My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses, Steven Adler’s autobiography written with Lawrence J. Spagnola, recounts Adler’s life including how Guns N’ Roses started, and his seemingly endless battle with substance abuse. Steven Adler, born Michael Coletti after his father, declared at the young age of eleven that he was “going to be a famous rockstar!” and he was indeed successful, seeing as he was the original drummer in the notorious band, Guns N’ Roses. Guns N’ Roses was inducted into the Rock & Roll Hall of Fame in 2012, and their debut album, Appetite for Destruction, sold 30 million copies worldwide. Also, Adler participated in the second season of VH1’s Celebrity Rehab with Dr. Drew and the premiere season of Sober House in an effort to achieve sobriety. Steven Adler’s autobiography, My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses, retells Steven Adler’s life story involving the creation of the acclaimed band, Guns N’ Roses, and Adler’s trials and tribulations with drugs. My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses recounts the many highs, both literal and figurative, and lows of Steven Adler’s life. From a young age, Steven Adler was …show more content…
a troublemaker, smoking marijuana at eleven years old, and he was expelled from numerous high schools. Due to his flagrant reputation, Adler’s father kicked him to the curb, causing him to move in with his grandmother. There, Adler met Saul Hudson (a.k.a. Slash, lead guitarist for Guns N’ Roses), fell in love with music, specifically percussion, when he attended a garage rock band’s raucous rehearsal, and he decided he would be a famous rockstar after that fateful moment. Through some mutual friends, Adler and Slash were introduced to the other three members of what would become Guns N’ Roses. Guns N’ Roses experienced much success, earning various awards such as “Favorite Heavy Metal/Hard Rock Artist” in 1990, but with success comes great responsibility. The band’s immoderate drug use soon became a huge source of conflict among the members, specifically Steven Adler. In an attempt to quit drugs cold turkey, Adler was experiencing extreme symptoms of opiate withdrawal when he unknowingly signed over his rights to Guns N’ Roses. As a result, Adler became extremely depressed and used drugs as a coping mechanism. Attempting suicide twice was not as much of a wake-up call as was an ultimatum of a three-year jail sentence if he had one more incident with drugs. Steven Adler wrote his autobiography, My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses, so that he could set the record straight on how he was expelled from Guns N’ Roses, and so that he could share his story of finally becoming sober. Many famous rock n’ rollers are known for their copious drug use and Steven Adler is no exception. The other four members claim that Adler was replaced in the band because the drugs impaired him from playing correctly, such as keeping proper rhythm. Adler viewed the remaining members of Guns N’ Roses as hypocrites since they also openly used drugs, but his side of the story that the band needed an excuse to oust Adler due to personal issues is kept under wraps. Experiencing the symptoms associated with opiate withdrawal, Adler unknowingly signed a contract that gave him $2,000 in exchange for his royalties, partnership in the band, and his rights. Also, Adler’s experiences with drugs is considered one of the most self-destructive downward spirals in the history of rock n’ roll. From smoking marijuana at the age of eleven to developing grotesquely infected abscesses on his stomach from dirty syringes and fleeing the hospital to pump more substances into his body, perhaps Adler’s nadir was his two attempted suicides. Even his flirtations with death were not enough to dispel Adler from substance abuse; instead, it was an ultimatum of becoming sober or a mandatory three-year jail sentence. Through his candidness, Adler reveals his shortcomings with drugs in hopes of repelling impressionable young adults from the deadly life of substance addiction, and how he was scammed by signing over his rights to Guns N’ Roses while in a withdrawal stupor. By reading My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses, a writer can realize how much honesty and attention to detail and feelings can impact a story.
Steven Adler repeatedly evaluated how situations impacted him in his autobiography, so writers could imitate this tactic if they are writing their autobiography. In addition, Adler was very adamant about providing details, whether it was how the members of Guns N’ Roses met or how much cocaine he snorted in one day. Likewise, Steven Adler’s autobiography can assist a writer in writing a foreword, and knowing which important parts of a person’s life should be included. My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses provides an exemplary example for writers that desire to author an autobiography or a
biography. Ultimately, My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses provides an insight into the life story of Steven Adler, the original drummer of Guns N’ Roses. Adler’s autobiography highlights the most influential aspects of his life, such as being in one of the most famous rock bands during the 1980’s and his battles with substance abuse. My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses was written to repulse impressionable young adults from engaging in drug use and potentially bringing unnecessary chaos into their lives. In the same way, the autobiography was also written so that Adler could tell the story of how he was led to sign his rights away to Guns N’ Roses once and for all. Adler’s autobiography can show writers how important details are to a storyline because it really draws the reader into the story. Steven Adler’s autobiography, My Appetite for Destruction: Sex, Drugs, and Guns N’ Roses, allows readers to experience the life of a drug-addicted rockstar, and is a prime example of how an autobiography or biography should be written.
