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How does culture interact with the environment
Interactions of culture on the changing conditions of the environment
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Nature’s Creatures
The environment and its creatures hold a deep connection that most humans do not have or understand. In Tortilla Curtain by T.C. Boyle, the main characters have a rare interaction with one of natures most “cunning, versatile, hungry and unstoppable” creatures: the coyote (Boyle 215). Some of his characters hold a deeper level of connection with the coyote that can almost be seen as paralleled and from this connection, T.C. Boyle’s idea of how a Mexican immigrant and a coyote can be related is expressed when the notion of the willingness to do anything to survive, being clever and relentless, and though fearful are fascinating is explored.
The idea that coyotes are willing do anything to survive, even trespassing private property, connects prominently with Mexican immigrants having to take extreme measures to survive and have a better life. For instance, when Delaney and Kyra Mossbacher’s morning is “torn apart by a breathless shriek that rose up…something final and irrevocable…a coyote had somehow managed to get into the enclosure and seize one of the dogs…there it was, wild nature…” (Boyle 36-37). The willingness of the coyote to scale up into someone else’s territory and snatch what is theirs shows its instinct to do whatever possible to survive. The strong instinct is what makes coyotes clever and dangerous to domesticated animals and even humans who are not accustomed to living in the wild, hunting to survive, being the predator. Similar to the coyote’s strong instinct to be willing to do anything to survive, Cándido Rincon is forced to trespass private property and even though he thinks, “[I] was no looter, no thief,” he knows “this was a question of survival, of necessity––he had a wife and a daughter a...
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... races they see as criminals, but they will willing use them to do low wage jobs and also are fascinated enough to sexually harass without thinking twice.
The idea of coyotes’ behavior and Mexican immigrants are intertwined so intensely when the notions of how they are both willing to do anything to survive, they are cunning and unrelenting, and dreadful but captivating to Americans is observed. Cándido Rincon is paralleled to a coyote when their behavior and way of living matches in many instances. América connects to a female coyote when they both see men, especially ones in uniform and from immigration, as their enemies. T.C. Boyle explores the argument of the immigration issue through Delaney’s column about coyotes. Americans will always use Mexican immigrants, who want to survive and make a living, to take the low wage, hard labor jobs they demand be filled.
Ngai, Mae M. Impossible Subjects: Illegal Aliens and the Making of Modern America. Princeton, N.J. [u.a.: Princeton Univ. Press, 2004. Print.
Monroy, Douglas. Thrown Among Strangers: The Making of Mexican Culture in Frontier California . 1990.
Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been portrayed in the U.S. and Mexico. The canícula in the title symbolizes “The dog days of 1993,” an intense part of summer when the cotton is harvested in South Texas. The canícula also represents summer and fall; also important seasons and concepts of that bridge between child and adulthood. She describes imaginative autobioethnography life growing up on ...
A leading American historian on race, policing, immigration, and incarceration in the United States, Kelly Lytle Hernandez’s Migra! A History of the U.S. Border Patrol tells the story of how Mexican immigrant workers emerged as the primary target of the United States Border Patrol and how, in the process, the United States Border Patrol shaped the history of race in the United States. Migra! also explores social history, including the dynamics of Anglo-American nativism, the power of national security, and labor-control interests of capitalistic development in the American southwest. In short, Migra! explains
Labor and Legality by Ruth Gomberg-Munoz is an intense ethnography about the Lions, undocumented immigrants working in a Chicago restaurant as busboys. The ten undocumented men focused on in Gomberg-Munoz’s are from Leon, Mexico. Since they are from Leon, they are nicknamed the Lions in English. She describes why they are here. This includes explaining how they are here to make a better future for their family, if not only financially, but every other way possible. Also, Gomberg-Munoz focuses on how Americans see “illegal aliens”, and how the Lions generate social strategies, become financially stable, stay mentally healthy, and keep their self-esteem or even make it better. Gomberg-Munoz includes a little bit of history and background on “illegal”
In Borderlands, the realities of what happens by the border instill the true terror that people face every day. They are unable to escape and trapped in a tragic situation. After reading my three classmates’ papers, I was able to learn a lot more about this piece than I originally encountered just on my own. I was able to read this piece in a completely new light and expand on ideas that I did not even think of.
