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Marriage in the Italian Renaissance period
Cesare borgia machiavelli
Cesare borgia machiavelli
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Lucrezia Borgia was considered to be a nefarious and scheming criminal. On April 18, 1480, in Rome, Italy (Lucrezia Borgia 1), she was born to Rodrigo Borgia, who later became Pope Alexander VI, and his mistress, Vanonozza de Cattanei (Aiuto 4), and became a member of the infamous Borgia family. Lucrezia Borgia’s evil reputation was unjustified because she was manipulated by her relatives to fuel their political ambition, was a recipient of her family’s record of crime, and was a victim of unfair propaganda.
Lucrezia was used to further her family’s political stature in Europe through arranged marriages. At the time of the Renaissance, the area of modern-day Italy was made up of various city-states (Lucrezia Borgia 8:44), two of the most prosperous being Milan and Naples (Meyers 1). Lucrezia’s father, Pope Alexander VI, wanted to conquer these city-states to gain power for the Church and his family (Lucrezia Borgia 8:57). He and her brother, Cesare Borgia, (Mallet 304-305) arranged marriages for Lucrezia with important families from several of these city-states to help achieve this goal (Lucrezia Borgia 8:57). Due to her status, wealth, beauty, and intelligence, many men wished to marry her. “…[The] choice either of ending one marriage or in arranging another was never hers [Lucrezia’s]” (Mallet 271). Lucrezia was not involved in any of these ambitious plans; hence, she should not have been held accountable for her father and brother’s actions.
Lucrezia was engaged five times in her life. Her first two engagements were called off by the time she was eleven years old (Aiuto 4). Lucrezia’s first marriage, in 1493 (Lucrezia Borgia 1) at the age of thirteen (Hibbert 44), was to Giovanni Sforza of the powerful Milanese family (Ai...
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Lucrezia died in childbirth (Mallet 312) at the age of thirty-nine (Hibbert 309-310) on June 24, 1519 in Ferarra, Italy (Lucrezia Borgia 1). Her death was devastating to Alfonso d’Este. He wrote a letter to his nephew saying, “I cannot write this without tears, knowing myself to be deprived of such a dear and sweet companion” (Duke of Ferrara 357). His words are in direct contrast to the widely held belief that Lucrezia was a ruthless, evil, and wicked member of the Borgia family. This reputation was not warranted by Lucrezia’s actions. She was used by her family, was assumed to be as corrupt as her notorious relatives and her name was negatively impacted by gossip. After she moved to Ferrara and was finally free from the shadow of her evil family, Lucrezia’s true sympathetic nature finally showed through where she lived her life as a kind, devout Christian.
In the book, Giovanni and Lusanna, by Gene Bucker, he discusses the scandalous actions of a Florentine woman taking a wealthy high status man to court over the legality of their marriage. Published in 1988, the book explains the legal action taken for and against Lusanna and Giovanni, the social affects placed on both persons throughout their trial, and the roles of both men and women during the time. From the long and complicated trial, it can be inferred that women’s places within Florentine society were limited compared to their male counterparts and that women’s affairs should remain in the home. In this paper, I will examine the legal and societal place of women in Florentine society during the Renaissance. Here, I will argue that women were the “merchandise” of humanity and their main objective was to produce sons.
Barbara Strozzi never married, but, by 1651, she had four children, three reputedly fathered by Giovanni Paolo Vidman, a friend of her father. Strozzi’s last published volume appeared in 1664. The following year she produced a group of songs for Carlo II, Duke of Mantua. Thereafter, little is known of her life. She remained in Venice until May 1677, when she moved to Padua, where, after a short illness, she died in November at the age of 58. (Schwartz, Davis.
