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The portrayal of women in literature
Representation of women in literature
Gender in literature
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NGUGI WA
THIONG'O' S "MINUTES OF GLORY" { WANJIRU’S SEARCH FOR SELF }
This paper focuses on Ngugiwa Thiong'o's portrayal of the protagonist in his Short story "Minutes of Glory". Wanjiru finds her self trapped in an urban setting And is a victim of her situation and low self-esteem. The story is a sad and Touching study of a young woman who is fighting with an identity issue and Is seeking acceptance in a post-independent setting where women are exploited By men of the New Africa. She is referred to as "a wounded bird in flight:a Forced landing now and then but nevertheless... " The story affirms female self-realization than perpetual emotional distress, and that proves the determination in attaining her desired goal.
Wanjiru, the main character is portrayed as a victim of Circumstances and low-self image, and the story is a study Of her, who is in search of self approval .Wanjiru's perception Of herself appears to be a necessity for acceptance and belonging in her world. she has taken off upon a journey in search of self since she desires to Find the root cause of her alienation. Her search is composed by the following stages: aspiration to come to terms with the meaning of her name, self examination, fantasies, experience of a short lived relationship With a man.
Told from the third persons perspective, the story follows through her experiences,working at bars around Limuru and also in Ilmorog. She is a school drop-out since her Parents lacked money to school her. A naive young rural woman desperate for employment, She is preyed upon by an exploiter who promises to find her a job but, instead ,dumps her after a one-nightstand, she is trapped In a situation completely foreign to her experience hence forced into prostit...
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...ief moment.
She knows that this is a blaze of false glory, A flame that will burn itself out in a few minutes and leave only ashes. But in these brief moments she has asserted herself that Her lot in life is determined by accidents and external circumstances, not by Anything inherent within he.
These arch for self and significance by a woman in wanjiru's situation in a climate which exploits and manipulates women for sexual gratification would Appear to be a futile endeavor. The author decries this world that the new Africa elite have adopted, a world whose values are in contrast to life that is African and all that it implies .Wanjiru's strength lies in her persistence and constant striving for answers to her problem, not only by engaging in an inner search for who she is but also by actively seeking answers through externally endeavoring to change her appearance.
She sees her father old and suffering, his wife sent him out to get money through begging; and he rants on about how his daughters left him to basically rot and how they have not honored him nor do they show gratitude towards him for all that he has done for them (Chapter 21). She gives into her feelings of shame at leaving him to become the withered old man that he is and she takes him in believing that she must take care of him because no one else would; because it is his spirit and willpower burning inside of her. But soon she understands her mistake in letting her father back into he life. "[She] suddenly realized that [she] had come back to where [she] had started twenty years ago when [she] began [her] fight for freedom. But in [her] rebellious youth, [she] thought [she] could escape by running away. And now [she] realized that the shadow of the burden was always following [her], and [there she] stood face to face with it again (Chapter 21)." Though the many years apart had changed her, made her better, her father was still the same man. He still had the same thoughts and ways and that was not going to change even on his death bed; she had let herself back into contact with the tyrant that had ruled over her as a child, her life had made a complete
The book Monique and the Mango Rains is written on the backdrop of one of the poorest countries in the world where people are uneducated but they have their own culture and customs which they follow ardently. However the practices somehow match with the current world of hypocrite people but unknowingly they are present in the small village Nampossela of Mali where author interacted with Monique the central character of the
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
influence all her life and struggles to accept her true identity. Through the story you can
Within the thin exterior of the cold dark building she called home, she wanted to keep the bodies of those in which she felt she had a connection. Whether it be a reasonable connection or not, she didn’t want to be alone. Her connection with her father brought her to keeping his corps in the house as well as the other man. Her distance from other people around her only drove her to madness causing nothing but isolation and a craving for any type of relation she could hold or be close
Her realization that she is not alone in her oppression brings her a sense of freedom. It validates her emerging thoughts of wanting to rise up and shine a light on injustice. Her worries about not wanting to grow up because of the harsh life that awaits her is a common thought among others besides the people in her community. As she makes friends with other Indians in other communities she realizes the common bonds they share, even down to the most basic such as what they eat, which comforts her and allows her to empathize with them.
She remembers how she fantasized about the love affairs that she secretly read about in her romance novels, envisioning her life to comprise of similar satisfactions. She recalls how her vivid imagination had engrossed her into the depths of the story. One may say that this sudden change could be due to her imagination implanting false information into her head. Life certainly has not turned out the way she dreamed.
Diverse from other African authors of his time, Chinua Achebe, the “father of African Literature”, reconstructions the stigma surrounding traditional African tribes through his ground-breaking novel Things Fall Apart. Set in southern eastern Nigeria, the novel depicts village life through the eyes of Igbo clan members prior to colonization. This fresh take on perspective allows readers to view and examine the variety of individuals that mold Igbo life through the story of a village leader, Okonkwo. Contrasting other authors of his time, Achebe takes great measures to illustrate the varied substantial roles of not only men, but women in his novel Things Fall Apart. The contributions accompanied by pivotal roles in Igbo society are displayed
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.
The bridging of native traditions with modern imperial ways has a direct effect on the minds of Zimbabwean girls and women. Dangarembga drew inspiration for her title from the quote “the condition of the nation is a nervous one”, from Frantz Franon’s book Wretched of the Earth. The reader sees this idea of nervousness displayed within the female main characters of this novel. “ Its bad enough, when a country gets colonised but when the people do as well! That’s the end, really, that’s the end. (Nervous Conditions,150). This quote stated by Nyasha addresses how colonialism and imperialism are not just cultural, political and economical, but psychological as well. It infiltrates the minds of the citizens and their very cultural existence. The women in this novel are faced with the choice of embracing the British ways or running back to their Shona roots. No matter the choice they make, the Imperial control of the British Empire over Zimbabwe affects the minds of these women. The title of Dangarembga's novel, Nervous Conditions, alludes to the influence imperialism has on the minds of Tambu, Nyasha and Maiguru as they struggle to re-define themselves in a white man’s world.
Chinua Achebe’s book, Things Fall Apart, was based on a story and the culture in Nigeria, Western Africa. Women’s roles and responsibilities have transitioned over several of years. The book arises a situation of how the Ibo women were treated and looked upon. In the Ibo culture, the women did not only suffer a great loss of their dignity, but also their pride as women. The whole role of women in the Ibo culture is different in various ways compared to the female race in modern society. The modern society in Nigeria, women are not so powerless, and also have the opportunity to work alongside the opposite gender.
We trace her struggles with personal grief, a restricted social life, socio-economic decline, and romantic misfortune, a long history of trauma and repression.”(445)
Throughout the centuries, the roles of Nigerian women have continuously evolved. During the pre- colonial era, women in Nigerian tribes were not only child bearers and wives, but also free adults. They played critical roles in food preparation, weaving, pottery, and the economy. However, the impact of British rule in Nigeria made a significant shift from the pre-colonial to the post- colonial era. The influence of the Catholic Church, Western style education, patriarchal government and modern ways of making money took a major toll in a woman’s role in society. In Chimamanda Adichie’s novel, Purple Hibiscus, Mama Beatrice and Aunty Ifeoma are dynamic female foils who represent opposite sides of spectrum in post- colonial feminism. Mama epitomizes the product of colonialism, while Aunty Ifeoma challenges the British influence and growing power of men.
As with many surface readings I have performed as a student of literature, however, my perspective on The Joys of Motherhood began to evolve. First, I realized and accepted Nnu Ego's failure to react against oppressive forces in order to bring about change for herself and the daughters of Africa; I consoled myself, reasoning that the novel still deserves the feminist label because it calls attention to the plight of the African woman and because its author and protagonist are female. Rereading the novel, however, also triggered the silencing of my initial response. I focused on such passages as the dying wish of Ona, Nnu Ego's mother, who implored Agbadi, Nnu Ego's father, ...
My favourite text is a play titled “Anowa” by Ama Ataa Aidoo which was published in year 1969. This book was first given to me by my father on my twelfth birthday. Although I was disappointed initially because I was expecting something “girly” on my birthday, I liked it when I read it because of the moral lessons it portrayed and the language used in the play. However, I got a deeper understanding of the test after I did a post-colonial and a feminist analysis on the text. In my post-colonial analysis, I saw that in a sense Anowa represents the beauty of the formal African society which was destroyed as a result of colonialism. A feminist analysis on the other hand shows that Anowa is a woman who is struggling against the 1870’s African feminist identity (the identity of weakness).