Mu Alpha Theta Induction Ceremony

I think about the converging waves of the notes I play, the standing waves being created by plucking a string, and the physics behind the air pockets being forged that eventually find a listening ear whenever I sit down to play my bass. Thus, my passions of math and music synergistically become more together than they could ever be apart. I started thinking about this when a former math teacher of mine approached me one afternoon and asked me if I was interested in giving the induction speech at the Mu Alpha Theta induction ceremony. Being a member of the honor society and recounting the memorable induction speech given the year prior at my own induction, I wholeheartedly agreed. I decided on the topic of music and math because I play upright bass in the orchestra and electric bass in the jazz ensemble and being a math enthusiast, it is impossible for me not to see the mathematics and physics present in music.

The relationship between the two gets even more intriguing when applied to actual notes being played. The best sounding music is that which uses flawless mathematics. It is common knowledge that each note has a letter name—A through G—but also has a number value, measured in hertz. An A4 for instance is 440 hertz. In Beethoven’s “Moonlight Sonata,” there exist triads in triplet form. These triads are made up of D, F#, and A. Since sound is a vibrational energy, notes can be graphed as sine functions. When the triad notes are graphed, they intersect at their starting point and at the point 0.042. At this point the D has gone through two full cycles, the F# two and a half, and the A three. This results in consonance, something that sounds naturally pleasant to the ear. Thinking about this opened my eyes to all the aspects of my life with which I utilize math to