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The Lion, the Witch, the Wardrobe Analysis
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Narnia and the Seven Deadly Sins by Dr. Don W. King Dr. Don W. King wrote "Narnia and the Seven Deadly Sins," an article stating that each of the seven stories of Narnia represent one of the seven deadly sins. In his article, King stated that the novel The Lion, The Witch, and The Wardrobe could easily be found to represent the sin gluttony. Many quotes from the text can be used to show that all or most of the seven deadly sins can be directly represented as well. The first and most clearly represented sin is gluttony. Early in the text, Edmund finds himself with an uncontrollable desire for Turkish Delight. This example of gluttony is represented many times in the text. On page 38, Edmund's desire takes control of him when he thinks "…only of trying to shovel down as much Turkish Delight as he could, and the more he ate the more he wanted to eat…" This is the first time you see Edmund's glutton for the magical food. His allowance of self-indulgence makes him weak and vulnerable to the strong suggestions of the White Witch. His gluttony of the Turkish Delight turns to greed and lust when it is completely eaten. With the lack of Turkish Delight, Edmund's addiction is left hungry. His hunger for this "drug" turns quickly into greed and lust. On page 39, Edmund begins to lust for the only thing that will satisfy his hunger, Turkish Delight. This section of the text, "At last the Turkish Delight was all finished and Edmund was looking very hard at the empty box and wishing that she would ask him whether he would like some more," shows the magnitude of Edmund's addiction for the Turkish Delight. At the moment the box is emptied, Edmund's sins transform from an overindulgent gluttony to a thought-control... ... middle of paper ... ...d that you have given me Narnia forever, you have lost your own life and you have not saved his. In that knowledge, despair and die" (170). Through these two sections of the text, the anger of the White Witch is well represented. It is humorous how the witch goes from utter fear of Aslan to the typical villainous confidence and anger. Gluttony, greed, pride, lust, and anger are all sins represented in The Lion, The Witch, and The Wardrobe. Dr. Don W. King's research found gluttony to be the primarily represented sin. This can be proven to be true, but one can also find evidence of the rest of the seven deadly sins in the book to counter this claim. Without argument, gluttony is easily the most commonly found sin represented in the text, but almost equally found is greed, anger, and lust. The only sins not clearly located in the text are envy and sloth.
By giving this imagery, their relationship is highlighted even more in the film than the play. The filmmakers chose to do this in order to make the purpose of the witch trials as clear as possible, which is further helped by
The Seven Deadly Sins, is a classification of sins (sometimes referred to as vices), that were used to describe the sources of all sins. The Seven Deadly Sins is a Christian idea and was most widespread in the Catholic Church. These sins are thought to have possibly gotten their origins from two places in the Bible, Proverbs 6:16-19, and Galatians 5:19-21. The first idea for The Seven Deadly Sins was from the writings of the monk, Evagrius Ponticus, who lived in the fourth-century. The Seven Deadly Sins were edited and modeled into their modern form in A.D. 590 by Pope Gregory 1. These sins are as
Throughout The Lion, the Witch, and The Wardrobe many symbolisms are expressed. It shows many times through the expression of the battle between good and evil as well as the sacrificial notion of Aslan when he died to save the life of Edmund.
Gluttony, Avarice, Wrath, Lust, Pride, Envy, and Sloth are all commonly known as the “Seven Deadly Sins”. Each of these seven sins plays a major role in development of the different characters. In Geoffrey Chaucer’s “The Canterbury Tales”, the Pardoner committed sins through gluttony and avarice; the Wife of Bath through Pride and Lust; and also the Monk through gluttony and wrath. However, omnipresent on all the characters are the different deadly sins that led to their development and morality.
Food, a basic need, takes on a superior significance due to the religious associations that one can make based on the provisions. Edmund’s character is suspected of having a connection to Judas Iscariot in the New Testament due to his acceptance of food from the White Witch. As Hinten states, “The witch had won Edmund to her side with Turkish delight” (Hinten, 2005). Edmund accepted the Turkish delights just as Judas Iscariot, the betrayer of Jesus, accepted blood money. “He represents all mankind who has betrayed Christ from birth… he has also been compared to Judas of the New Testament and Adam in the Garden of Eden” (Selby, 2005). Edmund’s strong association is one made through food, a powerful symbolic tool of temptation, which was also used earlier in Narnia’s history. “In the very center of the Garden of the West is a tree with silver apples, one of which Digory plants the silver apple” (Ford, 2005) Digory, one of the first humans to visit Narnia, was tempted by the witch at the garden to take the apple to his sick mother for her to eat instead of taking it to Aslan as he had be asked. The witch’s temptation was another example of the reference of the story o...
