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Heaven and hell philosophy
Personal religious beliefs
Personal religious beliefs
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My level of Hell for non-believers is most similar to Dante Alighieri’s level of violence against God, nature, and art. One way in which these two level relate is my level of hell and Dante’s level of hell have people trying to change what God has already given them to follow. “Once Rhea chose it as the secret crypt and cradle of her son; and better to hide him, her Corybantes raised a din when he wept” (Dante 1494-96). Rhea tries to change her fate that God had set for her, which leads her to become a sinner. Dante sets certain punishments to different types of sinners; Blasphemer is violence against God, their punishment is to be burned on the sand. In my level of hell, people have to be burned at the stake and limbs are torn apart from their …show more content…
The three different sins have different meanings. First, Blasphemers was when the naked souls had to lie in the burning sand. Secondly, Sodomites were when the naked souls had to squat down and wrap their arms around themselves. Lastly, Usurers was when the naked souls had to walk in circles in the burning sand. The burning sand part of this sin is similar to mine because my level of Hell souls are in a hot, fiery climate area just like how Dante has written the Inferno. Lastly, a way that these two levels are similar is because people in both of our level of Hells think that they are on a higher level than God. “He thinks he may detest God’s power too easily, but I as I told him, his slobber is a fit badge for his breast” (Dante 14.67-69). The non-believers try to become on a higher level than God; God is always on top, overlooking everyone. The non-believers are committing a sin and have to have a punishment. The fate that God had set for her and she tries to break it by trying to put her on top of God. Rhea and Saturn have altered the way God would have done which furthermore proves that they have not followed God’s
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
As Bloomfield stated, it is only how we interpret the words in an allegory that matters, each person can interpreted it in a slightly different way and allegories are most often personalized by a reader. Dante’s Inferno allegory is present throughout the entire poem. From the dark wood to the depths of Dante’s hell he presents the different crimes committed in life as they could be punished in death. One of the first punishments we observe comes from the fifth circle of Dante’s hell, the wrathful and the sullen, as the author expresses his thoughts of the fitting consequence with each sin.
When reading Dante’s Inferno, you could see that the worst possible sin for him was betrayal, especially that of a master. He put the people that directly betrayed their masters in the very center of hell. These people were eaten alive by the devil. He had different opinions on what the ultimate sins committed were. When looking at how I would create my own hell, I to would put people in different levels of hell due to the sins they committed on Earth. First of all, I would give souls who weren’t baptized the chance to change that. There are several factors that come into play; maybe their parents didn’t believe in religion, or maybe they died before they got the chance to be baptized. Either way, I would allow souls who haven’t been baptized the opportunity to change. If they chose not to, then they would spend forever in Limbo. It’s difficult to say where I would put each and every sinner; there are several different aspects to take into consideration. The severity of the sin, what it planned out of simply out of rage, etc., but there is a certain category of people I would put in the bottom of hell. Here would reside the souls of all those who hurt children. There is something truly awful about these people. Kids have no way of really knowing just how bad the world is, and the people that hurt them make them grow up much too fast. They take away their innocence. There are even
This notion of the suitability of God’s punishments figures significantly in the structure of Dante’s Hell. To readers, as well as Dante himself (the character), the torments Dante and Virgil behold seem surprisingly harsh, possibly harsher than is fair, Dante exclaims this with surprise. He doesn’t actually wonder who decided on these tortures. He knows it was god. What he is questioning is how these punishments are just, since they don’t appear to be just from a human’s point of view which views each punishment together with its conjugate sin only superficially. For example, homosexuals must endure an eternity of walking on hot sand, and those who charge interest on loans sit beneath a rain of fire. At first glance, each one seems too terrible for any sin. However, when the poem is viewed as a whole, it becomes clear that the guiding principle of these punishments is one of balance. Sinners suffer punishment to the degree befitting the gravity of their sin, in a manner matching that sin’s nature. The structures of the poem and of hell serve to reinforce this correspondence.
Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...
In Dante’s Inferno, those who never repented for their sins are sent there after death. Like the old Latin proverb says, “The knowledge of sin is the beginning of salvation.” (“Latin Proverb Quotes” ThinkExist) The punishments in his Hell are decided by the law of retribution, which according to Webster’s Dictionary is the total effect of a person's actions and conduct during the successive phases of the person's existence, regarded as determining the person's destiny. (“Retribution” Merriam-Webster) Therefore, Dante creates a variety of reprimands for the three different types of sins: incontinence, violence, and fraudulence. These penalties can also be referred to as allegories because of their hidden moral meaning. The three best allegories in Dante’s Inferno describe the flatterers, fortune tellers, and suicides.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante Alighieri's The Inferno is a poem written in first person that tells a story of Dante’s journey through the nine circles of Hell after he strays from the rightful path. Each circle of Hell contains sinners who have committed different sins during their lifetime and are punished based on the severity of their sins. When taking into the beliefs and moral teachings of the Catholic Church into consideration, these punishments seem especially unfair and extreme.
