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Conclusion on the birthmark
Conclusion on the birthmark
Birthmark essays
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Nathaniel Hawthorne’s short story “The Birthmark” is written in third person omniscient. This means that we the reader are able to see and feel each character’s thoughts and feelings, giving us the full story. Aylmer, the protagonist, is a mad scientist who is overly obsessed with trying to control Nature though his experiments. His wife, Georgiana, is, in Aylmer’s eyes, the perfect woman except for a hand shaped birthmark that resides on her cheek. Throughout the story Aylmer attempts numerous scientific experiments in order to remove Georgiana’s birthmark. In the end, Georgiana’s birthmark is removed, but she dies, and Aylmer is left alone. It is clear in “The Birthmark” that Nature will never be defeated man, no matter how powerful man may seem to be.
We see Aylmer’s disgust for Georgiana’s birthmark early in the story. One day Aylmer decides to ask Georgiana if she had ever thought about removing the birthmark from her cheek. She replies to him, “‘No indeed … To tell you the truth, it has been so often called a charm, that I was simple enough to imagine it might be so’” (212). Georgiana does not see what Aylmer sees about the birthmark because she feels like it sets her apart from the other women, making her special, even in the eyes of men. Also, in the past, some of “Georgiana’s lovers were wont to say that some fairy at her birth-hour had laid her tiny hand upon the infant’s cheek, and left this impress there in token of the magic endowments that were to give her such say over all hearts” (213). Even other men were willing to fight over her just because she had something uniquely and exotically different about her. Other women were jealous of Georgiana’s birthmark and describe it as a “bloody hand” because of the fact that...
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... of warning very early on, even before this story begins, but it is not acknowledged until Aylmer exploits it: “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain” (213). This excerpt is foreshadowing at how Aylmer’s plan will ultimately end. By placing this birthmark upon Georgiana’s cheek, Nature is establishing her power of human nature and stating the message that no one in this world is perfect because it is her wish. Everyone will have some flaw associated to them and the only way to undo it is to endure the negative consequences that come along with it. Aylmer sees the birthmark as competition for power, started by Nature, while Nature uses the birthmark as sort of a taunting mechanism.
These markings tell Beloved's story, how her own mother sawed away at the baby girl's tiny neck, her fingernails clawing into her forehead. In the end, this is the way in which Sethe can identify the returned from the dead Beloved (now an adult) as well. These scars serve as a reminder of everything Beloved has gone through. They become a symbol of what she has suffered and who she is.
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
A rose can indicate romance, it’s the flower of love, beauty, courage, and respect. Sula created a relationship with Nel that was full of love. Nel saw this love given to her in the rose shaped pigmentation on her friend’s face. However; the stem covered in thorns represents hurt and pain. When Sula returned to the Bottom 10 years after Nel’s wedding, “the rose mark over Sula’s eye gave [Nel] a glance of startled pleasure. It was darker then Nel remembered” (96). Over their years apart Sula’s birthmark has grown darker, indicating a change in her character. The darkened birthmark implies that over their time apart Nel has started to view Sula’s character in a darker way. In 1937 after Sula slept with Nel’s husband, Jude, Nel broke off their friendship. The year was 1940 when the two childhood friends would cross paths once again. Sula has become sick and Nel decided it was time to visit and check on her. This was “the first time in three years she would be looking at the stemmed rose that hung over the eye of her enemy,” Sula has now become an enemy to her once inseparable friend (139). Nel “would be facing the
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
“The Birthmark” and “My Last Duchess” are two very different works, from two completely different genres. “The Birthmark” is a short story written by Nathaniel Hawthorne, and “My Last Duchess” is a poem written by Robert Browning. Although, these are two different genres, they have very similar themes and parallels. These works explore the problems with power and control in marriages at two different time periods and places and shows what it can drive a man to do. “The Birthmark” has a lot of symbolism, imagery and allegory. This story is about a pretty normal newlywed couple, Aylmer and Georgiana. “Such a union accordingly took place, and was attended with truly remarkable consequences and a deeply impressive moral. (2)” This quote is very interesting because the word “union” means many things. From one perspective it can mean the marriage between Aylmer and Georgiana, and on the other hand it could refer to the union of Aylmer’s love for Georgiana and science. Aylmer is thoroughly devoted to his career in science, and he was recently married to Georgiana so he is just getting to know what being married is like. The birthmark is the conflict in their marriage and in the story, Aylmer isn’t into Georgiana’s birthmark and he requests for her to allow him to remove it. He soon realizes that taking off the birthmark isn’t as simple as it seems because it is interwoven into Georgiana’s face. Georgiana then allows Aylmer to remove the birthmark, even though she knows he isn’t a successful scientist. The liquid that Aylmer has Georgiana drink slowly kills her, and Aylmer is shown to be a complete fool. The actual birthmark itself is the main symbol used throughout the story. “My Last Duchess” is a poem about a Duke who showing someone ...
