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Representation of genders in media
Representation of genders in media
Representation of genders in media
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In the 1990s the male protagonist of Hollywood received a major face lift in many ways. The 1980s focused on hyper masculinized and violent male figures using their brawn and fighting skills to achieve their desires. Characters like Rocky Balboa and the Terminator were quite popular during that era, which made the shift to softer family-man protagonist in the 90s a rather bizarre change. In this paper, I will look through a Dramaturgical perspective at the violent male of the 80s giving way to the more family focused man of the 90s, using a rather comic but highly successful film, Mrs. Doubtfire. It was a popular movie of the time and through its cross dressing main character, it gives a much more interesting insight on the 90s male thought process and how he fit in with the changing family structure of the era. The film showed a new type of man who could achieve his goals through reflection, literal and emotional self-transformation without the use of violence. Through that as well, I will discuss the ever evolving matter of cross dressing as it applies to the film and how it is still used as a tool of storytelling and character development through both theatre and cinematic history.
Mrs. Doubtfire was a big hit when it first premiered and yet it came out after a rather strange era of cinema where the highly muscular and violent male protagonist was the norm. With Robin Williams being in his early forties at the time of the film’s release, as well as being a rather average built male, he would have been a stark contrast to the Stallone and Schwarzenegger type characters that had been popular in the years before Mrs. Doubfire premiered. In fact, in the 1980s, films were riddled with hyper masculinized men and women such as Roc...
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...ilms such as Mrs. Doubtfire to communicate that even though the main character was not a war hero or a gun wielding macho man, he was in fact a man who had plenty to fight for in his own world. Through the shifting away of the masculinized hero of the 1980s giving way to the family focused man of the 1990s, film and society molded themselves to represent what each other needed and wanted to see. Even though it is a comedy filled with insane antics of a man in a dress, Mrs. Doubtfire is able to bring forth a story that shows that there is plenty worth fighting for at home without the needs of excessive violence. It also shows us a subtle and heartwarming difference in the attitudes of the American people about what identity we wanted to promote and what type of person we wanted to believe in, the unrealistic super hero, or the father with vices with a heart of gold.
On October 4, 2016 the sustainability department at Appalachian State University presented the film The Seventh Fire. This was the 3rd of five films in the series devoted to social justice that the sustainability department is presenting. This film was an informative piece on the prevalent drug and gang issue that is common on Native American reservations. The film focuses on the White Earth Indian Reservation and two members who act as large influences in the gang and drug culture that runs rampant through this community. Throughout the documentary both Rob Brown and his 17-year-old pupil Kevin struggle with gang affiliation and the want for redemption and salvation.
Klumas, Amy L., and Thomas Marchant. “Images of Men in Popular Sitcoms”. Journal of Men’s Studies 2.3 (1994): 269. ProQuest. Web. 27 Jan. 2014.
Mr. Leo wrote this piece not only for informative purposes, but also to convince a particular audience that, whether intentional or not, characters have taken on harmful images some may find offensive. He is not speaking only to his fairly educated, loyal readers, but also to those who may have taken part in producing the movie. Mr. Leo makes visible to his readers what he believes to be stereotypes in the film. People may not have noticed these before, so he makes clear definitions and comparisons. To the rest of the audience, those who had a hand in making the movie, he makes a plea not to redevelop these characters in future films.
" Hollywood producers influenced by the backlash trend in the media, created a series of movies that pitted the angry career woman against the domestic maternal "Good woman"."
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Discriminating gender roles throughout the movie leaves one to believe if they are supposed to act a certain way. This film gives women and men roles that don’t exist anymore, during the 60s women were known to care for the family and take care of the house, basically working at home. However, a male was supposed to fight for his family, doing all the hard work so his wife didn’t have too. In today’s world, everyone does what makes them happy. You can’t tell a woman to stay at home, that makes them feel useless. Furthermore, males still play the roles of hard workers, they are powerful compared to a woman. However, in today’s world a male knows it isn’t right to boss a woman around, where in the 60s, it happened, today women have rights to do what they want not what they are
The figure of the ‘new lad’ has been a feature of popular culture in the United Kingdom, United States, and elsewhere since the early 1990s. In the book, The Trouble with Men: Masculinities in European and Hollywood Cinema, the author relates to Nick Hornby’s, a screenwriter and English novelist, thoughts on lads. He states that there are two versions of the modern male that have anxieties between the two main constructions of contemporary masculinity: New man and New Lad (Phil Powrie 2004, pp.84). By the start of the twentieth century, the word ‘masculinity’ was always associated with the word ‘crisis’; this is now portrayed in ‘lad flicks’. Masculinity is the central object of contemporary ‘lad flicks’; they combine different genre elements to focus specifically on difficulties that face contemporary masculinity. The male characters in these films...
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
The main reason I selected this movie was because of its obvious gender biases and its very blatent patriarchal society from which Elle comes from initially and proceeds to go to at Harvard. In this movie the males are good looking, successful, rich, and are attending or previously attended Harvard. With an exception of a few, the males of this movie act as if the women are object to be played with rather then to be taken seriously. The first example of this is when Elle is on a date with her, at the time, current boy friend Warner, they?re at a restaurant and Elle thinks he?s going to propose but instead he breaks up with her because she isn?t ?serious?. Here is where I must mention that Warner falls into the generic gender role of a male, he is tall, good looking, wealthy, not dramatically buff but not scrawny either. When I was watching this scene the main thing that popped into my head was that to Warner Elle was good to look at but wasn?t what he thought of as smart and good enough for ...
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
District 9 is a film that takes us into a realm of a different world from the one that we know now. It combines extraterrestrial life with immense science fiction to illustrate a story we could only imagine to ever actually occur. Although it was created for entertainment purposes, the motion picture can be compared to many different types of individuals and situations. District 9 displays many underlying concepts throughout the movie about racism, prejudice and discrimination. While studying and analyzing the plot and characters, these concepts became more translucent to me, the viewer. This paper will discuss the treatment of District 9 residents and equate their treatment to people with disabilities.
Williams, Linda. "Film Bodies: Genre, Gender and Excess." Braudy and Cohen (1991 / 2004): 727-41. Print.
The attitude towards women has changed dramatically since 1990, the year that this film came out; you will however, find a few men who still have the attitude that women were put on this earth for their enjoyment. In the early nineties, women were hyper-sexualized and viewed as pawns in a game. MTV showed music videos with scantily clad women, which were seen as extremely scandalous at the time. The nineties was also an era of growth, liberalization and sexual discoveries that carried over from the eighties.... ...
For this assignment, I decided to do my film review on To Kill a Mockingbird (Mulligan, R., & Pakula, A. (Directors). (1962). To Kill a Mockingbird[Motion picture on VHS]. United States of America.) I have a personal connection to this film because it is one of my most beloved novels by Harper Lee. I have never watched the film so it was a nice experience to see the characters I have loved for years come to life just before my eyes. The film particularly focuses on a white family living in the South of the United States in the 1930s. The two siblings, Jem and Scout Finch, undergo major changes while experiencing evil and injustice in their small town of Maycomb. Jem and Scout’s father is named Atticus and he is a well-respected man in the town as well as being a lawyer.
This was an astonishing change for the American film industry. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). The 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Se These changes made in action films for women’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007).