From the title of this poem, the reader may expect a warm and comforting story around an old man before a crackling fire though Frost denies this consoling desire and rather makes an unpleasant account , one of the darkest works in his 1916 "Mountain Interval" where he depicts an old man slowly dying alone amid an unforgiving New England winter. The poem never sheds lights upon the reason that the old man is alone, reiterating that he is completely isolated and beyond the comfort of companionship. The most frightening aspect of this poem is the old man’s loss of memory ;he has no recollection of his motivation in life or identify and winds up remaining “with barrels round him – at a loss.” The old man isolated in body and in state of mind, but still has the courage to scare off the fears that creep around him. …show more content…
A light he was to no one but himself” . In spite of the fact that the old man does not recall precisely what he fears in the basement or at night, he sticks to the action of "clomping" as a well known but new solace. The overwhelming sense of loneliness and fear is accentuated by the noises all around the old man: the cracking of branches, the roar of the trees. These lines also reveal that the man must rely on nature to do what he can not. However, the old man himself remains silent through the poem. By rendering the old man quiet, Frost endeavors to impart readers with a similar feeling of confinement that the old man himself encounters. As it may be, notwithstanding, the reader is compelled to remain silent who can not connect to the old man and his mind. Frost demonstrates a theme of isolation throughout of his poem, connecting man to the real world that is a harsh place and is not kind to any
Archibald Lampman’s “Winter Evening” and P.K. Page’s “Stories of Snow” both initially describe winter to be delicate and blissful, yet, as one delves deeper into the poem, it is revealed that the speakers believe winter to be harsh and forceful. Archibald Lampman’s “Winter Evening,” starts describing an evening
As characters in the poem are literally snow bound, they find that the natural occurrence actually serves a relaxing and warming purpose, one that brings together family. This effect is further achieved through the use of meter throughout the work as a whole. In its simplistic yet conversational tone, the author uses meter to depict the result that nature has forced upon these humans, who are but a small sample size that actually is representative of society that that time. Due to nature, the characters can talk, represented by the conversational meter, and thus, they can bond within the family. A larger representation of this more specific example can be applied to a more general perspective of human’s relationship with the natural world. Although “Snowbound” captures what humans do as a result of nature, it can also represent a larger picture, where nature appears at the most opportune times to enhance relationships from human to human. In “snowbound,” this is symbolized by the fire, “Our warm hearth seemed blazing free” (Whittier 135). This image relays a spirited, warm, mood full of security, which is expertly used by the author to show how fire, a natural phenomena, can provide such beneficial effects on humans. This very occurrence exemplifies how such a miniscule aspect of nature can have such a profound effect on a family, leaving the reader wondering what nature and its entirety could accomplish if used as a
Our speaker seems a solemn individual. One, whom explores a city alone and by night, a favorable past time for anybody who does not want to be bothered. Yet, as evidenced in the form of the poem, our speaker seems to feel a spark of excitement when human interaction becomes a possibility within our story. However, it seems that our poet, Robert Frost, displays an uncanny knack for misdirection throughout the entirety of this poem, and unless we meticulously pick this poem apart, we may miss the real meaning behind Frost 's words. Case in point: At first glance, this poem, about a lonely individual, appears to focus on their desire for human companionship, but, just perhaps, our speaker is actually loath to admit his true feelings, that companionship is what they desire the least.
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
Frost's poem addresses the tragic transitory nature of living things; from the moment of conception, we are ever-striding towards death. Frost offers no remedy for the universal illness of aging; no solution to the fact that the glory of youth lasts only a moment. He merely commits to writing a deliberation of what he understands to be a reality, however tragic. The affliction of dissatisfaction that Frost suffers from cannot be treated in any tangible way. Frost's response is to refuse to silently buckle to the seemingly sadistic ways of the world. He attacks the culprit of aging the only way one can attack the enigmatic forces of the universe, by naming it as the tragedy that it is.
“Its deserted streets are a potent symbol of man and nature 's indifference to the individual. The insistence of the narrator on his own self-identity is in part an act of defiance against a constructed, industrial world that has no place for him in its order” (Bolton). As the poem continues on, the narrator becomes aware of his own consciousness as he comes faces nature and society during his walk. He embraces nature with the rain, dark and moon but he also reinforces his alienation from society as he ignores the watchman and receives no hope of cries for him. The societal ignorance enforces our belief that he is lonely on this gloomy night. “When he passes a night watchman, another walker in the city with whom the speaker might presumably have some bond, he confesses, ‘I… dropped my eyes, unwilling to explain.’ Likewise, when he hears a voice in the distance, he stops in his tracks--only to realize that the voice is not meant "to call me back or say goodbye" (Bolton). The two times he had a chance to interact with the community, either he showed no interest in speaking or the cry wasn’t meant for him. These two interactions emphasize his loneliness with the
Examine the ways in which Frost explores ideas about loneliness and isolation in three poems you have studied.
One aspect Frost explores through his use of extended conceptual metaphor is the representation of life as a journey. The traveller, tempted by death, ultimately concludes that he has “miles to go”, where the repetition of the final line develops a sense of monotony, expressing the growing sense of enervation. Interpreted in a purely literal way the traveller is confronted by a simple conundrum: whether to stop or go. However, once read in context, Frost exposes the confrontation between “obligation and temptation” that encompasses both the poem and our lives. The traveller’s isolation from humanity and his exclusion from the woods whose owner “is in the village” perhaps mirrors Frost’s own sense of isolation. The change in rhyme scheme contributes uncertainty that, befitting of such a poe...
By both elaborating on the ideas of earlier writers and adding ideas of his own, Robert Frost creates a place for himself in history. The themes of his poems remain true regardless of the time period. Modern readers understand the importance of love and imagination that Frost describes. His messages about death and relationships have guided readers for decades. While technology becomes an ever more important part of the modern world, the continued love of Frost’s poetry shows that people still feel a connection to nature.
Darkness may also symbolize the mystery of the yet to be discovered secrets deep within the woods. (8) The silence makes the speaker feel secluded from all other aspects of reality. (11-12) Stopping by the woods provides the speaker with a temporary escape from reality. Frost does not ever tell what business the speaker is on, but you can assume it may be very stressful. This escape from reality is very important even in today’s world. This poem was written in 1923 and still has aspects of 20th century society.
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”
The vivid imagery, symbolism, metaphors make his poetry elusive, through these elements Frost is able to give nature its dark side. It is these elements that must be analyzed to discover the hidden dark meaning within Roberts Frost’s poems. Lines that seemed simple at first become more complex after the reader analyzes the poem using elements of poetry. For example, in the poem Mending Wall it appears that Robert frost is talking about two man arguing about a wall but at a closer look the reader realizes that the poem is about the things that separate man from man, which can be viewed as destructive. In After Apple Picking, the darkness of nature is present through the man wanting sleep, which is symbolic of death.
Lynen also states that “the struggle between the human imagination and the meaningless void man confronts is the subject of poem after poem” (6). On speaking of Frost’s nature poetry, Gerber says, “with equanimity Frost investigates the basic themes of man’s life: the individual’s relationships to himself, to his fellow man, to his world, and to his God” (117). All of these...
...uses his poetry to celebrate, compare, and contrast the beauty of nature and rural living. Throughout Frost’s poetry he draws upon the beauty of nature to build up vast amounts of scenery. To contrast from nature, Frost also uses the integration of industrialized rural life. Frost uses nature to build the beauty in his poetry, but also uses it to say things that cannot be said with words alone. Heller once wisely spoke: “Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.”
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground as his subject manner, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression.