Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Explore the supernatural in Macbeth
Nature and the supernatural theme in macbeth
Explain macbeth as a tragedy
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Explore the supernatural in Macbeth
Use of Nature and Supernatural in Macbeth
The aura of darkness, deception, and horror present in William Shakespeare's tragedy, Macbeth, envelopes the entire play and is created mainly by the sense of violence and foreboding that is evoked by the imagery. The dominant images of nature and the supernatural contribute to the atmosphere of this tragedy. The predictions of the weird sisters, along with natural forces and supernatural images, have lead to chaos in Scotland due to their impact on the characters of the play, which brings about many delusions and deaths.
Nature is an image brought up many times, in both physical and human aspects. The storms made by the witches, consisting of heavy rains, lightning and thunder, cause darkness to lure over Scotland. This darkness creates the atmosphere for the horrors that occur in the tragedy, which is seen by Duncan being killed at night and Banquo being killed in darkness, which is represented by he and Fleance entering with a torch. The famous Romantic essayist, Thomas De Quincey, explains the purpose of this darkness phenomenon by saying that the "'world of darkness'" replaces the "'world of ordinary life'" after Macbeth kills Duncan (Harris and Scott, comp. 166). Macbeth goes to the witches for a second time in a dark place, in which the darkness coincides with the horror that is yet to come. The witches create other natural forces, in addition to storms and darkness, which is seen when they cause wind in order to blow a sailor's ship to an island and leave him shipwrecked to suffer and die.
The witches mainly represent the dominant image of the supernatural and are referred to as the "weird sisters", which mea...
... middle of paper ...
...nzen, and Scott, Mark W. ed. "The Tragedy of Macbeth." Shakespearean Criticism, Vol. 3. Detroit: Gale Research Company, 1986.
Hugget, Richard. Supernatural on Stage: The Curse of Macbeth: Its Origins, Background, and History. New York: Taplinger Publishing Co, 1975. 153-211.
Lewis, William Dodge. Shakespeare Said It. Syracuse: Syracuse University, 1961.
Quincey, Thomas De essay from Harris, Laurie Lanzen, and Scott, Mark W. ed. "The Tragedy of Macbeth." Shakespearean Criticism, Vol. 3. Detroit: Gale Research Company, 1986.
Traversi, D. A. essay from Harris, Laurie Lanzen, and Scott, Mark W. ed. "The Tragedy of Macbeth." Shakespearean Criticism, Vol. 3. Detroit: Gale Research Company, 1986.
Wells, Stanley, and Taylor Gary. ed. The Oxford Shakespeare, The Complete Works: Macbeth. By William Shakespeare. Oxford: Oxford University Press, 1988. 975-999.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Foakes, Francis. "A New Perspective of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 58-64.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Since it was an interesting issue which many people of Shakespeare’s time felt they were affected by, Shakespeare wrote about it. “Macbeth” with its supernatural theme was the 17th century’s equivalent to the modern day horror movie.
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
Evans, G. Blackemore. "Macbeth." In The Riverside Shakespeare. Ed. G. Blackemore Evans. Boston: Houghton Mufflin Company. 1974: 1307- 1311
Use of Night and Darkness in Macbeth Shakespeare is known for his descriptively rich plays. He also ways does an excellent job of describing both the characters as well as the setting. One specific area of the play MacBeth is the use of night and darkness to show evil or happening that are not right. Examples of this are the many appearances of the witches, the murders that occur, and the conflicts that MacBeth faces with his mental health. The following three paragraphs will further discuss these topics.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
What is the difference between a'smart' and a'smart'? Padelford, Frederick. A. Morgan. Macbeth the Thane and Macbeth the Regicide. JSTOR.com - "The New York Times" Johns Hopkins University Press, Apr. 1901.
As with all great works of literature, William Shakespeare’s Macbeth has spawned countless essays concerning its interpretation. Two such essays, “Shakespearean Tragedy” and “General Macbeth,” produced by two eminent literary critics, A.C. Bradley and Mary McCarthy, find themselves in conflict. The essays’ respective authors diverge on subjective points such as interpretation of character, original intent, and meaning. Bradley’s Macbeth is courageous and encumbered by the dregs of guilt, while McCarthy’s version takes a less orthodox path.
113 Macbeth. Oxford: Oxford University Press. 1990. The. Coursen, H. R. Macbeth: A Guide to the Play. London: Greenwood Press, 1997.
Shakespeare, William, and John Crowther. No Fear Shakespeare: Macbeth. ed. New York: Spark Publishing, 2003. Print.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997
The presence of the supernatural forces of the witches was accompanied by the dark, gloomy and thunderous ambience, perhaps functioning as a foreshadowing of future events that involves evil, wickedness and darkness. This is important as it gives the audience an idea of what might happen later in the play. For example, we see that later on in the play, Macbeth turned evil and wicked, killing an old and honourable King Duncan and a loyal friend, Banquo. I take particular note of the significance of darkness as it was later used by Macbeth when he calls upon the "seeing Night" (Act III). Scene II.