¡Diles que no me maten! A short story by Juan Rulfo, which depicts the reality of a peasant’s life in rural Mexico. This short story is about a farmer who had a disagreement with the landowner after asking if he would be able to share his animals’ food. Due to the refusal the farmer sneaked his animals at night to feed them; however, when the landowner found out he killed one of the farmer’s cattle. As a result, the farmer killed his landowner; consequently he had to hide for over 40 years only to be murdered later on by the landowner’s son. This paper will discuss the following ideas; themes explored in the short story such as family, death and revenge. Then, an analysis of the strong need of survival and the symbolism of corn crops. Continuing to the structure of the short story and what it adds up to the overall understanding of the story. Finally, there will be a conclusion of all the aspects and what findings are reached after reading this short story.
To be called a walker you need to come from a place where you work all day but don’t make enough ends meat. Urrea explains the small towns and villages where all the poor Mexican citizens yearn for bigger dreams and a better lifestyle. He talks about the individual subjects and circumstances that bring the walkers to decide to cross the border and risk death. Urrea tells the stories of the fourteen victims and giving brief sketches of each individual lives in Mexico. The men were mostly workers on coffee plantations or farmers. They were all leaving their families who consisted of new brides, a wife and several children or a girlfriend they hoped to marry someday. They all had mainly the same aims about going to the U.S, like raising enough money to buy furniture or to build a house, or, in one case, to put a new roof on a mother's house. All of these men really craved a better life and saw the chance for that in the U.S. Being that these men are so hung...
Ten years have passed but nothing here has changed on the ranch. The scenery is different; the grass is dull and dead, starting to turn brown and shrivelling over, starved from water. The weather is miserable just like my mood I suppose; the clouds are black and full of rain, ready to rupture just like a car tyre. I hear the rumble in the atmosphere like a lion roaring, the wind was howling, it is as if a zoo is being created by the dreadful weather, with the howling and roaring. The wind howling so much it is manipulating the leaves of the brush to make soundless movements. The people may be different here on the ranch but the way in which they treat each other is much the same. As I walk onto the premises’ of the ranch I can smell burnt wood. I notice that the immigrant workers are still doing the worst jobs such as being stable bucks. The only consolation, I suppose, is that the pay is equal no matter what job you do.
In The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail, Oscar Martinez comments on the injustices that occur while migrating from Central America. Central Americans are forced to leave their countries in fear of the inevitable consequences. The systematic abuse Central Americans endure while migrating is founded on that fear which results in more repercussions for migrants. The psychological effects of migrating is used by Martinez to give insight on the atrocities that happen in Central America. The corruption involved while migrating in Central America is against human rights and should be brought immediate attention internationally. Martinez uses the experiences of migrants to expose Mexico’s passivity on the subject and to expose readers’ to the hard truths that occur while migrating.
The Tortilla Curtain and Black Boy are two of the many books which illustrate the discriminations going on in our unjust societies. Through the words of T.C. Boyle and Richard Wright, the difficulties illegal Mexican immigrants and African Americans had and still have to face are portrayed. Though their experiences in poverty were terrifying, the minorities’ desire for a better future was what helped them through their lives.
The contrast between the Mexican world versus the Anglo world has led Anzaldua to a new form of self and consciousness in which she calls the “New Mestiza” (one that recognizes and understands her duality of race). Anzaldua lives in a constant place of duality where she is on the opposite end of a border that is home to those that are considered “the queer, the troublesome, the mongrel and the mulato” (25). It is the inevitable and grueling clash of two very distinct cultures that produces the fear of the “unknown”; ultimately resulting in alienation and social hierarchy. Anzaldua, as an undocumented woman, is at the bottom of the hierarchy. Not only is she a woman that is openly queer, she is also carrying the burden of being “undocumented”. Women of the borderlands are forced to carry two degrading labels: their gender that makes them seem nothing more than a body and their “legal” status in this world. Many of these women only have two options due to their lack of English speaking abilities: either leave their homeland – or submit themselves to the constant objectification and oppression. According to Anzaldua, Mestizo culture was created by men because many of its traditions encourage women to become “subservient to males” (39). Although Coatlicue is a powerful Aztec figure, in a male-dominated society, she was still seen
Racism comes from different cultural values, ethnic backgrounds, as well as the physical appearances. The conflict of racism occurs when the majority group of society feels that the different cultures and values of the minority group bring deviance to the society. The novel, set in Topanga Canyon, starts out with an major accident that occurs and involves Delaney Mossbacher, a middle-class working man, and Cándido Rincón, an illegal Mexican immigrant. Delaney accidentally hits Cándido with his car and only pays Cándido twenty dollars for treatment. As the novel progresses, Delaney and his wife accuse the factors that corrupt the society on those illegal immigrants based on their class rank and their backgrounds. In The Tortilla Curtain, Boyle
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Conover, Ted. 2000 “Coyotes: A Journey through the Secret World of America's Illegal Aliens” Publisher: Knopf Publishing Group.