Drawn from her surviving love letters and court records, The Burgermeister's Daughter is an engaging examination of the politics of sexuality, gender and family in the 16th century, and a supreme testament to the grit and perseverance of a woman who challenged the inequalities of this distant age. The story, in Steven Ozment's meticulous and experienced hands, goes well beyond the litigious Anna to encompass much else about the 16th century, including the nature of sexual morality, the social individuality of men and women, the jockeying for power between the upwardly striving bourgeoisie and the downward sliding nobility, and the aftereffect of the reformation on private life. Steven Ozment's understanding of the Medieval German society and its effects on its citizens is amazing. Steven Ozment brings a medieval drama to life in this extensively researched and absorbing account of the 30-year lawsuit between Anna Buschler and her family. Anna's father was the Burgermeister (mayor) of the German town of Schwabisch Hall. He banished his daughter from the family home in 1525 after he read letters that proved her sexual connection with two men. Anna responded by suing her father. Anna Buschler looked predestined to a comfortable and serene life, not one of constant personal and legal conflict. Born into an eminent and respectable family, self-confident and high-spirited in her youth, and a woman of acknowledged beauty, she had a standing as the beauty of her hometown, and as something of a free soul. In an era when women were presumed to be disciplined and loyal, Anna proved to be neither. Defying 16th-century social mores, she was the constant subject of defamation because of her indecent dress and flirtatious behavior. When her we...
Gregorio Dati, according to the primary source, was married four times, and he documents the last three marriages. The manner in which he writes about these marriages does not show much emotion. Dati writes, for example:
The story of Lucretia begins with men boasting about their wives, trying to determine who is the best of them all. It is clear to them that Lucretia is the winner when she is found “hard at work by lamplight upon her spinning” (Livy, 100). She then moves on to be a gracious host to all of these men, again showing success in her womanly duties. Later that night one of the visitors, Sextus Tarquinis, comes into her room, and forces himself upon her, telling her that if she does not comply he will make it look like she had an affair with on of the servants (Livy, 101). She yields to him because she does not want it to seem as if she had an affair and n...
The Medici’s were a prominent family in the Renaissance, who ruled Florence from 1434 to 1737. They are regarded as being one of the most powerful and richest families in the whole of Europe. The Medics used this great status and wealth to develop an improved Florence, one that was significantly influenced by the Renaissance. The Medici family can most certainly be regarded as the significant heroes of the Renaissance. This is due to their significant promotion and patronage in the arts, in turn bringing focus back to the antiquities, a major importance during the Renaissance period. Furthermore, the Medicis can be considered the great heroes of the Renaissance, due to their significant influence of Renaissance Humanist thinking. On top of this, although the Medici family were allegedly corrupt and supposedly paid many bribes in order to become so powerful, they still focused on benefiting the heart of the Renaissance- the city-state of Florence- and should thus not be considered the great villains of the Renaissance, but instead the heroes.
Although the ‘Legend’ of the Wicked Italian Queen is limited by its personal malicious nature, it is credible in its demonstration of Catherine’s ambition f...
After five hundred years, Niccolo Machiavelli the man has ceased to exist. In his place is merely an entity, one that is human, but also something that is far above one. The debate over his political ideologies and theories has elevated him to a mythical status summed up in one word: Machiavelli. His family name has evolved into an adjective in the English language in its various forms. Writers and pundit’s bandy about this new adjective in such ways as, “He is a Machiavelli,” “They are Machiavelli’s,” “This is suitable for a Machiavelli.” These phrases are almost always the words of a person that understands more about Niccolo’s reputation than the man himself. Forgotten is that Machiavelli is not an adequate example of the ruler he is credited with describing; a more accurate statement would be to call someone a “Borgia” or a “Valentino.” Most of the time they are grossly mistaken in their references. All these words accomplish is to add to the legend, and the misinterpretation, of the true nature of Niccolo Machiavelli.
The time is the sixth century, the place is Rome and the person is Lucretia, a woman who contributed to one of the biggest parts of Roman history: the creation of the Roman republic. The rape of the virtuous Lucretia by Sextus Tarquinius, the son of Tarquinius Superbus' (an Etruscan king) was the final straw for the Roman people and pushed them to want to change from a monarchy to a republic. From the accounts of the rape of Lucretia from ancient historians like Livy, Cicero and Dionysius, it is clear that Lucretias rape not only spurred the roman people to want to get rid of the Etruscan King and his family, but also revealed the important role of virtue in women in roman society.
