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The metamorphosis allegories
Critical analysis of metamorphosis
Critical analysis of metamorphosis
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Franza Kafka wrote one of his most popular books, The Metamorphosis, during the literary period and movement of existentialism. His novella stresses many existential ideals. The most predominant ideal that is seen through Gregor Samsa and his father in The Metamorphosis is that choice is the opportune of the individual. One’s ultimate goal in life is to successfully find a homeostasis between work and leisure. It is through the character development of the father of Gregor Samsa that we see the acquisition of the homeostasis between work and leisure and in turn this exemplifies that the father is an existential ideal.
Franza Kafka was born on July 3, 1883 in Prague, Austria-Hungary (now known as the Czech Republic). He was a German speaking child in a Jewish society. From a very young age he suffered with many instances of isolationism, tragedy ran rampant in his home with the death of his two younger brothers during birth, and he had a profound relationship with his parents. Franza Kafka referred to his father as a “true Kafka” and his father’s relationship paved the way for many of his writings and ideals. He wrote his novella The Metamorphosis at the peak of the existential movement. Kafka and his father had a very stern relationship. The father was a successful business man while Kafka went from job to job and never found a stable and viable job. Kafka constantly was brought down and condescended by his father, which gave the support for many of his writings including The Metamorphosis. The relationship between Kafka and his father is almost exactly identical to the relationship between Gregor Samsa and his father. In almost all of Kafka’s literature the central character always has to overcome an overbearing and overwhelming...
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...inding a balance between work and leisure and never exemplifying an existential ideal. Mr. Samsa unlike Gregor does not only partake in work, he partakes in leisure like spending time with the family and traveling on the train to the country side. Gregor has failed as a working and successful individual in society. An existential theme that choice is the opportune of the individual is thoroughly exemplified through The Metamorphosis. Everyone’s job, as an individual of society, is to keep and maintain a balance between work and leisure. In the end through the character development of Gregor’s father we can see how he was able to find a homeostasis between work and leisure and this finalizes how the father of Gregor is an existential ideal.
Works Cited
Kafka, Franz. The Metamorphosis. Ed. Stanley Corngold. Trans. Stanley Corngold. New York: Bantam, 2004. Print.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
“The Metamorphosis” by Franz Kafka, not only tells the troubling story of Gregor Samsa but of the underlying autobiographical influences of Kafka himself. The first similarity is the unhappiness in both men’s careers, both induced by their strong-willed fathers. In the short story, when Gregor awakes he realizes the problem is not that “he found himself changed in his bed into a monstrous vermin” but that he will be unable to do his job, that pays for his parent’s debt (1156). Franz spent his life, unhappy but successful just like Gregor. Franz majored in law to please his father. Both men strived for similar family duties, Gregor to pay off his father’s debt and Franz for a false sense of hope that one day his father would love him (1157; Sulkes).
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
Angus, Douglas. Kafka's Metamorphosis and "The Beauty and the Beast" Tale. The Journal of English and Germanic Philology, Vol. 53, No. 1. Jan., 1954, pp. 69-71. Print.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Kafka’s shows the shifting in the structural dynamics when Gregor’s new formation changes the attitudes from supportive to neglect when his needs affect their wants, needs and lifestyle. Gregor’s sense of duty to family was his main propriety towards his family. Even though he loathed his job as a travelling salesman, his devotion to financially clear his parent’s debt and care for his sister Grete was more important. He dreamt of fleeing the tightly coiled grip from his parent’s hands, but his loyalty was a pertinent family duty. To Gregor, this was what family was all about.
Since the start of The Metamorphosis, Gregor is an ordinary character with a few complex ideals. Although he hates his job, he knows that he must do because it helps support his family. He applies himself “with great earnestness” (Kafka 1182) to his grinding work as a traveling s...
A “Critical Essay on ‘The Metamorphosis’.” Short Stories for Students. Ed. Jennifer Smith. Vol.
Stephens, J. “Franz Kafka’s personal life reflected in the Metamorphosis” The Kafka Project. 1999-2002. 13 November 2002. .
Prior to his metamorphosis, Gregor already resembles a working cockroach, living an automated life under the conditions of exploitation, discouraging his own life for his family’s basic and materialistic needs. This is shown when Gregor’s mother makes her claim: “You know that boy has nothing but work in his head! It almost worries me that he never goes out on his evenings off” (Kafka 95). This establishes the idea of G...
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Kafka 55. Gregor's father felt relief from the economic burden of supporting his son. Even though the exact story told in Kafka's The Metamorphosis could not occur outside the domain of fantasy, it represents the real course of events of a worker being abandoned by his employer and family, after becoming unable to work and support them financially. Examining the novella from a Marxist perspective, the underlying theme of the story shows a conflict between proletariat and bourgeoisie. Economics replaces everything else in a capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned.
Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Franz Kafka undoubtedly lived a life full of hardships and strife. Creative writing and literature were the only outlets he had to convey his true feelings. Franz Kafka once said that he wanted to find a place where his father could not reach, but such a place always existed. His father could not interfere with the love Kafka had for writing. . Whenever he would write he put some aspect of his life within that piece of work. The Metamorphosis is no exception. A very large amount of his life was used in this story and it is evident throughout. Paternal relationships were the same. Philosophical views were the same, and their inability to stand up for themselves was the same. On paper Gregor Samsa and Franz Kafka is the same individual. Gregor Samsa is the identical representation of Franz Kafka.