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Womens struggle to equality
Female power in a patriarchal society
Female power in a patriarchal society
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The Pen is Mightier than the Sword: Emily Dickinson’s Written War Against the Patriarchy in [“My Life had stood -- a Loaded Gun --”] The poet and naturalist Henry David Thoreau once stated that “Disobedience is the foundation of Liberty”. Emily Dickinson’s poem “My Life had stood-- a Loaded Gun--” stands monument to this sentiment, being a dialogue of Dickinson’s fierce disobedience against the gender roles she was binded in, refusal to accept the status quo of the Cult of Domesticity, and lack of fear to criticize society on their patriarchal wrongdoings. [“My Life had stood-- a Loaded Gun--”] contains Dickinson’s vicious indictment of the gender roles that embroiled the 19th century, which is delivered through the punchy and aggressive inner nature of the poem, the dark undertones and connotative meanings of words, and the use of figurative …show more content…
Her life does not remain her own to make do with; rather, she refers to “The Owner,”, demoting her existence to something that could be bought and owned, as could any plain possession, instead of a person with her own attributes and abilities(3). Her owner manipulates her, forcing her to kill a doe, carrying with it the death of innocence and purity that the doe represents, and the woman is forced to be subservient to him and obey his command (6). As the poem progresses, he eventually becomes her “Master” , able to exert the force of control over her without resistance, and she in turn follows his bidding, guarding his “Head” and protects it from harm (14). She acts as a protector for him, stating that to any enemy of his, “[She’s] deadly foe” (17), similar to the tool of destruction that she associates herself with. However, despite her supposed subservience to his whim, in actuality it merely serves as a mask to conceal her true anger at her
Another aspect that brought many women into abolitionism was the play on their emotions. Although the stereotype of women being very emotional beings is extremely subjective, it is, more times than not, very true. And I, being a woman, can vouch for that idea, even though I would rather not admit to it. Garrison and his writers, knowing this, played to women’s emotions in the urge to get them more involved. And this notion later helped women bring others into the movement by using their own emotions to play on the h...
Novels that are written by pronounced authors in distinct periods can possess many parallels and differences. In fact, if we were to delve further into Zora Neale Hurstons, Their Eyes Were Watching God, and Kate Chopin’s novel, The Awakening, we can draw upon many similarities. Now of course there are the obvious comparisons, such as Janie is African American and poor, unlike Edna who is white and wealthy, but there is much more than just ethnicity and materialistic wealth that binds these two characters together. Both novels portray a society in which the rights of women and their few opportunities in life are strictly governed, usually breaking the mold that has been made for them to follow The Cult of True Womanhood. These novels further explore these women’s relationships and emotions, proving that throughout the ages of history women have wanted quite similar things out life. Similarly they interconnect in the fact that the end of the stories are left for interpretation from the reader. Both these women in these novels are being woken up to the world around themselves. They are not only waking up to their own understanding of themselves as women and individuals that are not happy in the domestic world of their peers, but they are also awakening themselves as sexual beings.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Emily Dickinson’s response to the Civil War was once discounted as nonexistent, but in the last few decades her works have been added to the Civil War canon. The previous belief that Dickinson’s poetry was not influenced by the Civil War is preposterous given that her most successful years as a poet coincided with the Civil War. Like any American during the war, she too experienced loss when a person from her childhood had been killed in a battle, and she kept her correspondence with Thomas Wentworth Higginson throughout the war. No American was left unscathed; the war had influenced the country in many different ways – political, personal, and literary. This is why it would be the most logical to assume Dickinson had written about the Civil
...Throughout American history, many men and women have faced difficulties such as inequality, and discrimination. However, with perseverance and determination, both early colonists, and women, have overcome these things. Women, now have every right that men do. As for the colonist; we have our own government, not a British one. “The Declaration of Independence,” by Thomas Jefferson uses pathos and diction to express why the colonies need to be free and independent from British rule. “The Declaration of Sentiments,” by Elizabeth Cady Stanton and Lucretia Mott uses logos and analogies to reveal how unequally women are treated. Finally, “A Disappointed Woman,” by Lucy Stone uses ethos and imagery to describe how women were treated and to demand equality for them. “We hold these truths to be self-evident: that all men and women are created equal” (Stanton and Mott).
In Emily Dickinson’s dramatic monolog “My Life had stood – a Loaded Gun,” a journey of a spiritual awakening is expressed. Dickinson writes about how a child of God is found then goes out to find other lost souls. Literary Critic Gregory Palmerino indicates “‘My Life had stood – a Loaded Gun’ maybe Dickinson’s most expansive poem if not her magnum opus, yet I do believe there is a discernible meaning – a center – to be found there. That center is her struggle with God” (84). Dickinson develops her poem using sound, symbolism, and figurative language.
In the analysis of the issue in question, I have considered Mary Wollstonecraft’s Text, Vindication of the Rights of Woman. As an equivocal for liberties for humanity, Wollstonecraft was a feminist who championed for women rights of her time. Having witnessed devastating results or men’s improvidence, Wollstonecraft embraced an independent life, educated herself, and ultimately earned a living as a writer, teacher, and governess. In her book, “A Vindication of the Rights of Woman,” she created a scandal perhaps to her unconventional lifestyle. The book is a manifesto of women rights arguing passionately for educating women. Sensualist and tyrants appear right in their endeavor to hold women in darkness to serve as slaves and their plaything. Anyone with a keen interest in women rights movement will surely welcome her inexpensive edition, a landmark documen...
Audre Lorde was born on February 18, 1934 in New York City to immigrant parents from the West Indies. She learned to talk, read, and write somewhere around the age of four and wrote her first poem in eighth grade, which was then published in Seventeen magazine. In 1962, Lorde married a man named Edward Rollins and had two children before they divorced in 1970. However, in 1968 she moved to Tougaloo, Mississippi and met her long-term partner, Frances Clayton. Her earliest poems were often romantic, but in the 1960s became more politically centered due to the amount of civil unrest combined with confusion over her own sexuality. At the time many of her poems were written, more than one-fifth of the nation lived below the poverty line, and the newly introduced television, which presented a highly stereotyped image of the happy American family, led to further oppression of minorities in America (SparkNotes Editors). Throughout literature during the 1950s, there was an overwhelming notion of rebellion when authors such as Allan Ginsberg and Jack Kerouac sought to reject “uniform middle-class culture and sought to overturn the sexual and social conservatism of the period” (SparkNotes Editors). They led a group of nonconformists who, together with many American college students, joined protests against racial segregation, the death penalty, nuclear weapons, and other largely unquestioned topics of American life in the 1950s. I find her work to be extremely compelling and meaningful because of the ways she seeks to surpass notions of patriarchal power, as well as the systematic oppression and denial of human rights of minority groups such as blacks, feminists, women, and lesbians. She uses both feminist and cultural theories in her work ...
Whitman’s approach to poetry is a reflection of his thought. These thoughts are free and wild, and his typical run-on sentences and his endless litanies of people and places represent the thoughts trying to be conveyed. The overall effect of these run-on sentences provides the reader with a feeling of greatness and of freedom. All of the feelings that are evoked from Whitman’s style can be classified as quintessentially American democratic feelings. The belief that Whitman had no style would imply that Americans as a society have no style, a statement that not only Whitman but Emerson and Thoreau as well fought against through their writings. Whitman and Emerson fighting for the same cause is not coincidental, Whitman has often been viewed as the “child” of Emerson, his work being greatly influenced by Emerson. Whitman’s technique of looking at everything as a whole and always opposed to breaking up the whole can be linked to his belief of unity within our country and the reason why he took the Civil War extremely hard and personal.
In Kate Chopin’s The Awakening and Charlotte Brontë’s Jane Eyre, one of the most prevalent and recurring themes and ideas relates to human freedom. The main characters in the two novels, Edna Pontellier and Jane Eyre, both long for social, religious, and sexual emancipation among other things – freedom from the constraints of Victorian society, which have rendered them dependent and inferior to men. While it is true that both protagonists of their respective novels wanted emancipation, their living conditions and qualities of life varied widely. Even though both women, Edna and Jane, wanted “emancipation” from their respective societies, the conditions that each woman was subject to were quite dissimilar. Jane had a very malnourished upbringing and was an orphan, surround by treacherous and tormenting families. Edna, on the other hand, grew up in an affluent and aristocratic home, with little financial troubles. Edna is of a more “modern” generation than Jane, which must be taken into account when comparing the two, however. Jane Eyre was written in 1847 while The Awakening was written in 1899. Even so, both of these women, as was the case with women almost everywhere, had to succumb to what society deemed socially acceptable – very little. Women were generally no more than mere faces whose responsibilities fell into the categories of household affairs, and entertaining. Edna has money, a husband who loves her, children, friends, a large house, and everything else that comes from being wealthy at the time - but it’s not enough for her. She wants to be able to get what she wants when she wants. In this sense, Edna is slightly more “radical” than Jane because of her at times, open disregard for societal customs and traditions. Ult...
...sed society with religious overtones throughout the poem, as though religion and God are placing pressure on her. The is a very deep poem that can be taken in may ways depending on the readers stature yet one thing is certain; this poem speaks on Woman’s Identity.
“Courage in women is often mistaken for insanity” (von Garnier, 2004, part 10) and that is exactly what courage was viewed as when the women’s suffrage movement erupted in the mid 1800’s and it was quite the uphill battle from there. Iron Jawed Angels captures the height of the women’s suffrage movement with Alice Paul, a liberal feminist, as the front woman on the battle against Congress. Paul’s determination to pass a constitutional amendment can be seen through her dauntless efforts to go against the societal norms of the time to fight for women’s rights. Through the first wave of the women’s suffrage movement seen in Iron Jawed Angels, the struggles women endured for equality have a lasting impact on
In an essay on feminist criticism, Linda Peterson of Yale University explains how literature can "reflect and shape the attitudes that have held women back" (330). From the viewpoint of a feminist critic, "The Lady of Shalott" provides its reader with an analysis of the Victorian woman's conflict between her place in the interior, domestic role of society and her desire to break into the exterior, public sphere which generally had been the domain of men. Read as a commentary on women's roles in Victorian society, "The Lady of Shalott" may be interpreted in different ways. Thus, the speaker's commentary is ambiguous: Does he seek to reinforce the institution of patriarchal society as he "punishes" the Lady with her death for her venture into the public world of men, or does he sympathize with her yearnings for a more colorful, active life? Close reading reveals more than one possible answer to this question, but the overriding theme seems sympathetic to the Lady. By applying "the feminist critique" (Peterson 333-334) to Tennyson's famous poem, one may begin to understand how "The Lady of Shalott" not only analyzes, but actually critiques the attitudes that held women back and, in the end, makes a hopeful, less patriarchal statement about the place of women in Victorian society.
Published in 1863, “She Rose to His Requirement” by Emily Dickinson is the voice exclusively for women. The poem expresses the values and aspirations women have to give up to devote their lives to marriage. This is an unequal exchange for marriage when women have to sacrifice many precious things to fit into the role of a wife. Throughout the poem, the theme of feminism rises remarkably, and it leaves a hallmark for Dickinson’s philosophy of gender equality.