By the turn of the sixteenth century, the Italian Renaissance had produced writers such as Danté, Petrarch, Boccaccio and Castiglione, each with ideas rooted in the revival of Greek and Roman Classics, localization of the Christian traditions, idealistic opinions of women and individualism. From these authors spread the growth of the humanistic movement which encompassed the entirety of the Italian rebirth of arts and literature. One among many skeptics, including Lorenzo Valla, who had challenged the Catholic Church fifty years earlier in proving the falsity of the Donation of Constantine, Niccolò Machiavelli projected his ideas of fraudulence into sixteenth century Italian society by suggesting that rulers could only maintain power through propaganda, as seen with the success of Ferdinand of Aragon in Spain circa 1490. Today, the coined term Machiavellian refers to duplicity in either politics or self-advancement. Unlike most philosophers of the sixteenth century, Machiavelli wrote from the perspective of an anti-Humanist; he criticized not only the Classics and the Catholic Church, but also encouraged the deceitful use of religion and hated the humanist concepts of liberty, peace and individualism.1
Cesare Borgia, also called Duke Valentino, was named Duke of Romagna by his father, Pope Alexander VI. Borgia came into power through the arms and fortune of others, and according to Machiavelli, that is not a good sign because those rulers tend to not last very long. But Borgia showed tremendous efforts to make sure he would stay in power by strengthening his foundations, even when his father was no longer the Pope. He was able to conquer th...
In Titus Livius’, The Early History of Rome, Livy takes on the task of documenting Rome’s early history and some of the famous individuals who help contribute to the ‘greatness’ of Rome. Livy dedicates an entire portion of his writing to describe the reigns of the first seven kings of Rome; all who influence the formation and governance of Rome in some way. However, of the seven kings in early Roman history, King Romulus and King Numa Pompilius achieved godlike worship and high esteem from their fellow Romans. While both highly important and respected figures in Rome’s history, the personalities and achievements of King Romulus and King Numa Pompilius are complete opposites of one another. Despite the differences found in each king and of their rule over Rome, both Romulus and Numa Pompilius have a tremendous influence in the prosperity and expansion of Rome in its early days.
In the early stages of Catherine's life the surfacing modern age was bringing with it social turmoil which spread throughout Europe (Giordani 3). During Catherine's lifetime, according to Mary Ann Sullivan in her essay “St. Catherine of Siena,” the center of Catholic rule fluctuated between Rome and Avignon and contributed to a schism between popes in Italy and France (1). Catherine was born 23rd in a line of 25 children and, according to Sullivan “even at a young age, [she] sensed the troubled society around her and wanted to help” (1). While her parents were not exceptionally religious, St. Catherine's biographer Blessed Raymond of Capua discusses Catherine's early zeal for Catholic practices: “When she was about five she learned the Hail Mary, and repeated it over and over again as often as she could…she was inspired by heaven to address the Blessed Virgin in this way whenever she went up and down stairs, stopping to kneel on each step as she did so” (24). Her devotion to the Virgin Mary would become especially important in a vision she had around this time while walking with her brother to visit one of her sisters.
Fermina Daza was raised in an environment where women’s success is based on her ability to marry a man of honor and monetary value. She is expected to be brought up in this manner by a fellow female or mother; however Fermina’s mother died when Fermina was very young, thus her father, Lorenzo Daza, an illiterate mule trader, was left to take on the role. Márquez identifies Lorenzo’s motives and expectations for Fermina as he states, “When [Lorenzo Daza’s] wife died, he had set only one goal for himself: to turn his daughter into a great lady.” His emphasis on his one goal for Fermina infers that he did not necessarily have the to intentions to build or establish a communicative relationship with his daughter. He wanted better for Fe...
Firstly, the reader learns that Lucrezia Smith is currently married to Septimus Warren Smith, whom was a World War I veteran suffering from a type of mental illness. After learning about Septimus’ mental illness, the reader can learn that her husband’s mental illness dominates her. On page fifteen the reader can see at first hand how difficult the...