################################# Part 3 ######################################## Nature doesn’t intend for things to be perfect, if it was the contrary we wouldn’t be considered humans. Nathaniel Hawthorne’s The Birth-Mark portrays the story of a scientist, Aylmer, so self-absorbed, and supercilious in his own power of science that he would go so far as to remove the intentional “imperfect” birthmark that Nature has bestowed upon his wife’s face. “Cannot you remove this little, little mark… Is this beyond your power… Noblest, dearest, tenderest wife… doubt not my power” (216). Hawthorne uses the birthmark as a symbol to represent the imperfection that is within the human species, the mark also draws out the imperfection of those who have encountered it by displaying their tendencies to overlook the flawless beauty of Georgiana and focus solely on her birthmark, “Some fastidious persons… affirmed that the bloody hand… quite destroyed Georgiana’s beauty… Aylmer discovered that this was the case with himself” (214). Nature’s symbol is a paradigm of omnipotence. To simply put, Nature created the grand design of human life, and governs over our society but allows us as people to do as we please with our lives, so long as we do not alter with Nature’s creation, “…Our great creative Mother… She permits us, indeed to mar, but seldom to mend, and like a jealous patentee, on no account to make” (217). Despite Nature’s intention, being the pompous scientist that he is, Aylmer believes himself to be something more than a microcosm of Nature’s creation. In other words, because of his unparalleled ability in the subject science, like other...
In Nathaniel Hawthorne’s, The Birthmark, he uses unperfected beauty to confirm that if God’s creations are meddled with the product is harmful. A scientist, Alymer is married to a beautiful women named Georgiana whose only flaw is a birthmark on her left cheek.
The birthmark is a compelling story of one man’s obsession with his scientific ability to produce perfection. Aylmer, a scientist, is married to a Georgiana who is a very beautiful woman. Not long after getting married Georgiana’s birthmark, which is in the shape of a tiny handprint on her check, really begins to bother Aylmer. He sees it as a flaw in an other wise perfect woman. Georgiana knows that her birthmark disgusts him and, having grown up not bother at all by it, begins to hate it herself. He asks if she has ever considered having it removed. This is not something she has considered since other people in her life, especially men, have always seen it as a “charm”. Aylmer being an amazing scientist almost sees himself as god and feels that he has the power to remove this imperfection. Georgiana, bothered by her husband’s reaction to her birthmark, agrees to let him try to rid her of it. She is taken to his laboratory and he immediately begins to experiment. After she finds Aylmer’s book of experiments, which all end in failure, she for the first time, has some doubt about how this will work and confronts him. He reassures her and begins to try a multitude of methods, with the help of his assistant Aminadab, which do not work. At one point, there are several experiments going on and he even refers to himself as a “sorcerer” (Hawthorne 232). Finally, he produces a potion, which she drinks, and the birthmark begins to disappear! Slowly though, even as the experiment is working, Georgiana is fading away. He finds that ultimately, the birthmark was connected to her very soul and in his trying to act god like he actually kills her. Really this short story just proves that science has its limits and no man should try to act like G...
