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Mary Shelley and Samuel Taylor Coleridge are two recognized writers of the Romantic era. The influence of Coleridge’s The Rime of the Ancyent Marinere is reflected in Shelley’s Frankenstein in terms of narrative structure, literary techniques and themes. For example, both stories address the act of storytelling from the perspective of the listener as well as the teller. Furthermore, the narrations have a similar structure as narrative concerns. The story of Victor Frankenstein is told within a frame narration, as in The Ancient Mariner in which an anonymous third-person narrator recounts how an old sailor comes to tell a young wedding guest the story of his adventures at the sea. When we refer to a frame narration, we are telling that is a narrative that recounts the telling of another narrative or story that thus “frames” the inner or framed narrative. So in Frankenstein, Walton’s letters shape a frame around the main narrative and Victor Frankenstein’s story, while in The Ancient Mariner, the story told about the mariner represents a frame around the mariner own story.
The novel Frankenstein is written in the first person point of view, but at different points in the book, different storytellers recount the tale. Therefore, it can be found three different narrators, being Robert Walton the first narrator, who in his letters cites, second narrator, Victor Frankenstein’s narration; Victor, at the same time, cites the third narrator’s story. Furthermore, Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor as well, but they are not as relevant narrators as the other characters. With Victor Walton’s character Mary Shelley uses a device denominated epistolary form, novel in the fo...
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...to every human being who, from whatever source of delusion, has at any time believed himself under supernatural agency.”
The narration of the poem is more or less constant up to the sixth part, which opens with a dialogue between two voices. These two voices provide a narrative and stylistic break in the poem. Firstly, the voices can be considered as an omniscient narrator in this part because they have a broad knowledge of everything that has happened up until now, and are able to offer a better explanation of the situation to the Ancient Mariner. Moreover, the way in which the dialogue is presented, makes the structure seems more of a script of a play. The structure of the poem is a key characteristic in displaying the theme, for by telling the story as a personal experience, it helps the reader understand the moral and theme intended as a warning to people.
The purpose of this suddenly close relationship is to bring credibility to the narrative of Frankenstein and ultimately bring credibility to the narrative of the monster. This is done be enveloping Walton’s letters around both these narratives. These layers sustain the relationship through the novel and allow the reader to be outside of the story, physically in another location as Walton’s sister is, but to be close and credible.
Merriam Webster’s Encyclopedia of Literature highlights Frankenstein as the work of Mary Wollstonecraft Shelley, published in 1818, and it brought into the Western world one of its best known monsters. Elements of gothic romance and science fiction help in telling the story of young Swiss scientist Victor Frankenstein, as he creates a horrible monster by putting together limbs and veins, leading to destruction and his later regret. The creature is left alone in the world, even by his own creator, for his hideous appearance, and through watching humans he learns their ways of living. Haunting Victor due to his loneliness, he forcefully makes Victor agree to make him a female companion, but Victor’s regret and misery enables him to tear up his
Frankenstein is the story of an eccentric scientist whose masterful creation, a monster composed of sown together appendages of dead bodies, escapes and is now loose in the country. In Frankenstein, Mary Shelly’s diction enhances fear-provoking imagery in order to induce apprehension and suspense on the reader. Throughout this horrifying account, the reader is almost ‘told’ how to feel – generally a feeling of uneasiness or fright. The author’s diction makes the images throughout the story more vivid and dramatic, so dramatic that it can almost make you shudder.
Frankenstein by Mary Shelley is a story that starts from letters of a man named Wilson to his dear sister Margaret, who is off in sea and stranded within the Arctic in his “expedition of discovery up his native river.” There Wilson meet a man named Victor who he had saved and later on Victor will tell his story to Wilson for he had felt a connection of brotherhood and wishes that Wilson won’t walk the same fate as he had. This was how the audience will later learn
We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think. It is in the complex structure of the novel that Mary Shelley creates sympathy. We shift from Robert Walton to Victor Frankenstein to the monster and finally back to Walton. With each shift of perspective, the reader gains new information about both the facts of the story and the reliability of the narrator. Each perspective adds pieces of information that only they knows: Walton explains the circumstances of Victor’s last days, Victor explains his creation of the monster, the monster explains his turn to evil.
As I have shown through this analysis, the use of Walton's letters to begin and end Frankenstein is not a matter of chance. Shelley used the letters to provide more depth to the novel. With the parallels between characters, we can consider the different voices of the same story shedding different perspectives. Each perspective influences the telling of the story based on that of the respective characters. Walton's letters complete Victor's tale because the reader encounters every theme in the varying voices presented in the novel. In other words, Walton's letters are not a lost part of the story, but are integral to the structure of Frankenstein.
