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The mexican revolution essay
Mexican revolution essay
Mexican revolution essay
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This story as he or she may know if one has read the story, is that it is about three generations of two families in the mix of the Mexican Revolution of 1910. We have Espirito and Don Carlos as our main character. These two characters have interaction due to the symbolic items that seem to catch my eye as I read the story; However, as readers we get a horrible ending with the bloodbath of the soldiers being in Mr. Espirito’s canyon of fortune, one may say. In this story the canyon where the spring was found play a significant role on all the characters who interacted with Mr. Espirito daily, with that said one may guess it is because the canyon means something to him. Of course, during this time the Mexican had a hard life to live. What was the meaning behind the …show more content…
When Espirito had found the canyon after following the deer, this discovery symbolic change who he was as a person. This seem as though it gave him hope, coming from his old location where the spring had dried up. Mr. Villasenor had stated, “water dripped down the face of the cliff and the whole cliff glistened like a jewel in the bright mid-morning sunlight” (658), with the use of personification in that quote showed how much finding that new canyon gave Mr. Espirito hope, the way the water dripping means so much to him. It just crazy how the “sweet” water from the canyon was untradeable to a man who see a man with nothing, but when he sees some gold nuggets is willing to trade. This is when materialistic things come to take over the world and people tries to play games. Mr. Carlos had said, “ For these I can trade you all the food and
Rain of Gold, is a true story about the history of Mexican people, their culture, traditions and customs that were passed down from the Euro-Indian heritage of Mexico. Rain of Gold was written by Juan Villasenor in search for his ancestral roots. The people of this story are real and not fiction. The places that are discussed are true. And the incidents did actually happen to his family. There are several underlying themes that need addressing. Such as: the importance of family, the importance of religion and spiritualism, woman as center of home and family, respect--protection of woman's virtue; ideal of women as pure, power of the woman--the mother, being a man-man as protector of the family, pride of man to be a provider, importance of traditions, respect for life, work and education/learning, death as part of life, honor, dignity, and finally discrimination and prejudice. I will be using this book as a reference and as a guide throughout this review to discuss the themes that are stated above.
Through the voice of Palo Alto, a mesquite tree, Elena Zamora O’Shea relates the story of one Spanish-Mexican family’s history, spanning over two hundred years, in South Texas, the area encompassing between the Nueces and the Rio Grande. As the narration of the Garcia’s family history progresses through the different generations, becoming more Mexican-American, or Tejano, peoples and things indigenous gradually grow faint. In her account of South Texas history, Elena devalues the importance and impact of Indians, placing a greater precedence on the Spanish settlers.
Antonio prefers the river for company rather than any other place in town; therefore, he was devastated when a misfortunate event tarnished his memory of this beloved landmark. “How would I ever wash away the stain of blood from the sweet waters of my river!” (23). Antonio has established an ardent relationship with the river, yet the tragedy of Lupito’s death ruins the serenity that accompanies his memory of that breathtaking location. The series of events that play out all take place at or around the river, which proves symbolic of the correlation that the people have with that area. Not only does it often stand as the setting of many occasions, the river also is a recurring figure in Antonio’s dreams. “...that the sweet water of the moon which falls as rain is the same water that gathers into rivers and flows to fill the seas.”(121). The river in Antonio’s dream denotes the connection between his two completely opposite families all intercorrelated by Earth. Through the river, there is a unique peace and unity, similar to Antonio bringing his own uniqueness as he upholds and represents his two families. From a feeling of oneness to placidity, the river represents a variety of themes that prove significant in Antonio’s paramount transition from a child to an adult, many of which help the reader understand the crucial role
Estevan and Esperanza’s sacrifice involved a major part of their lives. Both Estevan and Esperanza sacrificed their daughter for the lives of seventeen other people. Back in Guatemala, they were part of an secret underground teachers union where important information was passed by word of mouth.
Esperanza, the most liberated of the sisters, devoted her life to make other people’s lives better. She became a reporter and later on died while covering the Gulf Crisis. She returned home, to her family as a spirit. At first, she spoke through La Llorona, a messenger who informed La Loca that her sister has died. All her family members saw her. She appeared to her mother as a little girl who had a nightmare and went near to her mother for comfort. Caridad had conversations with her about politics and La Loca talked to her by the river behind their home.
In “The Fortune Teller,” the author, Joaquim Maria Machado de Assis, uses symbolism to prove to one that an affair is not worth a person’s life. He uses the letter to symbolize hate between Villela and Camillo regarding the affair. This very ambiguous letter has terrified Camillo and put an end to his life. The letter enhances the theme of the short story by showing the anger and hate that Villela now had for Camillo. This hate is a focal point in the short story that leads to ending the affair along with Camillo and Rita’s life. Ultimately, the affair caused a large amount of tension between the three. However, the author was successful in grabbing the reader’s attention with the letter as the turning point of the short story.
This duality is exemplified in the first passage, from the final scene of the novel, where Tita and Pedro’s love finally consummates in a fiery “volcano”(Esquivel 176). The description of Pedro and Tita’s love as a volcano creates a sensual and emotion-provoking tone through the use of hyperbole and magical realism. Additionally, in this passage through the metaphor of fire Esquivel comments on the nature of soul and the repercussions of passion. The purpose of these exaggerated and hyperbolic descriptions is to create a fantasy world and evoke strong emotions. For instance the exaggerated description of the “enormous bedspread…that covered the whole ranch” (Esq...
