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A case for mercy killing
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‘“Was it hard? I hope she didn't die hard.’ Sethe shook her head. 'Soft as cream. Being alive was the hard part’” (Morrison 8). Paul D questions the absence of Baby Suggs as he and Sethe sit on the front porch of 124. In the early pages of Toni Morrison’s book, Beloved, the theme of mercy is immediately present and stressed. The characters of Beloved live with the traumatic effects of living through slavery, and the value of life terrorizes their subconscious. The epicenter of Morrison’s book is Sethe killing her daughter out of love and mercy. Mercy is a powerful motive that drives human instinct, especially that of a mother’s psyche. Exploring this concept, Sethe’s actions were extreme, but not unique. They were actually explainable and even defendable. ‘“I ain’t got no friends take a handsaw to their own children’” (Morrison 221). Sethe is not the first or last mother to murder her own child. Famously, a woman named Andrea Yates was also found guilty of a horrific spree of infanticide against her five children. Killing them in the family bathtub, Yates proceeded to drown her son two-year-old son Luke, three-year-old son Paul, and five-year-old son John, her six month old daughter Mary, and seven-year-old son Noah (Picard). Although the outcome was the same, compared to Yates, Sethe’s dealings were not nearly as torturous and disturbed. The motives of both women were completely different. Yates’s actions were psychologically based and derived from depression and insanity while love and fear drove Sethe’s actions. It is hard to explain what went on in the mind of Yates, but it can easily be deduced that mercy underlined Seth’s unorthodox act of love. Both women went to jail and had to live with their regrettable ... ... middle of paper ... ...proposition of an acceptable solution, relating to the outcome of the novel. Oncol, Ann. "Bad News for Taxpayers, Good News for Patients, in the UK." Annals of Oncology 13.6 (2002): 811-13. Oxford Index. Web. 16 Jan. 2014. This work is useful because it is a medical citation that gives the paper higher credibility and background. It helps provide a medical analysis on mercy killing and assisted suicide, the stance taken on the novel. Picard, Anna. "Could you too be a killer mummy?" New Statesman [1996] 9 July 2001: 29. Literature Resource Center. Web. 16 Jan. 2014. Print. This work is included in the paper because it provides a nonfictional story similar to the, main, fictional piece. The author tells the story of a mother killing her children and the "reasoning" behind it. This ultimately gives the paper a more complete dimension by providing a comparable story.
On June 20, 2001, a terrible tragedy occurred, as Andrea Yates drowned all five of her children in the bath. After drowning each child child, she picked them up, tucked them in her bed and called in her next victim until all 5 children were deceased. After she had successfully drowned each child, she calmly called her husband and notified local police that she was in need of an officer. As this case reached international news, many pondered what would make the mother of five do such an abysmal thing. Once the investigation began, it became acknowledged that Andrea Yates was influenced by several psychological perspectives and was not in her right mind when she committed the heinous crime.
On June 20, 2001 a woman by the name of Andrea Yates, stunned the whole country with one of the most bizarre acts of violence that a parents could ever do to their own children. She called her husband at work and told him “I did it” confused by what was going on, he rush home only to find his house filled with officers of the law. The husband asked, “What is going on?”, and only to found out that his wife had drowned all five of their children.
“Come on, Nancy. Tell us the truth. Where are the children?” wrote author Mary Higgins Clark in her chilling novel, Where are the Children. Clark’s thrilling murder mystery describes a toxic relationship between a professor, Carl Harmon, the mentally insane and abusive husband of Nancy Eldridge, a beautiful young mother who is being accused of the murder of her children. Manipulative tactics and gender play key roles in creating discussion and open ended ideas toward the theme of this novel. The reader can see how Nancy has been unfairly accused for the murder of her first set of children. Although in the end Carl is finally identified as the murderer, the entire novel is set to make it seem as if Nancy was capable of harming her own flesh and blood. Mary Higgins Clark writes a happy ending novel to give
Toni Morrison’s Beloved follows the history of Sethe and her family from their enslavement at Sweet Home to their life post slavery. Despite their newfound freedom, tragic experiences haunt Sethe and the members of her family. These experiences limit Sethe’s ability to move forward in her life Within the novel, Morrison marks each pivotal moment, or especially graphic moment, in Sethe’s life with an underlying theme of biblical symbolism. Morrison seems to intentionally make these connections to imply that the characters have subliminally let these stories attach to their memories. This connection helps to minimize the characters’ sense of isolation; their trauma takes places within the greater context of stories of suffering familiar to them.