Devin Friedman is a creative storyteller who incorporates observant details in his writings, which makes the readers feel like as if they are part of the adventure. Devin attended the University of Michigan, and he was awarded as the winner of the Hopwood Contest. This contest was hosted by the university committee who appoints experienced judges and the Ann Arbor community to select winners in different writing divisions. In his recent years, Devin wrote for numerous publications such as The Best American Crime Writing, The Best American Travel Writing, The New York Times Magazine, Rolling Stone, The New Yorker, Esquire, People's Stories, and GQ. Out of the many articles Friedman has written in the past, “The Best Night $500,000 Can Buy,” “Famous People: James Franco,” and “The Unbearable Awkwardness of Being” are the ones I have chosen to read because of the interesting subject matters and the different writing styles.
perfect background for PSA's. Maybe, afterall, there was more to this band than sex and drugs.
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
Sonny states, “Her voice reminded me for a minute of what heroin feels like sometimes--when it's in your veins. It makes you feel sort of warm and cool at the same time. And distant. And---and sure [...] It makes you feel---in control. Sometimes you’ve got to have the feeling.”(Baldwin,16). Baldwin uses the comparison of music and heroin to emphasize the addictive quality of music for Sonny as well as the feeling of control it gives him. This imagery of the overwhelming feeling shooting heroin serves as an illustration of the power that music has over Sonny. Through this metaphor, the reader gains an understanding of why Sonny needs music.
In James Baldwin’s ‘Sonny’s Blues,” an unnamed narrator attempts to understand his brother’s way of life. The two men experience the suffering that goes along with living in the projects of Harlem, New York. After a conversation with his mother, the narrator promises he will take care of his brother, Sonny. The story in and of itself is a constant struggle between the narrator trying to keep the promise to his mother and trying to understand Sonny’s life choices. When Sonny is arrested for using a dealing heroin, one of his friends gave the narrator full disclosure when he tells him Sonny’s life has and always will be difficult. The narrator writes to Sonny on jail after he experiences grief. Sonny writes back, trying to describe how his choices have led him to this point in life. At the end of the story, the two brothers watch a street revival. Sonny relates the revivalist’s voice to how heroin feels and explains his drug addiction and suffering. Following that, Sonny invites the narrator to watch him play. The narrator hears Sonny’s struggles within the music and understands why music is life or death for Sonny. The ability to cope with suffering is explored. The short story Baldwin’s
McLeese, Don. “The Spirit of a Rocker.” New York Times. 18 October 1987. Web. 11
It can be a social commentary on the evils of drugs and rock and roll. It could be a fantasy fueled by drugs, or it could be a lesson in life and who we should trust.
The song "War Pigs," by Black Sabbath, argues the fact that, during the Vietnam War, politicians were willing to start wars and cause destruction because they were not the ones in danger of losing their lives or being injured. The song suggests that the politicians of the 1960's and 1970's started a war for fun, treating soldiers in America's army as "pawns in chess." By the end of the song, the lyrics say that those men and women will get what they deserve when their day of judgment comes.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
The emotional tale of James Frey’s journey in rehab is told in the memoir A Million Little Pieces. Born in Cleveland but living in New York, James Frey was an alcoholic for ten years and a drug addict for another three years before he decided to finally receive treatment at the age of twenty-four. Since his doctor told Frey that he would surely die at the age of twenty-four from his habits of drinking and doing drugs, his family checks him into the oldest rehab clinic in a last effort to change his ways. He fights his evil, or as he calls it the “Fury”, throughout the entire book as it begs for another drink or anything. It begs for anything in his six weeks in rehab. A Million Little Pieces tells the author’s struggle as he attempts to get clean in his treacherous six weeks in treatment.
Wood, Jessica. "Pained expression: metaphors of sickness and signs of 'authenticity' in Kurt Cobain's "Journals"." JSTOR. Version
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
Sheff references Kurt Cobain’s suicide note saying “It’s better to burn out than to fade away.” This seems to comes to represent what seems to be Nic’s ending unless he gets the help he needs. Nic was on a path that was seeming to lead to death by overdose, in which he would “burn out” instead of being able to “fade away like an old soldier”. Kurt Cobain is referenced again when Sheff states that he “wants to scream like Kurt Cobain. I want to scream at him.” This gives insight as to how the musical stylings of Kurt Cobain seem to be a trigger for David Sheff’s memories of his addict of a son. These references illustrate the emotion that is being felt by the author while making connections to the life of a famous man who was a great influence on Sheff’s
“Hotel California” by The Eagles has been the recipient of much speculation since its release in 1976. Although many other interpretations exist including some which claim this song to be referencing drugs, much evidence suggests that “Hotel California” is, at least partly, making a statement about the lifestyle of drug and alcohol users particularly in the large cities of California. As with many songs, duality of meaning exists in “Hotel California.”
In studying the advent of autobiography as a genre in its own right, it would seem to be a particularly modern form of literature, a hybrid form of biography. Also, the distinctions between the forms of the biography, personal history or diary and novel are becoming questioned in that the autobiography is not an account of wisdom accumulated in a lifetime but a defining of identity. 2