In the book The Scarlet Letter by Nathaniel Hawthorne there are many characters who have committed sins. In Puritan community they followed the word of god and banned all sins. These sins in The Scarlet Letter were look as The Black Mans work meaning satans work. The sins committed were harmful and hurtful to people and their souls. Hester and Mr. Dimmesdale committed adultery with bearing a child named Pearl. But Roger Chillingworth committed the worst sin by using his gifts for evil.
Some say to sin is to go to hell, some say sin is a scourge of human nature, some say sin must be confessed, and some say sin must be forced out of people through punishment. The internal consequences of believing one has sinned are more intangible than social attitudes toward sin, but they appear just as often and in just as many different ways. The novel The Scarlet Letter, by Nathaniel Hawthorne, exudes sin. In The Scarlet Letter, Hawthorne uses symbolism to demonstrate the effects of sin not only on public reputation, but also on one’s psychological state. The Scarlet Letter A, which Hester Prynne wears on her chest as punishment for adultery, causes her anguish through ignominy but allows her to improve over time through the public nature of her disgrace. Chillingworth, the leech, punishes Reverend Dimmesdale for his concealed sin, and yet at the same time wastes away due to his own sin of sucking the life out of Dimmesdale. Pearl, the illegitimate child of Hester and Dimmesdale, embodies both the open and the concealed sin of her parents. She is unable to be normal because of this and takes on wild and elf-like qualities.
There are seven deadly sins that, once committed, diminish the prospect of eternal life and happiness in heaven. They are referred to as deadly because each sin is closely linked to another, leading to other greater sins. The seven deadly sins are pride, envy, anger, sloth, gluttony, avarice, and lechery. Geoffrey Chaucer's masterpiece, The Canterbury Tales, provided an excellent story about the deadly sins. Focusing mainly on the sins of pride, gluttony and greed, the characters found in The Canterbury Tales, particularly The Pardoner's Tale, were so overwhelmed by their earthly desires and ambitions that they failed to see the effects of their sinful actions, therefore depriving themselves of salvation.
“Courage is not simply one of the virtues but the form of every virtue at the testing point, which means at the point of highest reality.” Clive Staples Lewis, known as C.S. Lewis, was a popular Irish author, famous for his Christian works, especially “The Chronicles of Narnia.” Throughout his novels, Lewis enlightened his readers with his views about faith. Although his novels were revolved around Christianity, Lewis was not always a believer. There were many things that influenced Lewis as a writer, but the most significant were his love of fantasy, his fascination with mythology, and his Christian beliefs.
Since the apple was first bitten in the beginning of time, sin has played an important role in shaping humanity. The reactions of the sinners often play a large role in the effects of the crime. Nathaniel Hawthorne's The Scarlet Letter captures the nature of sin and the message that revealed sin is rewarded while concealed sin is punished, using young Pearl, the scaffold, and the scarlet A itself as three clear symbols to explore this dark aspect of humanity.
Sin is the “wrongful conduct of a moral code selected by either society or the transgressor.” Sin is one of the main themes in Nathaniel Hawthorne's The Scarlet Letter. The Puritan society that Hester Prynne resides in does not accept people who deny to follow the moral code of the town. Throughout the novel three main characters are involved with the act of sin, Hester Prynne, Arthur Dimmesdale and Roger Chillingworth.
Few authors have been able to demonstrate the incredible scope of different genres that Clive Staples Lewis, better known as C.S. Lewis, wrote in his career. Perhaps the first thing that comes to mind upon hearing his name is the mythical land of Narnia. Narnia is the fictional world that the widely popular series “The Chronicles of Narnia” takes place in. This series, enjoyed by adults and children alike, hosts talking animals, a God-like lion, an ice queen bearing many similarities to the Devil, and many other things. This series, like most of Lewis’ other works, is essentially a metaphor for the story of the Gospel as well as lessons for living a Christian life. In much of his writing, Lewis made an excellent and relatable argument for Christianity by his ability to write captivating stories relating to many aspects of Christian life.
Sin is an offence against religious or moral law. Hester Prynne had a child out of wedlock which upset the whole town and caused controversy. Sin is recurring in Nathaniel Hawthorne’s The Scarlet Letter and it forms the characters into the people they become.
The witch is both vulnerable and a powerful figure. The resulting tension between power and powerlessness as a response to laws created by those in power, rather institutionalised power: men, can be seen as expressed through such binary metaphors as that of physical strength and beauty versus weakness and ugliness, kn...
Snow White must resist the temptation to commit the seven deadly sins to successfully complete her spiritual task. The stepmother represents the temptation to commit the seven deadly sins, and the stepmother embodies the sins of envy, pride, greed, and lust: “envy and pride grew like weeds in her heart” (Hallett, Martin, and Barbara Karasek 148). Snow white fell for temptation three times: once for beautiful lace, once for a beautiful comb, and once for an apple. All of these o...