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Representation of women in Shakespeare's plays
Representation of women in Shakespeare's plays
Portrayal of women in Shakespeare's work
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At first glance the pome “My Last Duchess” by Robert Browning seemed stuffy to me but after a little research and rereading I realized it is anything but. This monolog could be in any modern day Italian mob movie. The Duke does intend to reveal a little about himself to the listener but I don’t believe he intends to reveal as much as he does. The things he may have intended to reveal are that he is a very particular person that likes things to be a certain way and has the power to make people bend to his will. The Duke mentions a curtain he has placed in front of the picture clearly a sign of a controlling person more or less saying I couldn’t control who saw your beautiful smile when you were alive but now I have total control over that. I don’t believe he intended to appear as jealous and …show more content…
You can see in the lines “she had a heart how shall I say? To soon made glad, too easily impressed; she liked whatever she looked on, and her books went everywhere. Sir, twas all one! My favor at her breast, the dropping of the daylight in the West, the bough of cherries some officious fool broke in the orchard for her, the white mule she road with round the terrace all in each withdraw from her a alike the same approving speech, or blush, At least.” With the line “Fra Pandolf’s hands worked busily a day” the Duke is attempting to name drop and comes off rather snobby and pretentious. Which you can also see in the line “as if she ranked my gift of a nine hundred years old name with anybody’s gift”. It’s at the end of the pome you find out the whole picture. After explaining that he had the last Duchess killed for pretty much not solely worshiping the ground he walked on, you learn that the listener in the pome works for a Count that is going to give his daughter up to the Duke for marriage. This bringing a point to the whole monolog and the Duke showing this man the picture in the first
The duke of Ferrara is jealous that his wife is more attentive to other men, and the woman in 'The Laboratory' is jealous of her lover's mistress. Both of the characters in the poems are driven to kill because of their jealousy, it is because of their partners they are led to commit a murder. The duke is angry that his wife does not value his nine-hundred-year-old family name, and then jealous woman is enraged that her husband is with another woman. Havisham and Kid are about being left alone or abandoned and the consequences from it. Kid is more reflecting on the triumph of succeeding when left alone which, shows the positive side of losing his security and 'like a father figure' but gaining independence.
The doomed Duchess of Robert Browning’s dramatic monologue, “My Last Duchess” is the embodiment of the incarcerated woman taken to the eternal extreme. The setting for this poem is the Italy of the Middle Ages, a time when women had still less freedom than in the Victorian era. Women were regarded as possessions, a form of imprisonment within itself. As Johnson states the theme of “marriage as bondage” is consistently explored throughout Browning’s early wor...
held, and he is clearly very controlling in his relationships. Browning's use of the first person narrative in "My Last Duchess" allows the reader to gain insight into the Duke's character and personality. The use of the servant as a listener also allows the reader to see how the Duke interacts with others and how he wants to be perceived. Overall, Browning's use of the first person narrative in his dramatic monologues is a powerful tool in revealing the thoughts and feelings of his characters.
Browning, Robert. “My Last Duchess”. 1842. Literature. Reading Fiction, Poetry and Drama. Ed. Robert DiYanni. 6th Ed. Avenue of the Americas, New York: McGraw-Hill, 2007. 781, 782.
"That’s my last Duchess painted on the wall," begins Robert Browning’s "My Last Duchess" (594). The Duke of Ferrara, Italy makes a dramatic monologue to the count’s representative in poetic form. The count, being a friend of the Duke’s, has offered to provide the Duke’s next wife. The Duke informs the representative of all the habits he found annoying in his former Duchess as an instruction of the customs his next wife should and should not do; or she will find the same fate as his previous wife. He found these habits so annoying that he had her killed. The power that the Duke has starkly contrasts with the helplessness Miss Dent feels in John Cheever’s "The Five-Forty-Eight." Blake hires Miss Dent as his secretary, after she has been in the hospital for eight months. She is very grateful to Blake for giving her the position because she has had a difficult time finding a job due to her prolonged stay in the hospital. Miss Dent forms an affection for Blake, who uses her vulnerability to carry on a one-night stand with her. The next day he has her fired while she is at lunch and he then takes the afternoon off from work. Miss Dent tries to contact Blake every day for the next few weeks, but he avoids her until she finally confronts him in hostility. The presence or absence of power in Miss Dent’s or the Duke’s lives is the impacting factor in their personalities, "love lives," and the concluding results each of them gains.
My Last Duchess by Robert Browning is story of a duke recanting his story about his late wife. In this poem the author uses diction similar to conversational words as if he was speaking to someone or something, varied syntax, where he questions to engage the reader, and a vain and superficial tone where he places the value of his late wife to some simple bronze.
In My Last Duchess, Robert Browning uses voice to create a sinister tone by the use of words he chooses for the Duke of Ferrara to use in his dramatic monologue. The Duke is an arrogant, selfish man who loves the arts. He introduces his deceased wife, as “That’s my last Duchess, painted on the wall,” he says as if he owned her. The Duke was not happy when she participated in things that that he did not provide her with, she didn’t bow down to his aristocratic ways and this displeased him to a great extent. Then nonchalantly, he tells the ambassador that “I gave commands, Then all smiles stopped together.’ This is the dukes sinister way of confessing he had her murdered.
It goes on to speak about sympathy in general and how Browning “delighted in making a case for the apparently immoral position”, how he found dramatic monologues the best form to do so, and how he went about it. It keeps going for a couple more pages on things which I will not go into because they have little relevance to any interpretation of “My Last Duchess”.
The poem My Last Duchess by Robert Browning, shows that power has the ability to blind a person and cause them to wreak havoc when they feel threatened. The ultimate demise of his wife stemmed from perceived lack of control that he had over his wife, that caused him to kill her. Throughout Browning's poem he uses vivid imagery to connect with the reader, diction to help create a purpose for the poem, and dramatic irony. Browning use of imagery in the poem helped us get a better understanding of what the duke was actually like.
Instead of the painting looking as if it were alive, the duchess looks as if she were alive. Again, this seemingly small detail gives a significant hint about what lies ahead in the poem. While the duke describes the history of the painting, he mentions the artist's name, Frà Pandolf, three times (lines 3, 6, 16). The first mention of the name was all that was necessary to let the listener know who painted the work. The words the painter or the artist could easily have substituted for the second two.... ...
Robert A. Heinlein said, “A competent and self-confident person is incapable of jealousy in anything. Jealousy is invariably a symptom of neurotic insecurity.” Robert Browning’s “My Last Duchess,” told from the perspective of the Duke in the form of a dramatic monolog. It showcases the Duke conversing with the Count’s representative about a hopeful marriage to the Count’s daughter as well as recalling his late wife. The Duke uses the opportunity to express his jealousy towards the Duchess. In “My Last Duchess,” a poem by Robert Browning, the Duke expresses the theme of jealousy to hide his inner struggle of insecurity.
In the first several lines (1-8) of the poem , the duke is addressing an unknown listener. He only uses the pronoun "you" so it is never clear until the ending who the intended listener is. He begins by pointing out the portrait on the wall...
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Throughout "My Last Duchess," Browning uses diction to further increase the haunting effect of his dramatic monologue. His precise and scattered word choice is meant to make the reader recognize the underlying haughtiness in his speech to the Count's emissary. The Duke refers to his former wife's portraits "depth" and "passion" in order to place a cloudiness over the realism of the painting. This, along with the "faint" and "half-flush" appearance that "dies along her throat," brings about an overcast appearance to the poem. The Duke's "trifling" lack of "countenance" is evident in his jealousy of