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
So often, the old adage, "History always repeats itself," rings true due to a failure to truly confront the past, especially when the memory of a period of time sparks profoundly negative emotions ranging from anguish to anger. However, danger lies in failing to recognize history or in the inability to reconcile the mistakes of the past. In her novel, Beloved, Toni Morrison explores the relationship between the past, present and future. Because the horrors of slavery cause so much pain for slaves who endured physical abuse as well as psychological and emotional hardships, former slaves may try to block out the pain, failing to reconcile with their past. However, when Sethe, one of the novel's central characters fails to confront her personal history she still appears plagued by guilt and pain, thus demonstrating its unavoidability. Only when she begins to make steps toward recovery, facing the horrors of her past and reconciling them does she attain any piece of mind. Morrison divides her novel into three parts in order to track and distinguish the three stages of Sethe approach with dealing with her personal history. Through the character development of Sethe, Morrison suggests that in order to live in the present and enjoy the future, it is essential to reconcile the traumas of the past.
In her novel Beloved, Toni Morrison explores the paradoxical nature of love both as a dangerous presence that promises suffering and a life-giving force that gives the strength to proceed; through the experiences of the run-away slave Sethe. The dangerous aspect of love is revealed through the comments of Paul D and Ella regarding the motherly love of Sethe towards her children. Sethe's deep attachment to her children is deemed dangerous due to their social environment which evidently promises that the loved one of a slave will be hurt. On the other hand, love is portrayed as a sustaining force that allows Sethe to move on with her life. All the devastating experiences Sethe endures do not matter due to the fact that she must live for her children. Although dangerous, Sethe's love finally emerges as the prevalent force that allows her to leave the past behind and move on with her life.
Toni Morrison's novel, Beloved, reveals the effects of human emotion and its power to cast an individual into a struggle against him or herself. In the beginning of the novel, the reader sees the main character, Sethe, as a woman who is resigned to her desolate life and isolates herself from all those around her. Yet, she was once a woman full of feeling: she had loved her husband Halle, loved her four young children, and loved the days of the Clearing. And thus, Sethe was jaded when she began her life at 124 Bluestone Road-- she had loved too much. After failing to 'save' her children from the schoolteacher, Sethe suffered forever with guilt and regret. Guilt for having killed her "crawling already?" baby daughter, and then regret for not having succeeded in her task. It later becomes apparent that Sethe's tragic past, her chokecherry tree, was the reason why she lived a life of isolation. Beloved, who shares with Seths that one fatal moment, reacts to it in a completely different way; because of her obsessive and vengeful love, she haunts Sethe's house and fights the forces of death, only to come back in an attempt to take her mother's life. Through her usage of symbolism, Morrison exposes the internal conflicts that encumber her characters. By contrasting those individuals, she shows tragedy in the human condition. Both Sethe and Beloved suffer the devastating emotional effects of that one fateful event: while the guilty mother who lived refuses to passionately love again, the daughter who was betrayed fights heaven and hell- in the name of love- just to live again.
Wyatt, Jean. “Body to the Word: The Maternal Symbolic in Toni Morrison’s Beloved.” PMLA, Vol. 108, No.3 (May, 1993): 474-488. JSTOR. Web. 27. Oct. 2015.
Morrison characterizes the first trimester of Beloved as a time of unrest in order to create an unpleasant tone associated with any memories being stirred. Sethe struggles daily to block out her past. The first thing that she does when she gets to work is to knead bread: "Working dough. Working, working dough. Nothing better than that to the day's serious work of beating back the past" (Morrison 73). The internal and external scars which slavery has left on Sethe's soul are irreparable. Each time she relives a memory, she ...
Justifying the Murder in Beloved by Toni Morrison. Beloved is a tale about slavery. The central character is Sethe, who is an escaped slave of the. Sethe kills her child named Beloved to save her. her.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
In Toni Morrison’s novel, Beloved, Morrison uses universal themes and characters that anyone can relate to today. Set in the 1800s, Beloved is about the destructive effects of American slavery. Most destructive in the novel, however, is the impact of slavery on the human soul. Morrison’s Beloved highlights how slavery contributes to the destruction of one’s identity by examining the importance of community solidarity, as well as the powers and limits of language during the 1860s.
In Toni Morrison novel, Beloved , the author creates a mother-daughter relationship in which the mother Sethe, out of love, murders her daughter Beloved to free and protect her from the harshness of slavery. Because of this, the baby ghost of her deceased daughter haunts her conscience and is later resurrected to further torment Sethe about her act of love. From the time she slits the throat of her infant daughter and until the end of the novel, we are associated with the justifications of Sethe's actions and become understanding of Morrison's use of this conflict to recreate history in relaying the harshness of slavery in this time period.