this paper, I will be proving that Nietzsche is incorrect in saying that human reasoning is not valid. In the beginning of Nietzsche’s argument Nietzsche uses the fallacy of Attacking the Man (ad hominem). He uses this when he says, “One might invent such a fable and still not have illustrated sufficiently how wretched, how shadowy, flighty, how aimless and arbitrary, …show more content…
Nietzsche says that when we talk about leaves we say “leaf” but no leaf is the same as another leaf and leaves do not follow an original form but instead are all different. We are using one word to describe many different things. I say to him that we are using this word to generalize the leaves instead of calling an individual leaf a different word. As we continue with the concept of leaves the words get more specific through types of leaves. We are not saying that there is an original form that all the other leaves got wrong and therefore leaf is incorrect we are using it so that we can describe leaf as a general idea using their similarities. After talking about leaves, though, Nietzsche talks about the concept of honesty and how we use a vague idea to convey someone who is not lying at that moment or lies on rare occasion. I answer him saying honesty is understood by humans in general as a person that is telling the truth most of the time and makes sure if they are lying it is on something that isn’t a grave matter. This is because humans are imperfect so they are unable to be perfectly honest therefore making honesty somewhat vague but known well within society. This is all explained well in the first act of the intellect, simple apprehension. In simple apprehension, we understand that we can use a broader statement to explain a general idea such as saying genus which is a broader classification of animal
The Silber Medal winning biography, “Surviving Hitler," written by Andrea Warren paints picture of life for teenagers during the Holocaust, mainly by telling the story of Jack Mandelbaum. Avoiding the use of historical analysis, Warren, along with Mandelbaum’s experiences, explains how Jack, along with a few other Jewish and non-Jewish people survived.
...no way implies that Nietzsche is presenting the ideas of the Genealogy in bad faith; he certainly believes that they have some truth to them-but perhaps not to the extent that they are definitive. Thus, it is possible that Nietzsche, in writing his polemic, has other goals than the mere straightforward elucidation of a philosophical system. If this view is adopted, many of Nietzsche’s radical notions and unsupported assertions become easier to stomach. Of course, such a softening of the impact of Nietzsche’s claims may destroy the fundamental mind-opening project that lies at the heart of the book, since the shock of encountering such views is clearly essential to that project.
ABSTRACT: Richard Wagner always represented for Nietzsche the Germany of that time. By examining Nietzsche's relationship to Wagner throughout his writings, one is also examining Nietzsche's relationship to his culture of birth. I focus on the writings from the late period in order to clarify Nietzsche's view of his own project regarding German culture. I show that Nietzsche created a portrait of Wagner in which the composer was a worthy opponent-someone with whom he disagreed but viewed as an equal. Wagner was such an opponent because he represented the disease of decadence which plagued the culture and from which Nietzsche suffered for a time, but of which he also cured himself. In other words, Nietzsche emphasized his overcoming and revaluation of Wagner because he wanted his readers to understand it as a metaphor for his larger battle with decadence in general. The goal of this portraiture is to demonstrate on an individual level what could be done on a cultural level to revitalize culture. Through an analysis of Nietzsche's portrait of Wagner in the late period, I will claim that in order to understand Nietzsche's revaluation of decadent values in nineteenth century German culture, one must understand his relationship with the composer.
Nietzsche believed we create the self through our experiences and our actions, and in order to be a complete self, we must accept everything we have done. I agree with him in this sense. Although it is easy to learn from the mistakes of others, there is no greater lesson than learning from our own mistakes. He also believed there is much more to the self than we know about. This is another example about how we learn about ourselves through our experiences and actions.
Nietzsche’s society depended more on the human’s strength, human nature was seen weak if someone lacks to specific strength. And so because of the society’s stresses and pressures, humans were seen as machines. There was the sense of frustration to be original and creative and that’s why Nietzsche thought that human should be led by a hero.
...d of a Buddhist koan, which is intended to break the hold of logic on the mind. However, rather than breaking the hold of logic on the mind, Nietzsche, with his jibing remarks, swashbuckling writing style, self-contradictions, and secrecy, is intending to break the hold of socially determined "masks," or Isms, from the perceptions of the new philosopher who will arise the day after tomorrow. Nietzsche shows us how to philosophize without Isms. The only question remaining is whether we are strong enough to take his advice.
In terms of artists and their influences, the case of Nietzsche and Wagner has been the focal point of discussion between many great academic minds of the last century. The controversy surrounding the relationship has led many to postulate that the eventual break between the two men may have contributed to the untimely death of Wagner in 1882, and Nietzsche's eight-year writing spurt from 1883 - 1888.