Not many people know of the used-to-be 150-mile excursion that the Glen Canyon had to offer. Not many people know how to sail a raft down a river for a week. Not many people know how to interact with nature and the animals that come with it. We seem to come from a world that is dependent on time and consumed in money. Edward Abbey is what you would call an extreme environmentalist. He talks about how it was an environmental disaster to place a dam in which to create Lake Powell, a reservoir formed on the border of Utah and Arizona. He is one of the few that have actually seen the way Glen Canyon was before they changed it into a reservoir. Today, that lake is used by over a million people, and is one of the biggest recreation hot spots in the western United States.
...s poems publication. In `A un olmo seco', we discover references to the cemetery of Leonor's grave, and the beauty of new shoots set against the decay of the `olmo's' trunk, which evokes Machado's young wifr in her terminal condition. `A un olmo seco' is highlights the central theme of landscape and countryside, and through the physical description, Machado remembers his personal experience in Soria. The river Duero acts as a leitmotif for the cemetery where his wife was buried. In `Caminos' as Machado develops the theme of his displacement in Baeza, his mood is finally attributed to the loss of his wife. Landscape can be linked with inner emotional landscape. The landscape in this poem is ominous, violent and inflexible: "hendido por el rayo." Therefore, landscape acts as a way of revealing inner emotion and Spanish National character throughout the collection.
Hector Esperanza, an immigrant from Mexico who has lived in Los Angeles almost his entire life begins the novel by introducing what he believes the American dream is all about. He says, “We run into this American dream with a determination to shed everything we know and love that weighs us down if we have any hope of survival. This is how we learn to navigate the terrain” (Skyhorse 1). Hector is essentially saying in order for one to obtain what one wants, one must lose things in order to gain. Loss can be people, culture, homes, anything that meant a lot to someone and they gave it up in order to set a better life for themselves in America. To become...
In “The Handsomest Drowned Man”, Gabriel Garcia Marquez uses the drowned man to develop his message that even though individuals may not know someone directly, they can still have an impact on their life. For instance, after the islanders had found the drowned man and prepared him for burial, they proceeded to create an intriguing personality for him. Due to this creation of personality, the islanders noticed how drab and boring their lives and surroundings were. So, they proceeded to brighten the world around them by planting flowers, reconstructing their homes, and painting them. These islanders created a wonderful personality of the drowned man and observed
The pyramid scheme begins with a single individual, as presented by Diego Velasquez in The Waterseller of Seville. This painting portrays a cycle of life by its circular patterns and smooth curves, like that of a full moon with its glowing softness as it blends into the clear, midnight sky. At its center is a clear cup filled with water, like the water of life that quenched the dying man’s thirst in a hot desert. It is being passed around three men, who also stand in a circular fashion. They represent one body in different stages of life. The young boy, in his school uniform of a black jacket and white dress shirt, looks at the glass as would a child at a chocolate chip cookie, craving and yearning for that bit of sweet chocolate encased by a soft sugary dough. He is eager and ready to take on the next step of satisfying himself and his thirst for knowledge. The old man on his right is wearing a very bright red cloak that reflects off onto his hands and face, giving it a red glow as well. He reminds one of the story of the red balloon that befriends a young boy while floating round and about in a protective and guiding manner before it was accidentally burst. He too has his hand on the cup as if to receive it from the young boy, as if they are passing this bit of knowledge onto the next stage of life, where he is now present. His hand rests upon a large water jug with such smooth curves, like the soft ripples in a pond after a rock skids across its surface. It contains that bit of knowledge carried through the years from life, flowing as would water. Behind the young boy and man is a more mysterious figure, like a spirit from the netherworld whose face is transparent. He, too, holds a glass in his hand, but unlike the other two, he is actually drinking from it. He is the symbolic representation of a completion in the rites of the glass.
After delivering Santiago two stones for his journey, Melchizedek tells him the story of the wisest man in the world, who asked a visitor to his beautiful palace to carry a teaspoon of oil throughout the grounds. Upon the boy’s return, he asked what he had seen, but the boy had been too focused on not spilling the oil that he had failed to notice any of the marvels around him. “The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.” (Coelho, 32) This quote symbolizes the contribution from.
With the death of the horse came the arrival of an old Mexican man, who too so happened to be coming to the crossroads of his life. The man claimed to be coming to the mountain region to die in the place where he so happened to have been born. Jody's immediate reaction to Gitano, as he was called, appear...
In “The Handsomest Drowned Man in the World” Gabriel Garcia Marquez tells the tale of a drowned man that washed up in a small, remote town by the ocean. The women of the town tend to the cadaver and are awe-stricken by the man’s size as well as his beauty. As a result, the women begin to fantasize about how the man’s life must have been while alive, stating “…he would have put so much work into his land that springs would have burst forth from among the rocks so that he would have been able to plant flowers on cliffs” (2). Thus, the women begin to develop a connection with the cadaver, as he becomes a representation of improvement and happiness. This is because the women believed that this stranger would have been able to bring back color into