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Essay mental health problems
Essay mental health problems
Essay mental health problems
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My beloved Alan, I’m writing to you as an attempt to clear my head. My life has been extremely chaotic as of late, and I think scribing my thoughts might help me understand the events that have passed. To say that all of my problems originate from your death would be an understatement. Every day, every waking moment, I am wracked with the guilt of what I caused you to do. Not once had I wished to cause your harm, or hurt. Even after all this time, I still do not know why I said those few devastating, fateful words. When I am alone, I can hear that song, the Varsouviana, in my head. It plays incessantly until it is suddenly interrupted by the sound of a gunshot, your gunshot. I have regretted that night ever since. I don’t know if you were aware, but I loved you fiercely and fully. …show more content…
Surely she would be sympathetic to my predicament, and help me get back on my feet. When I arrived at her, I don’t want to call it a home, apartment, I was shocked to say in the least. I had expected a beautiful house befitting my sweet little sister, instead I found a small two room apartment, with brash, and rather crude, neighbors. It all spoke lower class to me, there was no way I could ask Stella to help me with my financial problems. Not to mention Stanley, simply writing that name sends shivers down my spine. Ah, I forgot, you do not know Stanley. Let me explain, Stanley is Stella’s husband. He is a Polack with a large build, and a reactive temper. He is the monster within the swamp, at first I had no clue of his potential danger, but I soon learned. I watched him strike Stella in a drunken rage. Despite these downfalls, there was nowhere else I could turn. I needed their help. I didn’t tell them my whole reason for coming, only that Belle Reve had been lost. I explained my arrival in the midst of spring term as a temporary leave due to nerves. I didn’t want little Stella to look at me
Lori was the first one to leave for New York City after graduation, later, Jeanette followed her and moved into her habitat with her. Jeanette promptly found a job as a reporter, the two sisters were both living their dream life away from their miserable parents. It wasn’t difficult for them since they cultured to be independent and tough. Everything was turning out great for them and decided to tell their younger siblings to move in with them, and they did. Jeanette was finally happy for once, enjoying the freedom she had and not having to be moved every two weeks. She then found a guy whom she married and accustomed her lifestyle. Furthermore, her parents still couldn’t have the funds for a household or to stay in stable occupation, so they decided to move in with Jeanette and her siblings. Jeanette at that moment felt like she was never going to have an ordinary life because her parents were going to shadow her.
I also don't own the idea, it was requested to me by the wonderful Amanda. Thank you so much! I hope I did this idea justice.
As this occurs, the story takes on a comedic aspect from the view of the reader, and we lose our sympathy for Sister. Sister lives in China Grove, Mississippi, presumably a very small town with only a few occupants. She lives with her mother, grandfather and uncle in their home, being the center of attention for the duration of the time until her younger sister, Stella-Rondo returns home. The return of Stella-Rondo sparks a conflict with Sister immediately because Sister is obviously envious of her and has been even before she came back to China Grove. The reader gets clear evidence of Sister’s jealousy toward Stella-Rondo when Sister says “She’s always had anything in the world she wanted and then she’d throw it away.
When Stanley beats Stella in Scene 3, the abusive side becomes noticed and readers come to the conclusion that it was not the first time that this act of violence has occurred. (Williams 40). But Stella ends up coming back to him after he cries out to her, and their relationship resumes as it did in the times prior. He is also the one who investigates the protagonists’ (Blanche’s) past; as he knows there are things she is hiding. This need to know about Blanche’s history is driven by his hatred for her aristocratic ways. Furthermore, Stanley makes his dominance apparent through the expression of his sexuality. At the end of the play, he rapes Blanche as a way to regain his dominance in the household. Throughout the play, Blanche slowly gains some control over Stella, and causes disruption to Stanley’s
The syllable of the syllable. At this point, he is very drunk. Blanche, distracting Stanley by listening to the radio, instigates him to grab it off the table and toss it out the window. Stella, in a state of panic, tells everyone to go home, which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship.
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
Stella, Stanley's wife in the play, is a passive woman. She is displayed this way through how she responds to the people and situations around her. When she is beaten by Stanley, she understands that his drunkenness takes hold of him and he has no control over his actions. She knows he never means her harm and his intentions are good.
