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Analysis of horror movies
Analysis of horror movies
Horror film analysis
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According authors like Carroll, one of the most important themes in horror culture is the idea of impurity (Carroll, 99). This usually takes the form of the monster, functioning to make the human, as well as its physical and behavioural characteristics, resemble the pure form. The idea of purity is consistent across many of the genre’s tropes with examples like body horror, which focusses on the disregard for the purity of the human body (Cruz, 161). Thus, while many monsters in horror do not necessarily resemble a recognizable body like a human or animal, the trope of body horror desecrates these properties to make the audience feel uneasy. In the article “Mutations and Metamorphoses,” author Ronald Allan Lopez Cruz analyzes the trope …show more content…
While mutation is a natural part of evolution for all species, a process which is biologically miraculous, Cruz states that the idea of evolution is frightening due to the lack of control, and quick change of biology and behaviour (Cruz, 164). The fear of a lack of control is a consistent theme in horror culture, and was discussed in lecture following the screening of Halloween, in which Dr. Morris identified a lack of control to be a theme in characters like Laurie, who feared a lack of control due to the actions and murders of the monster, Michael Myers (Lecture, 2015). Cruz continues by identifying the body horror of mutation to play on physical characteristics like symmetry and asymmetry, seen through examples like the Japanese manga “Uzumaki,” by Junji Ito, as well as the use of unwanted bodily fluids which are seen as repulsive, like feces and vomit (165). The use of mutation is seen through examples like the film The Exorcist, where the possessed child Regan mutates from a symmetrical normal girl to a physically asymmetrical demon-like monster. In addition, the director uses vomit as an unwanted bodily fluid to repulse the viewer. Thus, similar to metamorphoses, the use of mutation serves to take attractive, or pure, characteristics of the human body, and violate them to create both monstrous and impure
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
Frankenstein is the story of an eccentric scientist whose masterful creation, a monster composed of sown together appendages of dead bodies, escapes and is now loose in the country. In Frankenstein, Mary Shelly’s diction enhances fear-provoking imagery in order to induce apprehension and suspense on the reader. Throughout this horrifying account, the reader is almost ‘told’ how to feel – generally a feeling of uneasiness or fright. The author’s diction makes the images throughout the story more vivid and dramatic, so dramatic that it can almost make you shudder.
Asma, Stephen. On Monsters :An Unnatural History of Our Worst Fears. New York: Oxford University Press, 2009. Print.
When the monster dwells on the fact that he has no friends, money, and property because of the way he looks he claims, “I was besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man”(Shelley 102). With the monster’s emotion toward his first encounters, he struggles with accepting who he is because he feels the hatred from others. The words “deformed and loathsome” express the disgusted and discomfort that clouds the thoughts of each human during their first encounter. He recognizes his differences in comparison to others and begins to become self-conscious when he attempts to come out into the community. In the same aspect, humans today feel the same way when they look different than the ones around them.
“Horror and science fiction tend to present radically opposite interpretations of what may look like comparable situations.” (Kawin, 1981.) Bruce Kawin helps the reader to understand how a story in the genre of science fiction could be adapted, or bastardized if you like, into a horror. This is similar to the film adaptation of Mary Shelley’s Frankenstein. Both “Frankenstein” (1931) and “Bride of Frankenstein” (1935) portrayed characters and events differently than Shelley would have desired. Her novel had many deeper implications than the movie portrayed.
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
The definition of ‘monstrosity’ and what it means to be ‘monstrous’ can be understood to mean something that is visually unattractive, malformed and/or terrifying. However, monstrosity is not exclusively about something aesthetically ugly, it can also apply to what differs from what is considered ‘normality’. What is ‘normal’ versus what is ‘monstrous’ is closely linked when exploring ideas about the human condition. The representations of monstrosity in Frankenstein and in The Tempest reveal how what is monstrous and what is normal are often found side by side, challenging the idea that it is limited to outcasts who do not ‘fit-in’, and that deep down, a desire to be understood, accepted and included and to live life with meaning are central to the human condition and that monsters in society often reveal our deep seated fears and anxieties about our own existence.
Victor Frankenstein, once a promising scientist, descends into madness. This happens because he goes too far and creates a monster. Victor slowly became obsessed with his creation until his goal in life was hunting the monster and destroying it. This change from ambitious to obsessed is scary because it happened to such a normal man.
Franz Kafka wrote the short story Metamorphosis in 1912. No one can truly know what he aimed to accomplish with the story, but it is thought he wrote it to demonstrate the absurdity of life. The story is written with a very simplistic undertone, ignoring how completely ludicrous the situation that Gregor Samsa and his family are in. Metamorphosis is most often thought of in the scientific meaning of the word, which according to dictionary.com is a profound change in form from one stage to the next in the life history of an organism. It is also defined as a complete change of form, structure, or substance, as transformation by magic or witchcraft or any complete change in appearance, character, circumstances, etc.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
"Metamorphosis, The." Encyclopædia Britannica. Encyclopædia Britannica Online School Edition. Encyclopædia Britannica, Inc., 2011. Web. 6 Nov. 2011. .
Because sexual cannibalism is considered to be a social taboo both today, and during the times of Tarzan and Marlow, the creation of entertainment based on it has been limited, though the urges to expand on this topic may have been far more prevalent. There have been many films and novels created which depict the anthropophagy related to animals, most specifically, spiders. For example, films such as “Invasion of the Body Snatchers” and “Little Shop of Horrors” develop the similarities between human and insect anthropophagy (O’Connor). Due to the use of Anthropophagy for leisure purposes, it is evident that cannibalism is a topic of much interest among humans, aside from its label as a social taboo. Technically, a human’s eating of another human has a chemical effect on the blood.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Jack Morgan, The Biology of Horror: Gothic Literature and Film (Carbondale, IL: Southern Illinois University Press, 2002) null03, Questia, Web, 29 May 2010.
Metamorphosis can also be called transformation and deals with the idea of physical and mental growth, and this growth can signify positive results. For example, the metamorphosis of the yolk into the embryo, a tadpole into a frog, a bud into a blossom or the transformation of a maggot into an adult fly and a caterpillar into a spectacular butterfly. All these changes represent progress and development and therefore cause the organism to improve and better adapt to the environment. Usually, metamorphosis in organisms is accomplished so the sole purpose of evolution. But there are times when metamorphosis takes an ugly in nature. This is when a transformation is not needed but happens because of a certain mutation in the body or a pathological change in the structure of a particular body tissue and this can cause cancer and even death in organisms.