Sinners are placed in Hell according to the severity of their sins, lower for those who commit more grave sins. Dante’s placement of sinners can sometime be unjust and biased because of his personal beliefs and the beliefs of the Catholic church at the time. Dante unfairly places those who did not even have the option of being Christian in Hell and his little knowledge of mental illnesses combined with his old-fashioned Catholic beliefs prompts him to put those who committed suicide in Hell. Dante’s nationalistic and political bias also leads him put people he feels wronged him personally in the lowest circle of Hell. Dante speaks heavily about Divine Justice and God’s punishment but his choice of sinners seems too biased and ignorant to be the product of Divine
Descending from the first to the second level of Hell, Dante witnesses the transition to greater agony and greater punishment for the damned. Overwhelmed by the sinner’s harrowing cries and the extensive list of seemingly innocent souls given to him by Virgil, Dante beckons for two lovers to approach him, desperate for some sense of comfort. The souls are known to be the historical figures Francesca de Rimini and her lover Paolo, forever trapped in the circle of lust due to their sinful adultery. Through her words spoken to Dante, Francesca shows how she feels she has been unjustly punished and is deserving of others’ sorrow, and Dante, despite his awareness that she is a sinner, pities her. A close reading of this passage is necessary to better understand Dante’s internal battle with showing compassion where it is not deserved and Francesca’s incessant denial of her sins.
Dante is undoubtedly biased in his punishments and rankings of his sins as a result of his personal thoughts and experiences. Although some of his punishments are fairly reasonably and match the crime, there are also some circles that are in the wrong order and have unjustified punishments. A few of the circles that are the most disagreeable include limbo, the lustful, violence against self, and complex fraud. These specific circles are disagreeable because Dante ranks them based on his own experiences and thoughts. Hell could also be redesigned in a completely different way to make it more reasonable. Dante’s divine comedy has some major biased within it, making the sins and punishments arrangements arguable, and able to be completely redesigned.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sin, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
As mentioned above, the structure of Hell is determined by the sins people commit during their lifetime (the specific morals people disobey) and how ‘bad’ these sins are considered to be (within their respective divisions). The sins being described in The Inferno abide by the rules written for the Catholic religion in The Bible, which is why The Inferno is often viewed as a religious text. This explains why Aristotle and Dante would disagree on a few key points of what it means to be virtuous. Aristotle is adamant about not having excess nor deficiency and rather finding a middle ground (mean), whereas Dante abides by the virtues laid out in The Bible. Hell usually personifies what would be considered excessive rather than deficiency in Aristotle’s code of ethics because of its background in the Catholic religion. One example of this exists with humility. In the Catholic context, humility stands a virtue that is praised in The Bible (and therefore Inferno) whereas in Nicomachean Ethics humility is a vice to be looked down on. This continues to be the case with many different excesses and virtues for
In Dante’s Inferno, Dante thoroughly describes what he believes Hell to be. He lists many sins, along with their punishments and placements in Hell. Strangely enough, Dante does not have a specific circle for idolatry, the worship of idols, or something other than God. This is thought to be strange because idolatry is generally considered a grave sin. One possible explanation of this is that each sin in itself can be viewed as a form of idolatry. As you engage in idolatry you begin to configure your life around your idol instead of configuring your life around God. Naturally this leads you away from God, and the farther away you become from God the more likely you are going to hell. Ultimately engaging in idolatry will lead you to hell. Dante shows this in his Inferno through many characters, such as Francesca, Ciacco, and fraudulent bankers.
Hell-Dante-Hello My name is dante and I wrote a book called Dante’s Inferno I am here writing this today to tell you about my experience with hell. So if you have read my book you know that there is nine levels to hell which I all visited. When it comes to describing the levels of hell basically as you go down the worse the punishment gets. For example the worst level you can be on is level 9 which is with satan and it is freezing down there. Satan is eating frozen people on that level. Compared to level which is just nothingness. So I hoped this story helped you to get a better feel of what hell is like.