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Americanism in literature
Racism in american literature
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In Sui Sin Far’s “Mrs. Spring Fragrance”, she illustrates how new Chinese immigrants adapt and assimilate to American culture during the 20th century. Far portrays the dealings that the Chinese characters in the story experience as they steadily acknowledge the American society as their own. She demonstrates how they are immersed in the American culture, yet indicates how they are still established in their Chinese custom. In the beginning of the story, Mr. and Mrs. Spring Fragrance are embracing the American way of life, but still manage to hold onto their Chinese heritage. However, as the story progresses Far depicts the deterioration of their Chinese traditions in place of American ones. Ultimately, seen when Mr. Yuen allows Laura to marry that man that she loves, opposed to having it …show more content…
This is exhibited through Mr. Spring Fragrance’s discussion with Young Carman, which was in San Francisco. However, what occurs in San Francisco with Mrs. Spring Fragrance remains enigmatic to me. It is likely that a comparable case of misconception emerges in her circumstance as she endeavors to understand a sprawling, integrated, American city. What I find most intriguing about this bit of the text is her willingness to acknowledge her newly discovered country as free of any flaws, asking Mr. Spring Fragrance to simply disregard racial profiling and the detainment of his own sibling for no other explanation than he is not Caucasian. Furthermore, Mrs. Fragrance is also eager to go against Chinese marriage tradition by helping Laura succeed in marrying her true love. Moreover, she readily accepts American ways quite suddenly, and all without any evidence of serious thought. Possibly, she assumes that in order to become wholly American, she must blindly follow all of what is merely suggested to
The transition from childhood to adulthood can be challenging. There are many things to learn and let go. Sometime teenagers can dramatize certain events to make themselves seem defenseless. Amy Tan, Chinese-American author, makes her Chinese Christmas seem insufferable. In Tan’s passage “Fish Cheeks”, Tan uses diction and details to exemplify the indignity caused by her Chinese culture.
Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.
In the beginning of the story, the author describes the Chin Yuen's as American in appearance yet Chinese in customs. Throughout the story she continues to describe the deterioration of the Chinese customs by American ideal. This is pinpointed when Mr. Chin Yuen decides to let his daughter marry the boy that she loves. The conversation that Mr. Spring Fragrance has with Young Carman explains that only in American culture is it customary to find love before marriage; in the Chinese tradition, all marriages are arranged. This clearly exemplifies the manner in which the Chinese characters are more and more disregarding their Chinese culture and taking on this new American standard of living. Ironically, Sui Sin Far conveys the notion that the American tradition is not necessarily better than the Chinese tradition. More so she demonstrates the struggle of identity between two worlds that both make sense. Though Laura and Kai Tzu have found their happiness in the American tradition of marriage, the reader discovers that Mr. and Mrs. Spring Fragrance are equally as happy even through the Chinese tradition of marriage.
...become Americanized in a different way. For example, Mrs. Spring Fragrance becomes Americanized through helping Laura and Kai Tzu form a relationship despite Laura’s betrothal to the schoolmaster’s son. The Chin Yuens become Americanized by finally allowing their daughter to marry her true love Kai Tzu. The Chin Yuens are now not only American in appearance, but they are also American through traditions. Mr. Spring Fragrance, however, had a much more difficult time becoming Americanized throughout the story. He had a difficult time accepting that the people around him, including his wife were changing and becoming Americanized. Mr. Spring Fragrance finally came to terms with the fact that though Laura and Kai Tzu achieved a happy marriage through American traditions of marriage, he and Mrs. Spring Fragrance are equally as happy in their through Chinese traditions.
Many immigrating to the United States develop ideas of themselves and their own identity in order to fit the form of America they have been coaxed into believing. In “A Thousand Years of Good Prayers”, Mr.Shi displays these expectations and false prophecies of character when he naively concludes, “America is worth taking a look at; more than that, America makes him a new person, a rocket scientist, a good conversationalist, a loving father, a happy man”(189). Mr.Shi not only perceives America as a place of pure prosperity and freedom, but also anticipates a society where he can recreate himself. Arguably, these limited ideas of America can foster one 's desire to improve as an individual, however this often results in a further loss of identity because they are unwilling to accept their true self. He longs to exist within the form of American society he fantasizes because he envisions himself as a more developed and well rounded person that he feels communist China has kept him from
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
Immigrants arriving in America for their first time are initially devastated at their new lives and realize their “golden lives” were simply fantasies and dreams of an ideal life in America. Immigrants from foreign countries, including those mentioned in Uchida’s Picture Bride, faced countless problems and hardships, including a sense of disillusionment and disappointment. Furthermore, immigrants and picture brides faced racial discrimination not only from white men, but the United States government, as well. Immigrants were plagued with economic hardships lived in deplorable living conditions. Though nearly every immigrant and picture bride who came to America fantasized about an ideal life, they were faced with countless hardships and challenges before becoming accepted American citizens.
