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The godfather movie analysis
The godfather movie analysis
The godfather movie analysis
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The Godfather, directed by Francis Ford Coppola is a movie about the lives of an Italian American family affiliated with the mafia during the 1940’s. The movies main character, Michael Corleone is faced with many ethical and moral decisions that completely consume his life sacrificing his beliefs in order protect the “family” that his father has built. Through his trials and tribulations, Michael’s egoism, morality and paranoia sets into motion a destructive force that eliminates any chance of contentment that he may have once hoped to have.
As the movie opens, we immediately see a moral dilemma unfolding. We see behind the curtain the inner workings of Michael’s father meeting with guests granting favors on the day of his daughter’s wedding. A man named Bonasera is asking that the Don kill the men that violated his daughter. Vito Corleone, a well composed and excellent negotiator responds to Bonasera that to kill those men would not be an act of justice. That his daughter is still alive and to kill the men that violated her would be an immoral act. We learn immediately that although Vito’s organization is questionable both legally and morally, there is a code of ethical behavior that is required in order to maintain a successful and respectful operation.
As the movie progresses, we see Michael Corleone, a young man in a military uniform sitting with a young lady named Kay who is startled by a very large man sitting behind them waiting to speak with Michael’s father. When she asks Michael who the man is, he tells her that his name is Luca Brasi and that he is an associate of his father. Later Michael informs Kay of his father’s power and persuasion referring to his father as a man of great responsibility, like a senator or a go...
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...f such deeds to his wife, definitively proves to the audience that his role as a Mafia don has consumed him.
The structure of a Corleone crime organization is similar to that of the military. The interests behind all criminal organizations such as the Corleone family are set up as a military system following a similar hierarchy of soldiers, captains, lieutenants, etc. Any hostility or wars are typically associated for the same reasons whether they are criminal syndicates or government. They may be fought over money, power, resources, territory or a combination of all of these. Just as men enlist and serve as soldiers, men join the ranks and become soldiers for the Corleone family. Both are trained to follow orders and to defend their “families” at all cost. As a soldier, both are loyal to their country and follow all orders given to them no differently when asked.
Throughout the film there are two main characters. These two characters are Irish brothers that share a deep sense of their Catholic religion. Their names are Murphy and Connor McManus. Murphy and Connor are two normal men who are put in an extraordinary situation. Connor risks his own life to save the life of his brother. The situation starts out with a bar fight with two Russian mafia members. The Russians lose the fight with the two brothers; the next morning they come after the McManus brothers for revenge. Murphy and Connor kill the two men in self defense and go to the police station. While in the holding cell, they are given a message from a “spiritual force” to rid the world of evil men. The two brothers mutter “kill all that is evil, so all that is good may flourish”(The Boondock Saints) From that moment they devote themselves to a battle between good and evil. Another important character is David Della Rocco, also known as the “Funny Man” or just Rocco. Rocco is a package boy for the Yakaveta family which is involved in the Italian mafia. The head of the Yakaveta family is “Papa” Joe Yakaveta. Papa sets up Rocco in a situation to have him killed; Rocco finds out about papa's plans and decides to join forces with Murphy and Connor in killing evil people. The killings are mainly focused towards men with mafia affiliations. So Rocco tells the McManus brothers who to ki...
In film, many times the auteur often uses the medium to convey a moral or make a social commentary. In the case of Howard Hawkes’s original version of Scarface, there is more being portrayed through the characters then merely the story. Hawkes makes a statement about the façade of organized crime, and the farce of the American Dream.
Al Capone, America’s most prominent Mafia figure in the 1920’s, also known as “Scarface” for a scar running down his left cheek. Capone didn’t hide in the shadows like most figures in such a shady occupation. He didn’t shy away from the camera, more like he welcomed it, and aimed to be seen by the public as a respectable businessman and a pillar of the community. Surprisingly, Capone wasn’t from a distinctly poor community, his father earned a living as a barber. Capone was introduced to the gang life by a friend and from there it all went downhill and into the life of a gangster.
An American drama film directed and produced by Clint Eastwood which has gained recognition worldwide particularly because of Clintwood’s appealing directing style. It was recognized by the American Drama Institute as one of the “Ten Best Films of 2008”(Gran Torino, 2013) and debutedthe writer, Nick Schenk. Clint Eastwood demonstrates, through Mr. Walt, that if your past negatively affects your life and the way you see things, then its best to let go of it and start a new beginning. An intense film told with great humor, Gran Torino is a cinematic masterpiece. This film succeeds in its development in portraying the negative aspects involving multicultural communications and the bond formed by people from two extremely different generations.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
It is the Godfather that demands the family stick with family and never side with any one out side of the family no matter the situation. Vito the Godfather would remind them family is family and no one will miss treat or use any member of the family. He proves this point when his godson comes to him about a problem with a director name Jack Woltz. Because Jonny Fontane is the godson the Godfather Corleone will send his step son who is consigliere to the family to California to advise the director to hand the part over to Fontane.