The book Ecce Homo seems to be an account of Nietzsche establishing a validation of his whole being. This whole book is an opportunity for him to critique himself, and he finds himself more than superb. ."..I have been told how getting used to my writings spoils ones taste. One simply can no longer endure other books, least of all philosophical works" (719). This writing is his way of not becoming perpetually problematic. He wants to make very clear that he is the pivot point around which all change will come and that his goal is to have all things established and idolized ruined. "Whoever uncovers morality also uncovers the disvalue of all values that are and have been believed: he no longer sees anything venerable in the most venerated..." (790). The review of his various works is a way to make sure that the reader cannot accuse him of being something he is not and therefore test the reader's true understanding of his nature. His ideal reader would be one that was strong enough to understand the boldness of an immoralist.
“On Truth and Lies in a Nonmoral Sense” is an unfinished work written by Friedrich Nietzsche in 1873. In this work, Nietzsche takes an approach to explaining the truth in a way that we would all find very unusual, but that is merely the Nietzsche way. In this essay I will analyze how Nietzsche views the truth, as explained in “On Truth and Lies in a Nonmoral Sense”
We have grown weary of man. Nietzsche wants something better, to believe in human ability once again. Nietzsche’s weariness is based almost entirely in the culmination of ressentiment, the dissolution of Nietzsche’s concept of morality and the prevailing priestly morality. Nietzsche wants to move beyond simple concepts of good and evil, abandon the assessment of individuals through ressentiment, and restore men to their former wonderful ability.
Friedrich Nietzsche was a critic and a German Philosopher from the 18th century. Nietzsche was the father of psychoanalysis and he formulated several philosophical concepts that have greatly contributed to the understanding of human nature. Nietzsche ideas had been misinterpreted by many people over time specifically, due to his style of writing. Nietzsche style of writing was adopted to strengthen his arguments on various controversial topics. In this paper, I will discuss Nietzsche’s idea of naturalistic morality, master morality, self-mastery morality, and how they connect with the affirmation of nature and strength.
“There are no truths,” states one. “Well, if so, then is your statement true?” asks another. This statement and following question go a long way in demonstrating the crucial problem that any investigator of Nietzsche’s conceptions of perspectivism and truth encounters. How can one who believes that one’s conception of truth depends on the perspective from which one writes (as Nietzsche seems to believe) also posit anything resembling a universal truth (as Nietzsche seems to present the will to power, eternal recurrence, and the Übermensch)? Given this idea that there is no truth outside of a perspective, a transcendent truth, how can a philosopher make any claims at all which are valid outside his personal perspective? This is the question that Maudemarie Clark declares Nietzsche commentators from Heidegger and Kaufmann to Derrida and even herself have been trying to answer. The sheer amount of material that has been written and continues to be written on this conundrum demonstrates that this question will not be satisfactorily resolved here, but I will try to show that a resolution can be found. And this resolution need not sacrifice Nietzsche’s idea of perspectivism for finding some “truth” in his philosophy, or vice versa. One, however, ought to look at Nietzsche’s philosophical “truths” not in a metaphysical manner but as, when taken collectively, the best way to live one’s life in the absence of an absolute truth.
Friedrich Nietzsche’s On Truth and Lies in a Nonmoral Sense represents a deconstruction of the modern epistemological project. Instead of seeking for truth, he suggests that the ultimate truth is that we have to live without such truth, and without a sense of longing for that truth. This revolutionary work of his is divided into two main sections. The first part deals with the question on what is truth? Here he discusses the implication of language to our acquisition of knowledge. The second part deals with the dual nature of man, i.e. the rational and the intuitive. He establishes that neither rational nor intuitive man is ever successful in their pursuit of knowledge due to our illusion of truth. Therefore, Nietzsche concludes that all we can claim to know are interpretations of truth and not truth itself.
In 1887, two years before succumbing to utter madness, existential philosopher Friedrich Nietzsche writes his ethical polemic, On the Genealogy of Morals, in search of a man with the strength to evolve beyond humanity: But from time to time do ye grant me. one glimpse, grant me but one glimpse only, of something perfect, fully realized, happy, mighty, triumphant, of something that still gives cause for fear! A glimpse of a man that justifies the existence of man. for the sake of which one may hold fast to the belief in man! Nietzsche, 18.
In philosophy “Nihilism” is a position of radical skepticism. It is the belief that all values are baseless and nothing is known. The word “Nihilism” itself conveys a sense of abolishing or destroying (IEP). Nietzsche’s work and writings are mostly associated with nihilism in general, and moral nihilism especially. Moral nihilism questions the reality and the foundation of moral values. Nietzsche supported his view on morality by many arguments and discussions on the true nature of our inner self. Through my paper on Moral Nihilism, I will explain 5 major arguments and then try to construct a deductive argument for each, relying on Nietzsche’s book II “Daybreak”.