The Birthmark and Symbolism Cloudy headed and conflicted describes Georgina, one of the main characters in Nathaniel Hawthorne’s “The Birthmark.” In this eerie short story Georgina, who is seemingly perfect, is convinced by her husband, Aylmer, who is a scientist obsessed with perfection, that the small birthmark on her face is her only source of imperfection. While others have told her that this birthmark is a sign of magical endowments, Aylmer is disgusted by the sight of the birthmark, referring to it as a defect (Hawthorne 304-5). Georgina is taken aback by this comment and resents her husband for it. As the story progresses, Aylmer convinces Georgina to allow him to try and rid her of the mark.
Though Pearl portrays many unique qualities, she is ultimately just the living symbol of Hester and Arthur’s sin. According to Hester, Pearl is her greatest treasure, she is all Hester has. Though, to the townspeople, Pearl is the product of evil. She was born in sin and will not escape the sin that her parents committed. Hester wears the A in hopes of cleansing herself from sin Eventually, her time will come when the townspeople allow her to remove the A from her gown and not wear it anymore. However, she cannot escape her greatest punishment, her daughter, Pearl. Pearl is the result of her parents’ adultery; therefore, she represents the A. Hawthorne says:
...only known as a funeral flower. This again foreshadows the young bride’s death before her allowance of corruption. The mark on her forehead is a symbol of her mistake, a mistake she is never allowed to forget, this can be linked to the view that women are never allowed to forget a mistake made by them. Angela Carter again shows the position of women in society; once a mistake is made you are an outcast in society. This can also be linked to the biblical reference of Cane, ‘him who became an outcast’.
Our society has many ways of manifesting its obsession with physical perfection. In our society people go to extreme lengths to achieve perfection. The 'Birthmark';, written more than a century ago, is an early version of our modern obsession with physical perfection.
Nathaniel Hawthorne did not do much explaining when it came to the characters involved in "The Birthmark". He did not portray the main characters: Aylmer, Georgiana, and Ambidab as human beings, but rather as symbols. While analyzing the story "The Birthmark", I have achieved some great insight of the author 's articulate writing style; especially, his style of making characters have symbolic meaning. In this story, Hawthorne uses his characters to symbolize specific things. In this ambiguous, short story, the three characters each symbolize Science, Beauty, and Nature. Each character represents an unusual force that has equally worked against each other.
Science, in this particular story, is represented by Aylmer who thinks of himself as a great scientist. He conducts a scientific experiment in the need to remove his wife’s birthmark. He tries everything he knows to create a magical potion to remove Georgiana’s flaw. Georgiana on the other hand represents nature. Georgiana represents the closest state to perfection that man can aspire to, but her husband is still not content. Feeling that it will be the only possible way to save her marriage, she gives in and tells him to prepare the experiment. In the need to impress her husband, she allows him to experiment with the removal of her birthmark regardless of the risk, or the consequence she might face. In this story, the power of nature prevails in the end. Even though Georgiana is unable to impress her husband with her unique mark, her birthmark captivates almost anyone who looks at it. In the desire to control nature, Aylmer kills his wife. The fate of the world, no matter how dark it is, is in the hands of nature, not science or man. Instead of trying to pursue the ultimate power and trying to change the laws of nature through science, one should pursue happiness in
The tone adopted by Hawthorne from the inception of the narrative toward Aylmer urges the reader to respect Aylmer’s scientific ambition—directly his triumph of head over heart, but indirectly his objectification of Georgiana and subsequent attempts to fix something that she never thought was a flaw. Not only is Aylmer’s obsession with getting rid of her birthmark selfish in that he does it for “the sake of giving himself peace” (647) rather than any desire to make his wife happy, he also admits to feeling guilt over his tyrannical treatment of her. For example, his “horror and disgust” in response to her facial blight rarely escapes her notice, and when she reacts poorly to his “convulsive shudder,” he attempts to soothe her and “release her mind from the burden of actual things” (650) as if she is an empty-headed infant in need of a pacifier. Furthermore, in response to her desperate request for its removal, he isolates her from humanity, administers potentially harmful concoctions into her rooms and body without her knowledge, and ultimately—and rapturously—succeeds in shrinking the mark at the cost of her