They wear fancy suits, drive luxurious cars, and parade around with different women each day. Although being a gangster has some advantages, everything comes with a price. Tom and Matt were such successful gangsters that they attracted enemies from other gangs. The audience watches as Tom and Matt walk down the street, and suddenly gunshots are heard, Matt has been shot and killed. The audience may have assumed all the violence and tragedy would end there but the death of Tom only sparked a bloody mob war. This film was one of the first films of its time to show a mob war which were very common during the 1920s. Competition was one of the biggest parts of being a gangster. Al Pacino who played a famous gangster in the movie The Godfather says in the film, “Everybody loves you until you become competition.” Gangsters were perceived as powerful men who were above the law and who could handle anything, but that is not always the case, especially for Tom. In the end of the film, Tom reign as a gangster comes to an end. He wanted to get revenge for his friend Matt, but it only resulted in his death as well. Some people aren’t as tough as they think they
Loyalty, the root of any mob family, something that Francis Coppola’s, The Godfather so strongly believes in, whereas Martin Scorsese’s, Goodfellas is more of a fend for yourself type of atmosphere. The Corleone family sets up loyalty as if it was a commandment. Whether it is staying loyal to one’s commitment or to the family.
Angelo's job is to take over in government while the Duke investigates his own character and those of others disguised as a friar. Whilst Angelo is in power, his will, ironically is in direct conflict with the law he is trying to uphold. He propositions chaste Isabella to engage in sexual activity in exchange for the life of her brother who is to be executed because of his sexual indiscretions. It can be perhaps seen that Angelo is not an inherently evil character, that he feel from ...
The film begins with a wedding, and this setting sets the stage for the basic theme of the movie, which is family. ?The Godfather?, isn?t necessarily about organized crime. Crime is merely the family business, and crime is the way in which the author of the novel in which this film is based on used to set up the interactions and conflicts between the members of the Corleone family. In fact, this film could probably work even without the Mafia themes. At heart it is just a movie about the structure of a family from generation to generation.
Many of the film’s important scenes begin with one key character, Don Vito Corleone and the word “Godfather…” The setting is very dark as the film opens and a man is asking for the Godfather’s help. Though the Don is not happy about the request he grants it, letting the man know that when the time comes he will have to do him a service as well. As the movie continues the audience is shown that it is a very special day; it is Connie Corleone, the Godfather’s daughter’s wedding day. This is an important factor in understanding why Corleone has granted this request, because of the tradition that “no Sicilian can refuse anyone’s request on his daughter’s wedding day.” With this line comes the insight that the family and the culture find old world tradition very important. Throughout the movie several people come to Vito Corleone asking for favors and services to be rendered.
The film exhibits and analyzes the story of NFL player Michael Oher’s life through high school as he endures various adversities and difficulties in his life. It tells Oher’s story of being the son of a cocaine addictive mother and absentee father, who is homeless due the circumstances of his family. Despite not having either of his parents in his life he did have Big Tony, who was his friend’s dad. Big Tony would allow Michael to sleep on his sofa some days when he did not have anywhere else to live and he also was the main cause to Michael being admitted to the Wingate Academy Christian School. At this school Michael meets S.J., who is the son on the Tuohy’s. S.J. begins a friendship with Michael at a time when no one else would and on a rainy day after S.J.’s thanksgiving play, the Tuohys see Michael walking. They ask him ...
In the fairy tale “Godfather Death” contained in the book Grimm’s Tale for Young and Old: The Complete Stories as translated by Ralph Manheim, the central theme is betrayal. The apparent betrayals take place seven times in the course of a man’s life, mainly for personal gain. Each person doing the deceiving, whether for the good of the family or kingdom, truthfully ends up lying to others in order to gain something of significant value. In the end, a father deceives his son twice, the son deceives his royal family and his own godfather twice and the godfather deceives his godson once.
On the other hand, his rival, Solozzo, uses his power to strong-arm his followers and reign terror upon his foes. He relies on his allies for support and wields that power to pursued others to help him. “Sonny will come after you with everything he’s got…You gotta talk some sense into him, the Tattalgia Family stands behind me with all their people.”
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.