One day as I was walking along through the tall blades of grass, I came upon a massive figure. I thought to myself, oh just another one of these uninteresting creatures, but this one, this one was different. This one was clad with long flowing hair, and other features that did not fit my ordinary image of these marvelous creatures. I quickly realized it was going to place itself on the ground, and I was in its way. I quickly sprung to safety as the massive creature collapsed where I was previously stationed. How rude, I thought, It ruined the perfect flow of the grass. But I did not ponder too much on it as it was commonplace for these large creatures to land here. By the tree. Next to the water.
“We feel as if something inside us, in our blood, has been switched on. That's not just a phrase--it is a fact. It is the front, that has made electrical contact ... We are dead men with no feelings, who are able by some trick, some dangerous magic, to keep on running and keep on killing.”
After learning about the life of Mary Shelley, I have grown to appreciate the novel, Frankenstein, even more since the first time I read it. She led a life nearly, as tragic as the monster she created through her writing. Mary seems to pull some of her own life experiences in Victor’s background, as in both mothers died during or after childbirth. Learning about Mary’s personal losses, I have gained a better appreciation of her as an author and a woman of the 17th century. She had association with some the most influential minds of that
This technique is introduced at the beginning of the book when Robert Walton begins to tell us the tale of a mysterious man who they found wandering on the ice searching for what he describes as a daemon; this is done through letters to his sister. This intrigues the reader from the beginning and almost tempting us to read on and discover how this strange man, who we soon found to be Victor Frankenstein, found himself on the ice hunting a creature he created. Once the letters end we begin the tale being told by Frankenstein. He describes his childhood with an extense of detail before explaining why and how he created the monster. Once the monster has become animated and is living Frankenstein becomes horrified at what he had once called beautiful and flees his apartment. In the morning he comes across his friend henry Clerval and invites him back to his apartment. When they enter there is no sigh of the creature but he soon falls ill with nervous fever. Henry nurses him to health and after a few months when Frankenstein has recovered, gives him a letter that arrived from Frankenstein’s sister Elizabeth during his illness. This adds another viewpoint as the letter explains what has been happening at home while Frankenstein has been away, including gossip of his previous neighbours and acquaintances. She also explains the story of a girl named Justine who is now living with them. As the story continues...
Frankenstein, although well-educated himself, is a very closed-minded individual. He soaks in the information that he first learns from a young age and refuses to examine the perspectives of other scientists or educators. A later omitted text from Mary Shelley’s original draft of Frankenstein states that (when Frankenstein visited Oxford) “We found that the regulations of this university were much improved since the days of Gibbon, but there is still in fashion a great deal of bigotry and devotion to established rules that constrains the mind of students and leads to slavish and narrow principles of action” (Bugg 657). Not only does this briefly touch on Shelley’s belief that discrimination was actively being taught at universities in England,
Though told through the triple narration of Frankenstein, the monster and Robert Walton, the bulk of the novel is told from Frankenstein's point of view as he relates his life story to Walton, so that he can learn from Frankenstein's mistakes. His narrative reveals to the re...
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
Although “Frankenstein” is the story of Victor and his monster, Walton is the most reliable narrator throughout the novel. However, like most narrator’s, even his retelling of Victor’s story is skewed by prejudice and favoritism of the scientist’s point of view. Yet this could be attributed to the only view points he ever gets to truly hear are from Victor himself and not the monster that he only gets to meet after he comes to mourn his fallen master.
Robert Walton (the first narrator) finds Victor Frankenstein adrift in the Arctic. After a week’s recovery Frankenstein tells his story. As Victor was growing up he had always been interested in alchemy and pseudo-sciences. He hoped to one day to be able overcome death and decay. Victor learned how to create life in the laboratory and collected parts from cadavers to create his creature. After giving his creation life, he was horrified and fled. He was hidden away for two years, then received a letter telling of his little brother’s death. He suspected the creature, but the police suspected a female friend of his family’s and hanged her. One day the being found Victor and told him of his survival and his knowledge. He requested Victor make him a companion and in return they would flee away never to be seen again. He eventually agrees to make the “bride,” but after much pondering destroys all the work he had done. The “monster” curses Frakenstein assuring revenge on his wedding night. Later another of his friends turns up dead. Victor still made plans to marry Elizabeth with whom he was raised. On their wedding night she is strangled by the monster. He follows the monster pledging to destroy it. The story leads to where he is taken aboard the ship. Soon after the story Victor dies. The monster s discovered on board and announces his plans to kill himself.