Amy Tan’s “Fish Cheeks” describes Tan’s upbringing as a Chinese-American caught in between two cultures. In “Fish Cheeks” Tan’s crush Robert and his family were invited to Tan’s house for Christmas, Amy was embarrassed of Robert’s impression of her Chinese relatives, cuisine, and culture (Tan 110). Tan’s situation is not uncommon as millions of first generation Americans encounter similar situations while living within two cultures. Albeit the extreme embarrassment Tan endured throughout the encounter, she contends that her mother taught her a valuable lesson in appreciating her Chinese culture (111). Ultimately, Tan's purpose was to implore first generation Americans to embrace both of their cultures, in spite of its unique traditions (Tan
Traditionally, Twinkies are usually thought of as cream-filled yellow sponge cakes. To Chinese Americans, a different image is conjured. When Chinese Americans integrate with the American culture so much that their Chinese culture is much less apparent, they are known as “Twinkies”: yellow on the outside and white on the inside. In Amy Tan’s essay “Mother Tongue” and Elizabeth Wong’s essay “The Struggle to be an All-American Girl”, both girls are Chinese American trying to fit in with the American society while their Chinese mother’s are very traditional at home. Tan and Wong are trying to please their image in America and their mothers at the same time. While these essays are similar because they focus on the native languages used in America and the struggles of being a Chinese American in America, they differ in both their attitudes toward their mothers and personal reflections of being Chinese American.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
A Pair of Tickets”, by Amy Tan, is a brief narrative about the conscience and reminiscence of a young Chinese American woman, Jing-Mei, who is on a trip to China to meet her two half-sisters for the first time in her life. Amy Tan is an author who uses the theme of Chinese-American life, converging primarily on mother-daughter relationships, where the mother is an emigrant from China and the daughter is fully Americanized --yellow on the surface and white underneath. In this story, the mother tries to communicate rich Chinese history and legacy to her daughter, but she is completely ignorant of their heritage. At the opening of the story "A Pair of Tickets" Jandale Woo and her father are on a train, the are destined for China. Their first stop will be Guangzhou, China where father will reunite with his long lost aunt. After visiting with her for a day they plan to take a plane to Shanghai, China where Jandale meets her two half-sisters for the first time. It is both a joyful time and yet a time of contrition, Jandale has come to China to find her Chinese roots that her mother told ...
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
Spring Fragrance embodies characteristics completely opposite of the stereotypes of Chinese woman at the time; Mrs. Spring Fragrance is neither quiet, subservient, nor a traditionalist (Gudykunst 188). This contrast is most apparent when she makes the decision that she will stay in San Francisco for another week in order to help Laura Chin Yuen. While Mrs. Spring Fragrance asks for permission from her husband to stay another week, she uses her intelligence and personal agency to frame her extended stay such that it would sound appealing to her husband (Far 8). Rather than explaining that she needs to help Laura Chin Yuen solidify her relationship with Kai Tzu—which would subsequently end Laura Chin Yeun’s arranged engagement—Mrs. Spring Fragrance claims that she needs to stay in San Francisco due to other cultural obligations. She offers the following explanation to her husband: “My honorable cousin is preparing for the Fifth Moon Festival, and wishes me to compound for the occasion some American ‘fudge’, for which delectable sweet, made by my clumsy hands, you have sometimes shown a slight prejudice,” (Far 8). Again, Mrs. Spring Fragrance frames the extended trip in a way that appeals to Mr. Spring Fragrance, both through the connection to their culture and to a sweet that he enjoys (the fudge). So despite the fact that Mrs. Spring Fragrance asks her husband for permission to stay longer, her cunning explanation emphasizes her intelligence, agency, and ability to assert her independence while maintaining a positive relationship with her husband. Thus, while it may seem as though Mrs. Spring Fragrance follows gender roles instead of challenging them, the letter highlights her intelligence and her power in her relationship with her
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).