However, there are also many instances where Stanley, a common working-class man, reveals his desire to be powerful and manly in his relationship with Stella, a woman who is of high class. Stanley is a man from a poor background and is married to a woman with a rich family history. Logically, Stanley may feel intimidated by Stella’s upbringing and feels that it is crucial to oppress her; it is hinted many times throughout the play as Stanley clearly demonstrates he is the one that holds the power by the way he treats Stella. Right from the start of the play, with Stanley’s introduction, he comes “around the corner… [with] a red-stained package from a butcher’s” (4), much like how an animal would bring its kill back home. With this, it is an analogy to a leader, Stanley, of a pack that brings back the food for the others to eat. The reliance of Stanley to bring back home the food broadcasts his will as the almighty alpha male that holds more importance than Stella. Furthermore, Stanley “heaves the meat at her (Stella),” (4) treating her as like a servant and also making a sexual innuendo. This action is one of disrespect and lets Stella know that she is under Stanley. This is an example of Stanley seeing Stella as a slave, a sexual object, under his control. Control is a large factor to Stanley as a husband and as a person. This is apparent when Stella explains that “Stanley doesn’t
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
As time went on, though, things changed. I should have known it was too good to be true. It was no abrupt change. Today I realize it was subtle. You were sneaky. You began to get jealous of my attention to other things besides you. Slowly at first you called me away from my relationships, my schooling, my work, and ultimately my goals. I became preoccupi...
“Louisa, Please Come Home,” by Shirley Jackson, is a first-person narrative story that tells the experience of Louisa in the small town of Rockville during the 1950s. In fact, there are six characters in this story. The protagonists of this story are Louisa Tether, Mrs. Peacock, Carol Tether, Mr. Peacock, Mrs. Peacock, and Paul. Carol and Louisa are sisters, and the daughters of Mr. and Mrs. Tether. Paul is a neighbor of the Tether family, and Mrs. Peacock owns the rooming house where Louisa Tether lives. Mr. and Mrs. Tether, Mrs. Peacock, and Paul worked together to solve the problem of Louis running away from home. The main character Louisa Tether is a nineteen-year-old-girl, who is fair-haired, five feet four inches tall, and weights one hundred twenty-six pounds. Her personality could be described as intelligent, impudent, and organized. The following scenes from the book exemplify these three personality traits throughout the story. Shirley Jackson shows the life of Louisa, and ultimately the aspects of this character’s personality shine.
She proceeds to break up the poker game that Stanley had going in the kitchen and he becomes enraged and beats Stella. She yells, “I want to go away, I want to go away!” (63). Blanche and Stella retreat to the upstairs apartment, however when Stanley cries for Stella to come back to him, she succumbs to his cries. The climax of tension between Stanley and Blanche is when he sexually assaults her. Stella refuses to believe Blanche’s accusations against Stanley stating, “I couldn’t believe her story and go on living with Stanley” (165). The play ends with Stanley and Stella admitting Blanche to a mental institution and Stella staying with Stanley. Throughout the play, Stella is presented with many opportunities to leave Stanley, however, she never considers leaving him. In scene one, Stella tells Blanche, “I can hardly stand it hen he is away for a night…When he’s away for a week I nearly go wild!...And when he comes back I cry on his lap like a baby…” (19). Blanche disapproves of Stanley and in scene four she states, “You can get out”
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.
Stella and Stanley’s relationship is one based purely on, as Blanche describes it, “brutal desire – just – Desire!” (81). They treat one another without respect, with Stella calling her husband offensive slurs like Pollack and him beating her. However, because of their deep desire for each other, Stella quickly forgives Stanley for his wrong doings, growing his power over her. When his desire for power builds and he is sure that Stella is dependent on him, he rapes Blanche. When Stella hears her sisters story she calls for Blanche to be institutionalized. While it is clear to the reader through her hesitation in sending Blanche away that Stella knows Stanley really did rape her sister, she cannot bring herself give up Stanley and acknowledge the truth. In this action, she has ruined any trust that Blanche had in her and forever destroyed their relationship because of her selfish desire for Stanley.