Natural Selection and The Design Argument

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The Design Argument is quite similar to The Cosmological Argument as

it attempts to infer the existence of God, but instead of from the

existence of the cosmos it is from a particular aspect or character of

the world, namely the presence of order, regularity and purpose.

Order, regularity and purpose are seen as marks of design, and the

argument concludes that God must be the source of that design.

There are various types of Design Arguments, with philosophers giving

them different names but the two most well known are The Argument from

Design and The Argument to Design. Both arguments are inductive, a

posteriori and synthetic. The Argument from Design is the most popular

form, involving analogy. In philosophical terms it can be expressed

as:

P1. Objects in nature are similar to man-made machines.

P2. Man-made machines are the result of intelligent design.

P3. Similar effects will have similar causes

C. Objects in nature are the result of something similar to

intelligent design.

Supporters of the argument included such philosophers as St Thomas

Aquinas and William Paley. Aquinas featured the argument as the fifth

of his five ways. The heart of the argument is that non-intelligent

material things produce beneficial order, and therefore require an

intelligent being to bring this about, i.e. God

William Paley went on to use the analogy of a watch, he asked us to

suppose that we are crossing a heath and come across a watch. He

argued that even if you had never seen a watch before, you would know

that the instrument did not happen by chance, but must be the result

of the work of an intelligent mind. He went on to say that the watch

demanded a watch maker and that likewise, the order in the universe

demands a designer. Paley is often depicted as someone who was trying

to prove God to the unbeliever however he implies that he is more

concerned with making things clearer to those who believe in God

already.

The Argument to Design, also referred to as The Anthropic Argument

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